Over the past two decades, historians have successfully disputed the notion that American women remained wholly outside the realm of politics until the early twentieth century. Still, a consensus has prevailed that, unlike their Northern counterparts, women of the antebellum South were largely excluded from public life. With this book, Elizabeth Varon effectively challenges such historical assumptions. Using a wide array of sources, she demonstrates that throughout the antebellum period, white Southern women of the slaveholding class were important actors in the public drama of politics. Through their voluntary associations, legislative petitions, presence at political meetings and rallies, and published appeals, Virginia's elite white women lent their support to such controversial reform enterprises as the temperance movement and the American Colonization Society, to the electoral campaigns of the Whig and Democratic Parties, to the literary defense of slavery, and to the causes of Unionism and secession. Against the backdrop of increasing sectional tension, Varon argues, these women struggled to fulfill a paradoxical mandate: to act both as partisans who boldly expressed their political views and as mediators who infused public life with the ""feminine"" virtues of compassion and harmony. |Demonstrates the widespread reform efforts and partisan political activities of elite white women in antebellum Virginia. An eye-opening contribution to the history of women's activism in the U.S.

Edited by Gary Gallagher and Elizabeth Varon, two of the most prominent nineteenth-century American historians in the nation, New Perspectives on the Union War provides a more nuanced understanding of what "Union" meant in the Civil War North by exploring how various groups of northerners conceived of the term. The essays in this volume demonstrate that while there was a broad consensus that the war was fought, or should be fought, for the cause of Union, there was bitter disagreement over how to define that cause-debate not only between political camps but also within them. The chapters touch on economics, politics, culture, military affairs, ethnicity, and questions relating to just war. Contributors: Michael T. Caires, Frank Cirillo, D.H. Dilbeck, Jack Furniss, Jesse George-Nichol, William B. Kurtz, Peter C. Luebke, and Tamika Nunley

In Armies of Deliverance, Elizabeth R. Varon argues that Northerners imagined the war as a crusade to deliver the Southern masses from slaveholder domination and to bring democracy, prosperity, and education to the region. And that Confederates, fighting to establish an independent slaveholding republic, were determined to preempt, discredit, and silence Yankee appeals to the Southern masses. Interweaving military and social history, Varon shows how the Union's politics of deliverance helped it to win the war but also ultimately sowed the seeds of postwar discord.

Northern sympathizer in the Confederate capital, daring spymaster, postwar politician: Elizabeth Van Lew was one of the most remarkable figures in American history, a woman who defied the conventions of the nineteenth-century South. In Southern Lady, Yankee Spy, historian Elizabeth Varon provides a gripping, richly researched account of the woman who led what one historian called "the most productive espionage operation of the Civil War." Under the nose of the Confederate government, Van Lew ran a spy ring that gathered intelligence, hampered the Southern war effort, and helped scores of Union soldiers to escape from Richmond prisons.
Varon describes a woman who was very much a product of her time and place, yet continually took controversial stands--from her early efforts to free her family's slaves, to her daring wartime activities and beyond. Varon's powerful biography brings Van Lew to life, showing how she used the stereotypes of the day to confound Confederate authorities (who suspected her, but could not believe a proper Southern lady could be a spy), even as she brought together Union sympathizers at all levels of society, from slaves to slaveholders. After the war, a grateful President Ulysses S. Grant named her postmaster of Richmond--a remarkable break with custom for this politically influential post. But her Unionism, Republican politics, and outspoken support of racial justice earned her a lifetime of scorn in the former Confederate capital. Even today, Elizabeth Van Lew remains a controversial figure in her beloved Richmond, remembered as the "Crazy Bet" of Lost Cause propaganda. Elizabeth Varon's account rescues her from both derision and oblivion, depicting an intelligent, resourceful, highly principled woman who remained, as she saw it, true to her country to the end.

Edited by Gary Gallagher and Elizabeth Varon, two of the most prominent nineteenth-century American historians in the nation, New Perspectives on the Union War provides a more nuanced understanding of what "Union" meant in the Civil War North by exploring how various groups of northerners conceived of the term. The essays in this volume demonstrate that while there was a broad consensus that the war was fought, or should be fought, for the cause of Union, there was bitter disagreement over how to define that cause-debate not only between political camps but also within them. The chapters touch on economics, politics, culture, military affairs, ethnicity, and questions relating to just war. Contributors: Michael T. Caires, Frank Cirillo, D.H. Dilbeck, Jack Furniss, Jesse George-Nichol, William B. Kurtz, Peter C. Luebke, and Tamika Nunley

