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The Multiple Worlds of Pynchon's Mason & Dixon - Eighteenth-Century Contexts, Postmodern Observations (Paperback)
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The Multiple Worlds of Pynchon's Mason & Dixon - Eighteenth-Century Contexts, Postmodern Observations (Paperback)
Series: Studies in American Literature and Culture
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New essays examining the interface between 18th- and 20th-century
culture both in Pynchon's novel and in the historical past. Thomas
Pynchon's 1997 novel Mason & Dixon marked a deep shift in
Pynchon's career and in American letters in general. All of
Pynchon's novels had been socially and politically aware, marked by
social criticism and a profound questioning of American values.
They have carried the labels of satire and black humor, and
"Pynchonesque" has come to be associated with erudition, a playful
style, anachronisms and puns -- and an interest in scientific
theories, popular culture, paranoia, and the "military-industrial
complex." In short, Pynchon's novels were the sine qua non of
postmodernism; Mason & Dixon went further, using the same
style, wit, and erudition to re-create an 18th century when
"America" was being formed as both place and idea. Pynchon's focus
on the creation of the Mason-Dixon Line and the governmental and
scientific entities responsible for it makes a clearer statement
than any of his previous novels about the slavery and imperialism
at the heart of the Enlightenment, as he levels a dark and
hilarious critique at this America. This volume of new essays
studies the interface between 18th- and 20th-century cultureboth in
Pynchon's novel and in the historical past. It offers fresh
thinking about Pynchon's work, as the contributors take up the
linkages between the 18th and 20th centuries in studies that are as
concerned with culture as withthe literary text itself.
Contributors: Mitchum Huehls, Brian Thill, Colin Clarke, Pedro
Garcia-Caro, Dennis Lensing, Justin M. Scott Coe, Ian Copestake,
Frank Palmeri. Elizabeth Jane Wall Hinds is Professor and Chair of
the English Department at SUNY Brockport.
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