The philosophy of Charles Sanders Peirce (1839-1914) is very important at every stage of the history of modern American thought. It informs William James's evolutionary metaphysics, John Dewey's theory of logic, W.V.O. Quine's naturalism, and Richard Rorty's notion of the Linguistic Turn. Similarly, many Continental philosophers, like Jurgen Habermas, Karl-Otto Apel, Jacques Derrida, and Umberto Eco, have developed Peirce's semiotic logic as central to their own philosophical views. Yet until now there has been a yawning gap in the literature on what is arguably the most essential idea in the entire Peircean corpus, namely his "fallibilism." The basic idea of fallibilism is that all knowledge claims, including those metaphysical, methodological, introspective, and even mathematical claims - all of these remain uncertain, provisional, merely fallible conjectures.

As Elizabeth Cooke explains in "Peirce's Pragmatic Theory of Inquiry," one long-standing concern with the idea of fallibilism is that it might all too easily slide into "skepticism." And this would certainly undermine the overall project of making Peirce's fallibilism the linchpin for any realistic pragmatism. So, it is essential to show Peirce's philosophy does not require any claims to certitude, in order to keep his fallibilism from falling into skepticism or contextualism. Cooke's solution to this problem is to interpret Peirce as having reconceived knowledge - traditionally defined as "foundational" and even "static" - as a dynamic process of inquiry, one which evolves within a larger ontological process of evolution. Her book will be of great interest not only to Peirce and Pragmatism specialists but also to contemporary epistemologists more generally.

King David sings his psalms. A world away, King Henry plots. And courtier Thomas Wyatt sees them both, his beloved falcon Lukkes on his arm. David wants Bathsheba. Henry too must have what he wants. He wants Ann, a divorce, a son. He looks up at his tapestry of David and sees a mighty predecessor who defended his faith and took what he liked. But he leaves it to others to count the costs. Among those counting is the poet Wyatt, who sees a different David, a man who repented before God, in song as in life. This is the version of the biblical king which Wyatt must give voice to as he translates David's psalms. As David pursues Bathsheba, Henry courts Ann, and Wyatt interweaves the past and present. Lux is a story of love and its reach, fidelity and faith, power and its abuses.

This book comprises a collection of papers given at the fifth biennial conference of the Centre for Property Law at the University of Reading held in March 2004,and is the third in the series Modern Studies in Property Law. The Reading conference has become well-known as a unique opportunity for property lawyers to meet and confer both formally and informally. This volume includes a refereed and revised selection of the papers given there. The papers thus cover a broad range of topics of immediate importance including: land registration, leasehold and commonhold, prescription and law and equity. A growing and popular aspect of the series is its coverage of property law matters worldwide; this volume includes essays on property law in developing countries, in South Africa, Canada, and Eastern Europe.

The law of estoppel is a modern concept with a medieval label. It concerns the enforcement of obligations outside the law of contract and tort; we might call it the law of consistency, which obliges people to stand by things they have said. This is a book for lawyers, but will be of interest to other readers as a picture of how the law has tried to deal with its own shortcomings. The book will be of interest practitioners and scholars in other jurisdictions particularly Australia and New Zealand.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Keats's poetry and prose - all the major poems, complemented by a generous selection of Keats's letters - to give the essence of his work and thinking.
In his tragically short life Keats wrote an astonishing number of superb poems; his stature as one of the foremost poets of the Romantic movement remains unassailable. This volume contains all the poetry published during his lifetime, including Endymion in its entirety, the Odes, "Lamia," and both versions of "Hyperion." The poetry is presented in chronological order, illustrating the staggering speed with which Keats's work matured. Further insight into his creative process is given by reproducing, in their original form, a number of poems that were published posthumously.
Keats's letters are admired almost as much as his poetry and were described by T. S. Eliot as "certainly the most notable and most important ever written by any English poet." They provide the best biographical detail available and shed invaluable light on Keats's poems.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.