In the decades of the early republic, Americans debating the fate of slavery often invoked the specter of disunion to frighten their opponents. As Elizabeth Varon shows, ""disunion"" connoted the dissolution of the republic--the failure of the founders' effort to establish a stable and lasting representative government. For many Americans in both the North and the South, disunion was a nightmare, a cataclysm that would plunge the nation into the kind of fear and misery that seemed to pervade the rest of the world. For many others, however, disunion was seen as the main instrument by which they could achieve their partisan and sectional goals. Varon blends political history with intellectual, cultural, and gender history to examine the ongoing debates over disunion that long preceded the secession crisis of 1860-61. |In the decades of the early republic, Americans debating the fate of slavery often invoked the specter of disunion to frighten their opponents. As Elizabeth Varon shows, ""disunion"" connoted the dissolution of the republic--the failure of the founders' effort to establish a stable and lasting representative government. For many Americans in both the North and the South, disunion was a nightmare, a cataclysm that would plunge the nation into the kind of fear and misery that seemed to pervade the rest of the world. For many others, however, disunion was seen as the main instrument by which they could achieve their partisan and sectional goals. Varon blends political history with intellectual, cultural, and gender history to examine the ongoing debates over disunion that long preceded the secession crisis of 1860-61.

Civil War Witnesses and Their Books: New Perspectives on Iconic Works serves as a wide-ranging analysis of texts written by individuals who experienced the American Civil War. Edited by Gary W. Gallagher and Stephen Cushman, this volume, like its companion, Civil War Writing: New Perspectives on Iconic Texts (2019), features the voices of authors who felt compelled to convey their stories for a variety of reasons. Some produced works intended primarily for their peers, while others were concerned with how future generations would judge their wartime actions. One diarist penned her entries with no thought that they would later become available to the public. The essayists explore the work of five men and three women, including prominent Union and Confederate generals, the wives of a headline-seeking US cavalry commander and a Democratic judge from New York City, a member of Robert E. Lee's staff, a Union artillerist, a matron from Richmond's sprawling Chimborazo Hospital, and a leading abolitionist US senator. Civil War Witnesses and Their Books shows how some of those who lived through the conflict attempted to assess its importance and frame it for later generations. Their voices have particular resonance today and underscore how rival memory traditions stir passion and controversy, providing essential testimony for anyone seeking to understand the nation's greatest trial and its aftermath.

Politicians and opinion leaders on both sides of the Mason-Dixon line struggled to formulate coherent responses to the secession of the deep South states. The Confederate attack on Fort Sumter in mid-April 1861 triggered civil war and the loss of four upper South states from the Union. The essays by three senior historians in "Secession Winter" explore the robust debates that preceded these events.

For five months in the winter of 1860-1861, Americans did not know for certain that civil war was upon them. Some hoped for a compromise; others wanted a fight. Many struggled to understand what was happening to their country. Robert J. Cook, William L. Barney, and Elizabeth R. Varon take approaches to this period that combine political, economic, and social-cultural lines of analysis. Rather than focus on whether civil war was inevitable, they look at the political process of secession and find multiple internal divisions--political parties, whites and nonwhites, elites and masses, men and women. Even individual northerners and southerners suffered inner conflicts.

The authors include the voices of Unionists and Whig party moderates who had much to lose and upcountry folk who owned no slaves and did not particularly like those who did. Barney contends that white southerners were driven to secede by anxiety and guilt over slavery. Varon takes a new look at Robert E. Lee's decision to join the Confederacy. Cook argues that both northern and southern politicians claimed the rightness of their cause by constructing selective narratives of historical grievances.

"Secession Winter" explores the fact of contingency and reminds readers and students that nothing was foreordained.

General Robert E. Lee's surrender of the Army of Northern Virginia to General Ulysses S. Grant's Army of the Potomac might look serene in the amber-tinted popular images of two gentlemen sharing cigars, but that image conceals seething debate over precisely what the surrender meant and what kind of United States would emerge from war. The combatants in that debate included the iconic Lee and Grant, but they also included a cast of characters previously overlooked, who brought their own understanding of the war's causes, consequences, and meaning. Whereas April 1865 has been commonly viewed as a clear breaking point, Elizabeth Varon's Appomattox promises to connect the war to the immediate postwar in ways that have the potential to tell us far more than we currently know about how the creative potential generated by the destruction of war went unfulfilled in the decades that followed. Painting a portrait of this event between the triumphalist version of 1865 as a moment of strength and healing and a more persuasive but still incomplete portrait of the postwar painted by David Blight in Race and Reunion, Varon's work seeks to examine the surrender at Appomattox with an eye toward (a) narrating the events of April 1865, (b) exploring the immediate reactions, North and South, to the surrender, (c) exploring the political uses of the surrender during Reconstruction, and (d) challenging the popular, and comforting, perception that Appomattox inaugurated an easy end to a tragic war by beginning a process of reunion that reminded Americans that they were, after all, one people who shared far more similarities than differences. Varon will bring African American voices and attitudes into a story typically limited to white actors.