The Light Years is a modern classic of twentieth-century English life in the countryside, and is the first novel in Elizabeth Jane Howard's extraordinary, bestselling family saga The Cazalet Chronicles. Every summer, the Cazalet brothers - Hugh, Edward and Rupert - return to the family home in the heart of the Sussex countryside with their wives and children. There, they are joined by their parents and unmarried sister Rachel to enjoy two blissful months of picnics, games, and excursions to the coast. But despite the idyllic setting, nothing can be done to soothe the siblings' heartache: Hugh is haunted by the ravages of the Great War, Edward is torn between his wife and his latest infidelity, and Rupert is in turmoil over his inability to please his demanding wife. Meanwhile, Rachel risks losing her only chance at happiness because of her unflinching loyalty to the family. With cover artwork exclusively designed by artist Luke Edward Hall, this is an edition to treasure. Continue the dazzling historical series with Marking Time, Marking Time and Confusion. 'Charming, poignant and quite irresistible . . . to be cherished and shared' - Times

Honest and unflinching, this book illuminates the literary world of the latter half of the 20th century, as well as giving a personal insight into the life of Elizabeth Jane Howard.

The Second World War has finally ended and so begins a new era of freedom and opportunity for the Cazalet family. Elizabeth Jane Howard's magnificent Cazalet Chronicles continues with Casting Off, the fourth novel in the saga. The Cazalet cousins are now in their twenties, trying to piece together their lives in the aftermath of the war. Louise is faced with her father's new mistress and her mother's grief at his betrayal, while suffering in a loveless marriage of her own. Clary is struggling to understand why her beloved father chose to stay in France long after it was safe to return to Britain, and both she and Polly are madly in love with much older men. Polly, Clary and Louise must face the truth about the adult world, while their fathers - Rupert, Hugh and Edward - must make choices that will decide their own, and the family's, future. With cover artwork exclusively designed by artist Luke Edward Hall, this is the heartbreaking and heartwarming fourth instalment of Elizabeth Jane Howard's bestselling series. It is followed by All Change, the fifth and final book in the series. 'Charming, poignant and quite irresistible . . . to be cherished and shared' - The Times

A book written by nurses for nurses providing a simple guide to the most common medicines. Spanning 8 concise and highly readable chapters, the book explains the pharmacology of different drug types in simple terms while also considering the practical aspects of working with people requiring mental health medicines. Key features: A detailed 'Medicines List' contained in each chapter providing the key information on dosages, brand names and possible adverse reactions Takes a life course approach highlighting specific considerations for children, pregnancy and older people Cuts through the complex terminology with clear and simple language supported by real world case studies

All Change is the fifth and final volume in Elizabeth Jane Howard's bestselling The Cazalet Chronicles, where the old world begins to fade from view and a new dawn emerges. It is the 1950s and as the Duchy, the Cazalets' beloved matriarch, dies, she takes with her the last remnants of a disappearing world - houses with servants, class, and tradition - in which the Cazalets have thrived. Louise, now divorced, becomes entangled in a painful affair, while Polly and Clary must balance marriage and motherhood with their own ideas and ambitions. Hugh and Edward, now in their sixties, are feeling ill-equipped for this modern world, while Villy, long abandoned by her husband, must at last learn to live independently. But it is Rachel, who has always lived for others, who will face her greatest challenges yet. As the Cazalets descend on Home Place for Christmas, only one thing is certain: nothing will ever be the same again. With cover artwork exclusively designed by artist Luke Edward Hall, this is the heartbreaking and heartwarming final instalment of Elizabeth Jane Howard's bestselling series. 'She is one of those novelists who shows, through her work, what the novel is for . . . She helps us to do the necessary thing - open our eyes and our hearts' - Hilary Mantel, author of Wolf Hall

A remarkable new book in praise of marine fauna. Of Sea takes the form of a poetic bestiary of creatures living beneath, beside and above the water: in wetlands, salt marshes and the intertidal zone. In a sequence of 46 poems, Burnett captures the world of cockles and clams, rare moths and the humble earwig (to name a few) with a precise and dynamic lyric that seems always on the verge of music. 'Burnett is one of the UK's most original poets of the nonhuman world, and of our environmental moment. Innovative, dazzling, affecting poems that shimmer with intellectual acuity and emotional resonance.' - Rebecca Tamas

