Temperance Green Smith wonders what would have happened if she and her best friend, Rhonda Edwards, had gone to the early movie that hot Saturday in July of 1954 in Lenoirville, North Carolina. The only descendant of North Carolina textile workers, Mae and Stedman, as well sa a daughter of twentieth-century social strife, Temperance knows things would have gone differently, much differently. Many years later, she still bears guilt over the hate killing of one who had performed a courageous but costly act on her behalf. Pressed by her counselor, she submits to write her story, dirty days and all. Recalling and reinterpreting both traumatic and happy events long repressed, she writes a story revealing a detailed slice of mid-twentieth century culture and exposing connections between oppressed races and classes. Those connections, she discovers, cross generational lines and tie socio-economic periods linking two centuries. A searching reconfiguration of America's epic civil rights narrative, The Dark Strip projects a tragic vision of the effort to win liberty and the power to name one's place and links it with a story of love found and lost and ripeness extracted from pain and endurance. With questions unanswered and loose ends untied, The Dark Strip celebrates life's ambiguity and courage, its openness and refusal to apologize.

This book showcases a range of views on topics at the forefront of current controversies in the field of metaphysics. It will give readers a varied and alive introduction to the field, and cover such key issues as: modality, fundamentality, composition, the object/property distinction, and indeterminacy. The contributors include some of the most important philosophers currently writing on these issues. The questions and philosophers are: Are there any individuals at the fundamental level? / (1) Shamik Dasgupta (2) Jason Turner Is there an objective difference between essential and accidental properties? / (1) Meghan Sullivan (2) Kris McDaniel and Steve Steward Are there any worldly states of affairs? / (1) Daniel Nolan (2) Joseph Melia Are there any intermediate states of affairs? / (1) Jessica Wilson (2) Elizabeth Barnes and Ross Cameron Do ordinary objects exist? / (1) Trenton Merricks (2) Helen Beebee Editor Elizabeth Barnes guides readers through these controversies (all published here for the first time), with a synthetic introduction and succinct abstracts of each debate.

Health is weird. Health is weird in a way that resists simple explanations or elegant theorizing. This book is a philosophical explanation of that weirdness, and an argument that grappling with the distinctive weirdness of health can give us insight into how we might approach difficult questions about social reality. After examining extant theories of health - and finding them lacking - the book explores some particularly intractable puzzles about the nature of health, places where we often feel pulled in multiple directions or have reason to say conflicting things. On the basis of these puzzles, the book then defends a stance called ameliorative skepticism. Although health is real, there is, on this view, no way of giving a coherent, explanatorily adequate answer to the question “what is health?” Yet adopting this skeptical stance can, it is argued, help us to better understand the role that health plays in our lives, and the work that we need a theory of health to do.

This book showcases a range of views on topics at the forefront of current controversies in the field of metaphysics. It will give readers a varied and alive introduction to the field, and cover such key issues as: modality, fundamentality, composition, the object/property distinction, and indeterminacy. The contributors include some of the most important philosophers currently writing on these issues. The questions and philosophers are: Are there any individuals at the fundamental level? / (1) Shamik Dasgupta (2) Jason Turner Is there an objective difference between essential and accidental properties? / (1) Meghan Sullivan (2) Kris McDaniel and Steve Steward Are there any worldly states of affairs? / (1) Daniel Nolan (2) Joseph Melia Are there any intermediate states of affairs? / (1) Jessica Wilson (2) Elizabeth Barnes and Ross Cameron Do ordinary objects exist? / (1) Trenton Merricks (2) Helen Beebee Editor Elizabeth Barnes guides readers through these controversies (all published here for the first time), with a synthetic introduction and succinct abstracts of each debate.

