In this dark, genre-defying picture-book adaptation of Snow White, acclaimed artist Beatrice Alemagna tells the story from the point of view of the jealous stepmother queen, to complicate the question of goodness and set into high relief the shadow side, with its capacity for evil, of human life.Once upon a time, a child was born with skin as white as snow, lips as red as blood, and hair as black as ebony: the princess Snow White. She is possessed of beauty and innocence, but there in the shadows lurks a queen who will remarry her widower father, a queen who is as empty and envious, as narcissistic and fractured as is every life that gets stuck in the endless reflecting pool or mirror of the self. Void of love, it is hatred that animates her. But like all true fairy tales, this story doesn't ask us to judge and condemn the queen and her hatred, but rather to consider the kinds of behaviors and situations that invite evil, and where true innocence or goodness might lie. Following the first-person account of the queen, this picture book for older readers illuminates her blinding obsession and insatiable jealousy, right up to the point of her violent undoing.This large format picture book is made up of a repeating pattern of text and image: each double spread of text is followed by four striking full-spread paintings, which are as riveting as they are unsettling. A bold adaptation of the Grimm's original text, this version of Snow White brilliantly puts us all in touch with the messy, shadowed, fraught, and fragile inwardness we each possess. This is the second book to appear under Unruly, an imprint of picture books for older readers, and will include an author's note and a short note to readers about how it continues to build this experimental framework of visually complex, sophisticated picture books for teens and adults.

With lush art by NYT Best Illustrated recipient Violeta Lopiz, a picture book about a boy and his larger-than-life immigrant grandfather, who shares with him the kind of learning that's not taught in classrooms. At six years old, the child-narrator of this picture book loves nothing more than spending time with his grandpa, Luis-especially in his marvelous garden, where green beans reach as high as the sky. Luis's garden is where the little boy practices reading and writing. But just as importantly, it's also where he learns wonderful things from Luis, like the names of all the birds in the trees and new expressions that are so much fun to say. Luis's playful vocabulary is as vibrant and full of life as his garden, and phrases that are particular to his way of talking, like "at the drop of a cat" (which means right away), are soon adapted into the little boy's lexicon, too. A talented cook, artist, and gardener, Luis has much wisdom to impart and many experiences to share with his grandson-even though, as a war refugee, he never went to school himself and never learned to read and write. A loving testament to the intergenerational transmission of knowledge and the breathtaking beauty of the natural world, illustrated with evocative, multilayered art by Violeta Lopiz.

There is increasing interest in young people's participation in the design and delivery of health services. But young people's views are not consistently sought or acknowledged, and they are still often marginalised in healthcare encounters. Drawing on original research and a diverse range of practice examples, Brady explores the potential for inclusive and diverse approaches to young people's participation in health services from the perspectives of young people, health professionals and other practitioners. She presents a practical new framework, embedded in children's rights, that shows how young people's participation can be integrated into services in ways that are meaningful, effective and sustainable.

Good morning, Washington, DC! Let's go explore! There's much to see! This whirlwind tour of the United States' capital city takes little adventurers to the Washington Monument, through the Smithsonian museums, up to the White House - and more! With vibrant illustrations and an engaging text brimming with hope and heart, this rhyming read-aloud will delight lifelong residents and visitors alike. Washington, DC, here we come!

This book broadens the visioning on new care environments that are designed to be inclusive, progressive, and convergent with the needs of an aging population. The contents cover a range of long-term care (LTC) settings in a single collection to address the needs of a wide audience. Due to the recent COVID-19 pandemic, rethinking the spatial design of care facilities in order to prepare for future respiratory and contagious pathogens is one of the prime concerns across the globe, along with social connectedness and autonomy in care settings. This book contributes to the next generation of knowledge and understanding of the growing field of the design of technology, programs, and environments for LTC that are more effective in infection prevention and control as well as social connectedness. To address these issues, the chapters are organized in four sections: Part I: Home- and community-based care; Part II: Facility-based care; Part III: Memory care and end-of-life care; and Part IV: Evidence-based applied projects and next steps. (Re)designing the Continuum of Care for Older Adults: The Future of Long-Term Care Settings is an essential resource for researchers, practitioners, educators, policymakers, and students associated with LTC home and healthcare settings. With diverse topics in theory, substantive issues, and methods, the contributions from notable researchers and scholars cover a range of innovative programming, environments, and technologies which can impact the changing needs and support for older adults and their families across the continuum of care.

Advances in audiovisual technology, most notably the advent of the popular usage of digital technology in the last few years, have altered the face of popular television. Thanks to cable, satellite and now digital technology, television broadcasts can reach an international audience. The reaction from cultural critics has been mixed. As the debate concerning the effects of new telecommunications and audiovisual technology continues unabated, this book examines the underlying hypothesis that collective allegiances are moving away from the national paradigm towards the global/local model and provides a balanced appraisal of the depiction of a select number of group identities on television in Britain and France.