'Exquisite, luminous and quietly radical . . . I loved it' Lucy Jones 'A fascinating, subtle and risk-taking book' Robert Macfarlane Glowflake, Rocket, Small Skies, Kind Spears, Marilyn . . . Moss is known as the living carpet but if you look really closely, it contains its own irrepressible light. In Twelve Words for Moss, Elizabeth-Jane Burnett celebrates the unsung hero of the plant world with a unique blend of poetry, nature writing and memoir. Making her way through wetlands from Somerset to County Tyrone, Burnett discovers the hidden vibrancy and luminous beauty of these overlooked places. She also takes strength from them as she recovers from her grief at her father's death. As she meditates on and renames her favourite species of moss, she finds a healing power in language, and draws inspiration from the resilience and tenacity of her plant - and human - friends. 'Burnett stretches the limits of prose, infusing it with poetic intensity to create a powerful, original voice' Guardian

Beautifully and poignantly told, Marking Time is the second novel in Elizabeth Jane Howard's bestselling Cazalet Chronicles. Home Place, Sussex, 1939. As the shadows of the Second World War roll in, banishing the sunlit days of childish games and trips to the coast, a new generation of Cazalets take up the family's story. Louise, who dreams of becoming a great actress, finds herself facing the harsh reality that her parents have their own lives with secrets, passions and yearnings. Clary, an aspiring writer, learns that her beloved father is now missing somewhere on the shores of France. And sensitive, imaginative Polly feels stuck - stuck without a vocation, stuck without information about her mother's illness, stuck without anything except her nightmares about the war. With cover artwork exclusively designed by artist Luke Edward Hall, this is the second volume of the extraordinary Cazalet Chronicles and a perfect addition to your collection. Marking Time is followed by Confusion, the third book in the series. 'Charming, poignant and quite irresistible . . . to be cherished and shared' - Times

Indigenous Water Rights in Law and Regulation responds to an unresolved question in legal scholarship: how are (or how might be) indigenous peoples' rights included in contemporary regulatory regimes for water. This book considers that question in the context of two key trajectories of comparative water law and policy. First, the tendency to 'commoditise' the natural environment and use private property rights and market mechanisms in water regulation. Second, the tendency of domestic and international courts and legislatures to devise new legal mechanisms for the management and governance of water resources, in particular 'legal person' models. This book adopts a comparative research method to explore opportunities for accommodating indigenous peoples' rights in contemporary water regulation, with country studies in Australia, Aotearoa New Zealand, Chile and Colombia, providing much needed attention to the role of rights and regulation in determining indigenous access to, and involvement with, water in comparative law.

This book offers a new reading of Marcell Mauss' and Lewis Hyde's theories of poetry as gift, exploring poetry exchanges within 20th and 21st century communities of poets, publishers, audiences and readers operating along a gift economy. The text considers trans-Atlantic case studies across fields of performance and ecopoetics, small press publishing and poetry institutions, with focus on Joan Retallack, Bob Holman, Anne Waldman, Bob Cobbing, and feminist performance. Elizabeth-Jane Burnett focuses on innovative poetry that resists commodification, drawing on ethnography to show parallels with gift giving tribal societies; she also considers the ethical, philosophical and psychological motivations for such exchanges with particular reference to poethics. This book will appeal to researchers in modern poetry, poetry teachers, advanced students of modern literature, and those with an interest in poetry.

With an introduction by Hilary Mantel, author of Wolf Hall. Originally published in 1956, The Long View is Elizabeth Jane Howard's uncannily authentic portrait of one marriage and one woman. Observant and heartbreaking, written with exhilarating wit, it is a gut-wrenching account of the birth and death of a relationship - as extraordinary as it is timeless. One of his secret pleasures was the loading of social dice against himself. He did not seem for one moment to consider the efforts made by kind or sensitive people to even things up: or if such notions ever occurred to him, he would have observed them with detached amusement, and reloaded more dice. In 1950s London, Antonia Fleming faces the prospect of a life lived alone. Her children are now adults; her husband Conrad, a domineering and emotionally complex man, is a stranger. As Antonia looks towards her future, the novel steadily moves backwards in time, tracing Antonia's relationship with Conrad to its beginning in the 1920s, through years of mistake and motherhood, dreams and war.

