Oscar Watkins was a Bisley shot and a hockey "Blue" for Oxford University; a cavalry trooper in the Boer War; a magistrate on the Kenya Slave Courts which freed the slaves early in this century; Commandant of the 400,000-strong Carrier Corps in the East Africa Campaign in World War I; acting Kenya Chief Native Commissioner and Provincial Commissioner; and the first editor of a Swahilli newspaper which, under his editorship, gained the largest circulation of any paper in Africa.
He strove unceasingly to protect the interests of the African peoples. Resisting the pressures from European settlers for more labour to be made available to work on their farms, and for more land to be made available for European settlement, he found himself on a collision course with the settlers and their fiery leader Lord Delamere, and a Governor who was inclined to take their part.
This tribute to Oscar Watkins is written by his daughter.

"British Colour Cinema: Practices and Theories" is one of the outcomes of a major research project on colour and British cinema. This project was one of the last opportunities to gain an insight from surviving practitioners who worked with film colour in one of the most fascinating periods of its history. Created as a companion volume to a major history of colour in British Cinema ("Colour Films in Britain: The Negotiation of Innovation 1900-55," by Sarah Street), "British Colour Cinema" is based on a series of interviews with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-50s.
The book charts a significant period of film history, when working with colour was both difficult and expensive, and frequently involved experimentation of the highest degree. Adjusting to new systems required ingenuity and resourcefulness. The practitioners featured in the book provide a rich resource of experience and reflection on these challenges. Simon Brown, Sarah Street and Liz Watkins talk to specialists renowned for their innovative work with film colour, who provide first-hand accounts of working with major directors, including Michael Powell and John Huston, and with celebrated art directors and special effects teams.
Many of the films discussed have acquired special interest in recent years with the advent of DVD and the restoration of many colour film classics. In recognition of this development, the book's final section also features interviews with those involved in film preservation and restoration, and asks ethical questions concerning how best to prepare new prints for today's audiences.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.