The philosophy of Charles Sanders Peirce (1839-1914) is very important at every stage of the history of modern American thought. It informs William James's evolutionary metaphysics, John Dewey's theory of logic, W.V.O. Quine's naturalism, and Richard Rorty's notion of the Linguistic Turn. Similarly, many Continental philosophers, like Jurgen Habermas, Karl-Otto Apel, Jacques Derrida, and Umberto Eco, have developed Peirce's semiotic logic as central to their own philosophical views. Yet until now there has been a yawning gap in the literature on what is arguably the most essential idea in the entire Peircean corpus, namely his "fallibilism." The basic idea of fallibilism is that all knowledge claims, including those metaphysical, methodological, introspective, and even mathematical claims - all of these remain uncertain, provisional, merely fallible conjectures.

As Elizabeth Cooke explains in "Peirce's Pragmatic Theory of Inquiry," one long-standing concern with the idea of fallibilism is that it might all too easily slide into "skepticism." And this would certainly undermine the overall project of making Peirce's fallibilism the linchpin for any realistic pragmatism. So, it is essential to show Peirce's philosophy does not require any claims to certitude, in order to keep his fallibilism from falling into skepticism or contextualism. Cooke's solution to this problem is to interpret Peirce as having reconceived knowledge - traditionally defined as "foundational" and even "static" - as a dynamic process of inquiry, one which evolves within a larger ontological process of evolution. Her book will be of great interest not only to Peirce and Pragmatism specialists but also to contemporary epistemologists more generally.

This book is a collection of papers given at the sixth biennial conference at the University of Reading held in March 2006, and is the fourth in the series Modern Studies in Property Law. The Reading conference has become well-known as a unique opportunity for property lawyers to meet and confer both formally and informally. This volume is a refereed and revised selection of the papers given there. It covers a broad range of topics of immediate importance, not only in domestic law but also on a worldwide scale.

King David sings his psalms. A world away, King Henry plots. And courtier Thomas Wyatt sees them both, his beloved falcon Lukkes on his arm. David wants Bathsheba. Henry too must have what he wants. He wants Ann, a divorce, a son. He looks up at his tapestry of David and sees a mighty predecessor who defended his faith and took what he liked. But he leaves it to others to count the costs. Among those counting is the poet Wyatt, who sees a different David, a man who repented before God, in song as in life. This is the version of the biblical king which Wyatt must give voice to as he translates David's psalms. As David pursues Bathsheba, Henry courts Ann, and Wyatt interweaves the past and present. Lux is a story of love and its reach, fidelity and faith, power and its abuses.

This book comprises a collection of papers given at the fifth biennial conference of the Centre for Property Law at the University of Reading held in March 2004,and is the third in the series Modern Studies in Property Law. The Reading conference has become well-known as a unique opportunity for property lawyers to meet and confer both formally and informally. This volume includes a refereed and revised selection of the papers given there. The papers thus cover a broad range of topics of immediate importance including: land registration, leasehold and commonhold, prescription and law and equity. A growing and popular aspect of the series is its coverage of property law matters worldwide; this volume includes essays on property law in developing countries, in South Africa, Canada, and Eastern Europe.

Elizabeth Cook's mesmerising poetic voice weaves the interlocking stories of Achilles and the central figures of his legend into a many-layered exploration of achievement and loss, of choice and inescapable destiny. Born of the sea-nymph Thetis by the mortal King Peleus, hidden as a girl on Skiros until Odysseus discovers him, Achilles becomes the Greeks' greatest warrior at Troy. Into his story come others - among them Hector, Helen, Penthiseleia the Amazon Queen and the centaur Chiron; and finally John Keats, whose writings form the basis of a meditation on identity and shared experience. An unforgettable and deeply moving work of fiction, Achilles also affirms of the story's enduring power to reach across centuries and cultures to the core of our imagination.