In 1772 Manchester was a fast growing town thanks to the rise in industrialisation. Elizabeth Raffald ran a shop, a cookery school, a coaching inn, a servant's employment register, wrote a cookbook and supported the local newspaper financially, wrote a manuscript on midwifery and so much more. She was innovative so it was only logical that she would be the first with the innovation of a directory of traders and notable people, and only 3 years after producing her cookbook she had compiled a 60 page guide to the locations and trades of many residents, a year later increasing it to 78 pages as the town grew and addresses were improved. She produced a third directory in 1781 after placing advertisements in the Manchester Mercury for people wishing to be included. After she died in 1781 it took another 7 years before anyone else attempted another directory. Elizabeth Raffald was truly a pioneer of her time. For more about Elizabeth see 'The Experienced English Housekeeper of Manchester' by Suze Appleton.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T082672<Notes>The imprint is false; probably printed at York for Wilson, Spence and Mawman.<imprintFull>London i.e. York?]: printed for A. Millar, W. Law, and R. Cater, 1795. <collation>vii, 1],397, 1]p., plates (some fold.): port.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT082674With an index and a final advertisement leaf. Signed in MS. on p. 1]: Eliz. Raffald.London: printed for R. Baldwin, 1782. 4], iii, 1],384, 16]p., plates: port.; 8