A book written by nurses for nurses providing a simple guide to the most common medicines. Spanning 8 concise and highly readable chapters, the book explains the pharmacology of different drug types in simple terms while also considering the practical aspects of working with people requiring mental health medicines. Key features: A detailed 'Medicines List' contained in each chapter providing the key information on dosages, brand names and possible adverse reactions Takes a life course approach highlighting specific considerations for children, pregnancy and older people Cuts through the complex terminology with clear and simple language supported by real world case studies

Developmental Science provides an account of the basic principles of the new developmental synthesis. A group of eminent scientists from sociology, psychiatry, psychology, public health, social ecology, and psychobiology believe that a fresh, interdisciplinary orientation is required to achieve progress on critical issues of behavioral theory, method, and application. Toward this end, they formed the Carolina Consortium on Human Development in 1987 as part of an advanced institute for the study of development, the Center for Developmental Science. This book grew from that long-term collaboration. In addition to the collaborative statement, individual chapters outline implications of the orientation for method and theory in traditional disciplines. The chapters address specific developmental issues, varying across time frames, methodologies, disciplines, cultures, and even species. They provide an inside look at the basic issues that confront modern social and behavioral study, including its strengths and problems.

From the bestselling author of the Cazalet Chronicles comes Elizabeth Jane Howard's Falling. Harry Kent is a sensitive man in late middle age, a reader and a thinker, without means perhaps but not without charm. Daisy has recovered from her unhappy past by learning to be self-sufficient, and viewing trust as a weakness. But there is still a part of her that yearns to be cared for once more. It is this part that Henry sees, and with dedicated and calculated patience he works at her defences. So despite all attempts to resist his attentions, Daisy finds herself falling under Henry's spell . . .

From the lauded, bestselling author of the Cazalet Chronicles, Something in Disguise paints a candid picture of a family in crisis, from the ever witty Elizabeth Jane Howard. May's second marriage to Colonel Herbert Brown-Lacy is turning out to be a terrible mistake. Her son, Oliver, leaves home only to drift from one affair to another; his sister Elizabeth follows him, yearning for some kind of secure relationship. While even Alice, Herbert's meek daughter, is driven into marriage to escape her father's sinister behaviour . . . At once a candid depiction of a post-war family on the cusp of change and a touching love story, Something in Disguise embodies the startling truth, wit and daring that Elizabeth Jane Howard is renowned for.

The composer Arthur Somervell was also an Inspector of Schools with special responsibility for the teaching of music. His collected writings set forth his philosophy of music education and cast light on musical life between the 1890s and his death in 1937. Sir Arthur Somervell (1863-1937), composer and educationist, influenced the musical and educational life of England over four decades. Remembered today principally as an accomplished composer of songs and choral works, he also worked for twenty-eight years as one of His Majesty's Inspectors of Schools (HMI), with special responsibility for the teaching of music. Towards the end of his life Somervell gathered together a number of his articles, in whichhe expounds a passionate philosophy of music education, makes candid remarks about musical life and musical education in England, and provides insights into the sometimes bitter debate with Cecil Sharp about folk song. These collected writings have now been prepared for publication by Gordon Cox, together with some unpublished speeches and letters, enabling musicologists and music educators to re-evaluate the significance of Somervell's contribution to the musical and educational life of his time. GORDON COX is senior lecturer in education at the University of Reading.

Elizabeth Jane Howard, acclaimed author of the Cazalet Chronicles, once said that she would certainly have been a gardener had she not become a writer first. In Green Shades: An Anthology of Plants, Gardens and Gardeners, she brings together a diverse and fascinating selection of garden writing that spans the centuries, the seasons and the species.

Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.

The contents are delightfully eclectic and wide-ranging, practical as well as lyrical – she pays homage to the great English landscape artists of the eighteenth century and to the great women gardeners such as Vita Sackville-West. There’s advice from Pliny on how walnuts can be used to dye hair and Joseph Addison encourages blackbirds to gorge on his cherry trees. Linking the numerous extracts is Elizabeth Jane Howard’s perceptive and highly personal commentary, which skilfully leads the reader from one subject to the next.

