Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
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Love's Whipping Boy - Violence and Sentimentality in the American Imagination (Paperback, New edition)
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Love's Whipping Boy - Violence and Sentimentality in the American Imagination (Paperback, New edition)
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Working to reconcile the Christian dictum to ""love one's neighbor
as oneself"" with evidence of U.S. sociopolitical aggression,
including slavery, corporal punishment of children, and Indian
removal, Elizabeth Barnes focuses her attention on
aggressors--rather than the weak or abused--to suggest ways of
understanding paradoxical relationships between empathy, violence,
and religion that took hold so strongly in nineteenth-century
American culture. Looking at works by Herman Melville, Frederick
Douglass, Nathaniel Hawthorne, and Louisa May Alcott, among others,
Barnes shows how violence and sensibility work together to produce
a more ""sensitive"" citizenry. Aggression becomes a site of
redemptive possibility because salvation is gained when the
powerful protagonist identifies with the person he harms. Barnes
argues that this identification and emotional transformation come
at a high price, however, as the reparative ends are bought with
another's blood. Critics of nineteenth-century literature have
tended to think about sentimentality and violence as opposing
strategies in the work of nation-building and in the formation of
U.S. national identity. Yet to understand how violence gets folded
into sentimentality's egalitarian goals is to recognize,
importantly, the deep entrenchment of aggression in the empathetic
structures of liberal, Christian culture in the United States.
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