Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
|
Your cart is empty |
|||
Showing 1 - 12 of 12 matches in All Departments
In 987, when Hugh Capet took the throne of France, founding a dynasty which was to rule for over 300 years, his kingdom was weak and insignificant. But by 1100, the kingdom of France was beginning to dominate the cultural nd religious life of western Europe. In the centuries that followed, to scholars and to poets, to reforming churchmen and monks, to crusaders and the designers of churches, France was the hub of the universe. La douce France drew people like a magnet even though its kings were, until about 1200, comparatively insignificant figures. Then, thanks to the conquests and reforms of King Philip Augustus, France became a dominant force in political and economic terms as well, producing a saint-king, Louis IX, and in Philip IV, a ruler so powerful that he could dictate to popes and emperors. Spanning France's development across four centuries, Capetian France is a definitive book. This second edition has been carefully revised to take account of the very latest work, without losing the original book's popular balance between a compelling narrative and an fascinating examination of the period's main themes.
Drawing on unique research based on the Parliamentary archives, government records and family history sources, Mari Takayanagi and Liz Hallam-Smith show how women touched just about every aspect of the life of Parliament, largely unacknowledged - until now. Along the way, we meet an array of impressive and life-affirming women: from the Rickman sisters eavesdropping on Parliamentary debates from the roof space above the Commons in the 1820s; to Jane, the doyenne of Bellamy's, purveyors of tea, chops, steaks, pies and wine to MPs in the 1840s; and to Jean Winder, the first female Hansard reporter, who fought for years after being appointed in 1944 to be paid the same as her male counterparts. As historians and Parliamentary insiders themselves, Takayanagi and Hallam-Smith bring these unsung heroes to life, charting along the way the changing context for working women within and beyond the Palace of Westminster.
Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.
Making and Growing brings together the latest work in the fields of anthropology and material culture studies to explore the differences - and the relation - between making things and growing things, and between things that are made and things that grow. Though the former are often regarded as artefacts and the latter as organisms, the book calls this distinction into question, examining the implications for our understanding of materials, design and creativity. Grounding their arguments in case studies from different regions and historical periods, the contributors to this volume show how making and growing give rise to co-produced and mutually modifying organisms and artefacts, including human persons. They attend to the properties of materials and to the forms of knowledge and sensory experience involved in these processes, and explore the dynamics of making and undoing, growing and decomposition. The book will be of broad interest to scholars in the fields of anthropology, archaeology, material culture studies, history and sociology.
Making and Growing brings together the latest work in the fields of anthropology and material culture studies to explore the differences - and the relation - between making things and growing things, and between things that are made and things that grow. Though the former are often regarded as artefacts and the latter as organisms, the book calls this distinction into question, examining the implications for our understanding of materials, design and creativity. Grounding their arguments in case studies from different regions and historical periods, the contributors to this volume show how making and growing give rise to co-produced and mutually modifying organisms and artefacts, including human persons. They attend to the properties of materials and to the forms of knowledge and sensory experience involved in these processes, and explore the dynamics of making and undoing, growing and decomposition. The book will be of broad interest to scholars in the fields of anthropology, archaeology, material culture studies, history and sociology.
Beyond the Body presents a new and sophisticated approach to death,
dying and bereavement, and the sociology of the body. The authors
challenge existing theories that put the body at the centre of
identity. They go 'beyond the body' to highlight the persistence of
self-identity even when the body itself has been disposed of or is
missing.
Beyond the Body presents a new and sophisticated approach to death,
dying and bereavement, and the sociology of the body. The authors
challenge existing theories that put the body at the centre of
identity. They go 'beyond the body' to highlight the persistence of
self-identity even when the body itself has been disposed of or is
missing.
There is no prepared script for social and cultural life. People work it out as they go along. "Creativity and Cultural Improvisation" casts fresh, anthropological eyes on the cultural sites of creativity that form part of our social matrix. The book explores the ways creative agency is attributed in the graphic and performing arts and in intellectual property law. It shows how the sources of creativity are embedded in social, political and religious institutions, examines the relation between creativity and the perception and passage of time, and reviews the creativity and improvisational quality of anthropological scholarship itself. Individual essays examine how the concept of creativity has changed in the history of modern social theory, and question its applicability as a term of cross-cultural analysis. The contributors highlight the collaborative and political dimensions of creativity and thus challenge the idea that creativity arises only from individual talent and expression.
There is no prepared script for social and cultural life. People work it out as they go along. Creativity and Cultural Improvisation casts fresh, anthropological eyes on the cultural sites of creativity that form part of our social matrix. The book explores the ways creative agency is attributed in the graphic and performing arts and in intellectual property law. It shows how the sources of creativity are embedded in social, political and religious institutions, examines the relationship between creativity and the perception and passage of time, and reviews the creativity and improvisational quality of anthropological scholarship itself. Individual essays examine how the concept of creativity has changed in the history of modern social theory, and question its applicability as a term of cross-cultural analysis. The contributors highlight the collaborative and political dimensions of creativity and thus challenge the idea that creativity arises only from individual talent and expression.
Death and Digital Media provides a critical overview of how people mourn, commemorate and interact with the dead through digital media. It maps the historical and shifting landscape of digital death, considering a wide range of social, commercial and institutional responses to technological innovations. The authors examine multiple digital platforms and offer a series of case studies drawn from North America, Europe and Australia. The book delivers fresh insight and analysis from an interdisciplinary perspective, drawing on anthropology, sociology, science and technology studies, human-computer interaction, and media studies. It is key reading for students and scholars in these disciplines, as well as for professionals working in bereavement support capacities.
- How do the living maintain ongoing relationships with the dead in
Western societies?
|
You may like...
Samurai Sword Murder - The Morne Harmse…
Nicole Engelbrecht
Paperback
Marketing Analytics - Essential Tools…
Rajkumar Venkatesan, Paul W. Farris, …
Hardcover
|