Representations of masculinity in Chaucer's works examined through modern critical theory. How does Chaucer portray the various male pilgrims in the Canterbury Tales? How manly is Troilus? To what extent can the spirit and terminology of recent feminist criticism inform the study of Chaucer's men? Is there such athing as a distinct `Chaucerian masculinity', or does it appear in a multitude of different forms? These are some of the questions that the contributors to this ground-breaking and provocative volume attempt to answer, using a diversity of critical methods and theories. Some look at the behaviour of noble or knightly men; some at clerics, or businessmen, or churls; others examine the so-called "masculine" qualities of female characters, and the "feminine"qualities of male characters. Topics include the Host's bourgeois masculinity; the erotic triangles operating in the Miller's Tale; why Chaucer `diminished' the sexuality of Sir Thopas; and whether Troilus is effeminate, impotent or an example of true manhood. PETER G. BEIDLER is the Lucy G.Moses Distinguished Professor of English at Lehigh University. Contributors: MARK ALLEN, PATRICIA CLARE INGHAM, MARTIN BLUM, DANIEL F. PIGG, ELIZABETH M. BIEBEL, JEAN E. JOST, CAROL EVEREST, ANDREA ROSSI-REDER, GLENN BURGER, PETER G. BEIDLER, JEFFREY JEROME COHEN, DANIEL RUBEY, MICHAEL D. SHARP, PAUL R. THOMAS, STEPHANIE DIETRICH, MAUD BURNETT MCINERNEY, DEREK BREWER

One of Chaucer's most popular and complex characters, the Wife of Bath has inspired a rich and diverse range of published scholarship. This work is the latest in the University of Toronto Press's Chaucer Bibliographies series, a series which aims to provide annotated bibliographies for all of Chaucer's works, and summarizes twentieth-century commentary on the Chaucer's Wife of Bath's Prologue and Tale. There are six sections to the bibliography, with items arranged chronologically in each section: editions and translations, sources and analogues, the marriage group, gentillesse or nobility, the General Prologue, the Wife of Bath's Prologue and the actual Tale. The editors have assembled a comprehensive bibliography covering not only standard English literature, medieval studies, and Chaucerian studies sources, but also less well-known references and items published in languages other than English. Developments in Chaucer criticism are traced and grouped thematically, a particular benefit for those approaching Chaucerian studies for the first time.