New essays offering fresh glimpses of Romanticism as interdisciplinary and cross-linguistic, illuminating the discursive features and the pan-European nature of the movement. Romanticism bubbled up as lava from such historical eruptions as the Napoleonic Wars. The power of its flow across disciplines and linguistic borders reminds us that the use of the term in a context limited to one linguistic, national, or political tradition, or to one discipline or area of human development, shows an essential ignorance of the ideational configurations elaborated and lived out by the movement. Among its consistent norms are the notion ofreality as a transcendent self-unfolding Geist, everything existing in a dialectical relationship with all else; the position that art reveals mythic understructures of reality; and that all kinds of kinship are more normalthan isolation. This book brings together essays that highlight the inclusivity of Romanticism. A team of eleven scholars offers fresh glimpses of Romanticism as it manifests itself in a number of disciplines, including most prominently literature, but also music, painting, and the sciences. In so doing, the contributors treat Romanticism as interdisciplinary and cross-linguistic, providing data and interpretive viewpoints that illuminate the discursive features and the pan-European nature of the movement. Contributors: Lloyd Davies, Ellis Dye, Stacey Hahn, Hollie Markland Harder, Jennifer Law-Sullivan, Sarah Lippert, Marjean D. Purinton, Ashley Shams, Kaitlin Gowan Southerly. Larry H. Peer is Professor of Comparative Literature at Brigham Young University. Christopher R. Clason is Professor of German at Oakland University.

Latest volume in series devoted to Goethe criticism (and studies of his contemporaries), with an extensive book review section. The Goethe Yearbook is published by the Goethe Society of North America, founded in 1980 to promote the study of Johann Wolfang von Goethe and his contemporaries, the so-called 'Goethezeit'. Originally conceived as a vehicle to present original English-language Goethe scholarship during the period of Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not open to most Western scholars, the Goethe Yearbook has quickly become established in the international community, publishing articles in both English and German from academics around the world; it includes an extensive book review section.

Volume 12 is dedicated to founding editor Thomas P. Saine, and includes essays on Goethe's novels, plays, and poems, the Ilmpark, Bach, Ossian, Goethe reception, and Schiller. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. The book review section seeks likewise to evaluate a wide selection ofrecent publications on the period, and is important for all scholars of 18th-century literature. Volume 12 honors founding editor Thomas P. Saine with contributions from prominent scholars such as Ehrhard Bahr, Benjamin Bennett, Dieter Borchmeyer, Jane Brown, Jill Kowalik, Ruth Kluger, Meredith Lee, John McCarthy, Jeff Sammons, Helmut Schneider, Hans Vaget, and more. The volume includes essays on Goethe's novels, plays, and poems, the Ilmpark, Bach, Ossian, Goethe reception, and Schiller. Simon J. Richter is associate professor of German and Comparative Literature at the University of Pennsylvania. Book review editor Martha B. Helfer is associate professor of German at the University of Utah.

Explores the central theme of Romantic poetry in the works of the most important German Romantic poet of all. Goethe, in association with his younger Romantic compatriots the Schlegels, Novalis, Fichte, and Schelling, struggled with the subject-object dichotomy, and tried to bridge the gap between self and other, consciousness and nature.His theory and practice prefigured the Romantics' determination to display and interrogate the linguistic and cultural structures informing their own thinking and modes of representation--what Goethe calls one's "Vorstellungsart." His work exploits, subverts, and supplants inherited conventions and signs, demonstrating with virtuosic irony that literature is a system of texts, pre-texts, and pre-established but dynamic conceptual models. Love and Deathin Goethe:"One and Double" explores Goethe's use, in a wide range of his poetry and prose, of the theme of Liebestod (love and death) and related embodiments of the paradox of unity in duality. Ellis Dye also examinesGoethe's use of other themes related to love and death--the femme fatale, the vagina dentata, Frau Welt, the Lorelei, venereal disease, the Lustmord--and considers issues of selfhood and individuation as wellas the possibility that the love-death theme contains an implicit gender bias toward the existential fact of personal separateness. Poems, plays, and novels are dealt with, nevertheless, as works of art, not only as illustrationsof an idea or as points of intersection in a system of rhetorical conventions, and are examined for intellectual cohesiveness, elegance, and integrity of design as well as special meanings and effects. Love and Death in Goethe:"One and Double" explores the meaning of the central theme of Romantic poetry in the works of the most important Romantic poet of all. Students of literary culture, both the lay reader and the Goethe specialist, will be enlightened by its approach and find pleasure and instruction in its revelations. Robert Ellis Dye is Professor of German at Macalester College.