From the bestselling author of the Cazalet Chronicles comes Elizabeth Jane Howard's Love All. The late 1960s. For Persephone Plover, the daughter of distant and neglectful parents, the innocent, isolated days of childhood are long past. Now she must deal with the emotions of an adult world . . . Meanwhile in Melton, in the West Country, Jack Curtis - a self-made millionaire - has employed Persephone's aunt, a garden designer in her sixties, to deal with the terraces and glasshouses of the once beautiful local manor house he has acquired at vast expense. He also has plans to start an arts festival, as a means to avoid the loneliness of the recently divorced. Also in Melton are the Musgrove siblings, Thomas and Mary, whose parents originally owned and lived in Melton House. They are still trying to cope with emotional consequences of the tragic death of Thomas's wife, Celia . . . as is Francis, Celia's brother, who has come to live with them and thereby, perhaps, to find his way through life.

From the bestselling author of The Cazalet Chronicles, The Sea Change is a witty yet heart-rending story of a marriage in crisis. Emmanuel is a famous playwright. Lillian is his sickly and embittered wife. They have never fully buried the memory of their dead daughter, Sarah. Rich but discontented, they flit from capital to capital in the company of their hero-worshipping young manager. Then Alberta, straight from an English vicarage and the pages of Jane Austen, is appointed as Emmanuel's secretary. This prim and utterly delightful figure helps the family in ways they didn't know they needed. One by one the leopards change their spots . . .

Anne and Edmund Cornhill lead idyllic existence all just outside of London -- until they open their hearts to Arabella, the "lost little rich girl" whose self-indulgent mother -- once married to Edmund's father -- wants a holiday from her burdensome twenty-two-year-old daughter. But what begins as a propitious arrangement spirals into a bewildering tangle of love, loneliness, and longing.

Indigenous Water Rights in Law and Regulation responds to an unresolved question in legal scholarship: how are (or how might be) indigenous peoples' rights included in contemporary regulatory regimes for water. This book considers that question in the context of two key trajectories of comparative water law and policy. First, the tendency to 'commoditise' the natural environment and use private property rights and market mechanisms in water regulation. Second, the tendency of domestic and international courts and legislatures to devise new legal mechanisms for the management and governance of water resources, in particular 'legal person' models. This book adopts a comparative research method to explore opportunities for accommodating indigenous peoples' rights in contemporary water regulation, with country studies in Australia, Aotearoa New Zealand, Chile and Colombia, providing much needed attention to the role of rights and regulation in determining indigenous access to, and involvement with, water in comparative law.

New essays examining the interface between 18th- and 20th-century culture both in Pynchon's novel and in the historical past. Thomas Pynchon's 1997 novel Mason & Dixon marked a deep shift in Pynchon's career and in American letters in general. All of Pynchon's novels had been socially and politically aware, marked by social criticism and a profound questioning of American values. They have carried the labels of satire and black humor, and "Pynchonesque" has come to be associated with erudition, a playful style, anachronisms and puns -- and an interest in scientific theories, popular culture, paranoia, and the "military-industrial complex." In short, Pynchon's novels were the sine qua non of postmodernism; Mason & Dixon went further, using the same style, wit, and erudition to re-create an 18th century when "America" was being formed as both place and idea. Pynchon's focus on the creation of the Mason-Dixon Line and the governmental and scientific entities responsible for it makes a clearer statement than any of his previous novels about the slavery and imperialism at the heart of the Enlightenment, as he levels a dark and hilarious critique at this America. This volume of new essays studies the interface between 18th- and 20th-century cultureboth in Pynchon's novel and in the historical past. It offers fresh thinking about Pynchon's work, as the contributors take up the linkages between the 18th and 20th centuries in studies that are as concerned with culture as withthe literary text itself. Contributors: Mitchum Huehls, Brian Thill, Colin Clarke, Pedro Garcia-Caro, Dennis Lensing, Justin M. Scott Coe, Ian Copestake, Frank Palmeri. Elizabeth Jane Wall Hinds is Professor and Chair of the English Department at SUNY Brockport.