"This is the hole. I go there On Sundays. I go there after dinners Before school --- mid work day After lunch with the boss Mondays The hole has Hangover coal To paint my face to smudge In the acne, rosacea, colloscum" "Alcoholic Betty, we know the story. She died. Or did she? Through the "hours of penance" that is alcoholism and its attendant chaos-math and aftermaths, recurrent false dawns and falsetto damnations, Elisabeth Horan forges a descent/ascension pendulum of fire poems that are not "a map to martyrdom" - but a call to "go nuclear - Repose. Repose." Alcoholic Betty, we know the story. She died. She died so she could live." - Miggy Angel, Poet, Author and Performer "Horan pulls no punches with this incredibly personal, raw, apologetic expose. This is writing from the very base of the gut, which begins with the most difficult of confessions, and ends with a reformed character "standing unafraid." A very visceral, at times moving read, where the reader shares the journey of an addict fighting their instincts and reaching for something more." - Paul Robert Mullen, Poet

Adedayo Adeyemi Agarau and Elisabeth Horan live very different lives on opposite sides of the world. Yet across the distance, they found each other, and the deep and abiding friendship born of shared trauma and a desire to feel truly seen is here, distilled into these poems. Agarau's stunning photography weaves in and out of the poems, with words and images speaking to each other about love, loss, and what it means to find a friend who truly understands you in the most unexpected of ways.

Gabriela Mistral and Victoria Ocampo were the two most influential and respected women writers of twentieth-century Latin America. Mistral, a plain, self-educated Chilean woman of the mountains who was a poet, journalist, and educator, became Latin America's first Nobel Laureate in 1945. Ocampo, a stunning Argentine woman of wealth, wrote hundreds of essays and founded the first-rate literary journal Sur. Though of very different backgrounds, their deep commitment to what they felt was "their" America forged a unique intellectual and emotional bond between them. This collection of the previously unpublished correspondence between Mistral and Ocampo reveals the private side of two very public women. In these letters (as well as in essays that are included in an appendix), we see what Mistral and Ocampo thought about each other and about the intellectual and political atmosphere of their time (including the Spanish Civil War, World War II, and the dictatorships of Latin America) and particularly how they negotiated the complex issues of identity, nationality, and gender within their wide-ranging cultural connections to both the Americas and Europe.