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'I think my music deserves to be considered as a whole', Igor
Stravinsky remarked at the end of a long and restless career, and
that is exactly what the authors of The Apollonian Clockwork do. In
1982, convinced that there is no essential difference between
'early' and 'late' Stravinsky, Louis Andriessen and Elmer
Schonberger were the first to write a monograph on the composer
which radically breaks with the habit of dividing his works into
'Russian', 'neoclassical' and 'serial'. In an essay which
continually shifts in its approach, style and perspective, the
authors elaborate on their insight that a single, immutable
compositional attitude underlies the whole of Stravinsky's oeuvre.
By this token the book not only offers an analysis of the
composer's protean work and artistry but takes example by it as
well.
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