New translations of Schiller's literary prose works, accompanied by fresh critical essays. Friedrich Schiller was a dramatist and poet for the ages, an important aesthetic theorist, and among Germany's first historians. But he left few works of literary prose behind -- seven short tales and fragments, almost all from early in his career -- and although they include some of his most resonant in his own time, they are largely overlooked today. Several of the pieces -- which include The Ghost-Seer, A Magnanimous Act from Most Recent History, TheCriminal of Lost Honor: A True Story, A Curious Example of Female Vengeance, Duke Alba at Breakfast at Castle Rudolstadt, Play of Fate: A Fragment of a True Story, and Haoh-Kioeh-Tschuen -- have never before appeared inEnglish translation. But they are a seminal link in the evolution of the then-nascent German novella. They exhibit the anthropological curiosity and moral confusion that made Schiller's first drama, The Robbers, a sensation, demonstrating an original artistry that justifies consideration of scholars and students today, on the eve of the 250th anniversary of his birth. New translations of the seven works appear here together with introductory critical essays. Contributors: Jeffrey L. High, Nicholas Martin, Otto W. Johnston, Gail K. Hart, Dennis F. Mahoney; Translators: Francis Lamport, Ian Codding, Jeffrey L. High, Ellis Dye, Edward T. Larkin, Carrie Ann Collenberg Jeffrey L. High is Associate Professor at California State University Long Beach.

Groundbreaking essays highlighting Goethe's relevance to contemporary theoretical debates and Goethe criticism of recent decades. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America and is dedicated to North American Goethe Scholarship. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and other authors of the Goethezeit, while also welcoming contributions from scholars around the world. Goethe Yearbook 16 presents innovative interpretations by young scholars of Goethe's most prominent works. A special section on 20th-century theory, co-edited by Angus Nicholls, demonstrates the poet's importance within areas of contemporary debate such as postcolonial criticism and Heideggerian phenomenology. The volume includes Judith Ryan's 2007 Presidential Address to the Goethe Society on the aphorisms in Die Wahlverwandtschaften and the Wanderjahre, as well as essays on aspects of Hermann und Dorothea, Iphigenie, Wilhelm Meisters Lehrjahre, and Prometheus. Readers will also find a surprising interpretation of Schiller on subjectivity and military strategy, and a feminist archival history of the Hamburg actress Charlotte Ackermann. Contributors: Volker C. Doerr, Mary Helen Dupree, Ellis Dye, Bernd Hamacher, Katrin Kohl, Michael Mandelartz, Jan Mieszkowski, Angus Nicholls, Charlton Payne, Mattias Pirholt, Myriam Richter, Judith Ryan, and Christian Weber. Daniel Purdy is Associate Professor of German at Pennsylvania State University. Book review editor Catriona MacLeod is Associate Professor of German at the University of Pennsylvania.

Cutting-edge criticism on major aspects of Goethe's best-known work. Undisputedly a canonical work, Goethe's Faust is also the key to understanding its author, one of European civilization's most complex figures. Written over several decades, the work spans both Goethe's life and an age of enormous social, political, philosophical, and artistic change - even revolution. In this volume, Goethe scholars and experts from Europe and North America explore major aspects of this fascinating work, offering a cutting-edge guide to both reader and scholar. Contributors: Ritchie Robertson, Martin Swales, Alberto Destro, Osman Durrani, Ellis Dye, John R. Williams, Anthony Phelan, Franziska Schoessler, Peter D. Smith, Cyrus Hamlin, R.H. Stephenson, David Luke, Robert David McDonald Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.