Elizabeth Barnes argues compellingly that disability is primarily a social phenomenon-a way of being a minority, a way of facing social oppression, but not a way of being inherently or intrinsically worse off. This is how disability is understood in the Disability Rights and Disability Pride movements; but there is a massive disconnect with the way disability is typically viewed within analytic philosophy. The idea that disability is not inherently bad or sub-optimal is one that many philosophers treat with open skepticism, and sometimes even with scorn. The goal of this book is to articulate and defend a version of the view of disability that is common in the Disability Rights movement. Elizabeth Barnes argues that to be physically disabled is not to have a defective body, but simply to have a minority body.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. When China's War of Resistance against Japan began in July 1937, it sparked an immediate health crisis throughout China. In the end, China not only survived the war but emerged from the trauma with a more cohesive population. Intimate Communities argues that women who worked as military and civilian nurses, doctors, and midwives during this turbulent period built the national community, one relationship at a time. In a country with a majority illiterate, agricultural population that could not relate to urban elites' conceptualization of nationalism, these women used their work of healing to create emotional bonds with soldiers and civilians from across the country. These bonds transcended the divides of social class, region, gender, and language.

Elizabeth Barnes argues compellingly that disability is primarily a social phenomenon-a way of being a minority, a way of facing social oppression, but not a way of being inherently or intrinsically worse off. This is how disability is understood in the Disability Rights and Disability Pride movements; but there is a massive disconnect with the way disability is typically viewed within analytic philosophy. The idea that disability is not inherently bad or sub-optimal is one that many philosophers treat with open skepticism, and sometimes even with scorn. The goal of this book is to articulate and defend a version of the view of disability that is common in the Disability Rights movement. Elizabeth Barnes argues that to be physically disabled is not to have a defective body, but simply to have a minority body.

Temperance Green Smith wonders what would have happened if she and her best friend, Rhonda Edwards, had gone to the early movie that hot Saturday in July of 1954 in Lenoirville, North Carolina. The only descendant of North Carolina textile workers, Mae and Stedman, as well sa a daughter of twentieth-century social strife, Temperance knows things would have gone differently, much differently. Many years later, she still bears guilt over the hate killing of one who had performed a courageous but costly act on her behalf. Pressed by her counselor, she submits to write her story, "dirty days and all." Recalling and reinterpreting both traumatic and happy events long repressed, she writes a story revealing a detailed slice of mid-twentieth century culture and exposing connections between oppressed races and classes. Those connections, she discovers, cross generational lines and tie socio-economic periods linking two centuries. A searching reconfiguration of America's epic civil rights narrative, The Dark Strip projects a tragic vision of the effort to win liberty and the power to name one's place and links it with a story of love found and lost and ripeness extracted from pain and endurance. With questions unanswered and loose ends untied, The Dark Strip celebrates life's ambiguity and courage, its openness and refusal to apologize.

Working to reconcile the Christian dictum to ""love one's neighbor as oneself"" with evidence of U.S. sociopolitical aggression, including slavery, corporal punishment of children, and Indian removal, Elizabeth Barnes focuses her attention on aggressors--rather than the weak or abused--to suggest ways of understanding paradoxical relationships between empathy, violence, and religion that took hold so strongly in nineteenth-century American culture. Looking at works by Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Louisa May Alcott, among others, Barnes shows how violence and sensibility work together to produce a more ""sensitive"" citizenry. Aggression becomes a site of redemptive possibility because salvation is gained when the powerful protagonist identifies with the person he harms. Barnes argues that this identification and emotional transformation come at a high price, however, as the reparative ends are bought with another's blood. Critics of nineteenth-century literature have tended to think about sentimentality and violence as opposing strategies in the work of nation-building and in the formation of U.S. national identity. Yet to understand how violence gets folded into sentimentality's egalitarian goals is to recognize, importantly, the deep entrenchment of aggression in the empathetic structures of liberal, Christian culture in the United States.

A Family Guidebook on Bullies, Self-Esteem & Hidden Hurts! is the first interactive guidebook for families and their elementary-school children. This guidebook offers information on specific topics and related worksheets that represent the social and emotional interests and issues of children in grades one through five. Each worksheet and role-play is designed to improve communication, resilience, self-esteem and encourage relationship building among elementary-school children. Some of the topics include: Anger Management, Making Mistakes, Teasing, Bullying, Cliques, Kindness, Courage, Character and many more.

Explores the extent to which sympathy and sentiment--through the representation of the family--are increasingly employed to construct the notion of a politically affective state in philosophical, political and literary texts. The book offers fresh interpretations of classic and lesser-known works, from Susanna Rowson's "Charlotte Temple" to Herman Melville's "Billy Budd."