'One of the 20th century's greatest thinkers and prose stylists' New York Times 'A novel of the disquieting contours of family, and of the mind, and of life unceasing even in the midst of death by one of the most important, visionary writers of all time' Amina Cain, author of Indelicacy WITH A FOREWORD BY KATE ZAMBRENO There's nothing to do about boredom, I'm bored, but one day I won't be bored anymore. Soon I'll know that it's not even worth the trouble. We'll have the easy life. Twenty-five-year-old Francine Veyrenattes, confined to the family farm, already feels that life is passing her by. But after Francine lets slip a terrible secret, culminating in the violent deaths of her brother and uncle, her world is shattered. Fleeing the farm for the seaside, Francine finds herself disintegrating. Lying in the sun with her toes in the sand, she restlessly wishes for things to be somehow easier, to have a life worth living. But then the calm and quiet is broken yet again - by another tragedy and a senseless death, in which Francine finds herself implicated. Cast out of paradise, and stranded between her home and the rest of the world, she must confront her rapidly dissolving sense of self if she is to find a way to survive. 'It's a masterpiece, and a little known, if not unknown, masterpiece ... Any serious reader of this author's work must begin with this novel' YVES BERGER

My Great Arab Melancholy is a beautiful, tragic and award-winning book from Lebanese writer and illustrator Lamia Ziadé. Blending the author's years of research, personal memoir and more than 300 illustrations, this compelling history of the modern Arab world explores the major thinkers, struggles and turning points that have shaped the Middle East as we know it today. Ziadé begins in South Lebanon, 'land of martyrs, ruins and passion', before taking the reader further afield, to Beirut, Jerusalem, Cairo and Baghdad. The book moves from the beginning of the 20th century to the present day, tracing the Arab world's tragedies and the derailing of dreams and possibilities caused in large part by Western imperialism and the conquest of Palestine. Within these pages there are the blasts of explosions, blood, tears and tragedy, cemeteries, wreaths and ribbons, martyrs and paradise. Ziadé unearths the buried memory of resistance fighters and their lost ideals. In haunting prose and unforgettable images she celebrates the progressive, bold, revolutionary moments and figures of the Arab world’s recent past.

INTERNATIONAL BESTSELLER PRIZE WINNER OF FRANCE'S FIRST NOVEL AWARD 'One of the most daring, provocative, unnervingly intimate thrillers I've read in years. Few writers besides Ruth Rendell and Patricia Highsmith can evoke domestic unease with such sangfroid; fewer still can make it such delirious fun' A. J. Finn, #1 NYT bestselling author of The Woman in the Window 'What a wonderfully tense, obsessive, enveloping novel - almost like a feminist, introspective spin on Fatal Attraction! Ventura's deftly spun debut is a sharply observed dissection of marriage that will haunt you for days' Virgina Feito 'In this wry, psychologically complex debut, a meticulously manicured wife is obsessed with her husband. For the past 13 years, she's made a science of meeting his needs, putting them before her own or even their children's. Her love is a stranglehold; something's gotta give. The winner of France's First Novel Prize, this riveting emotional thriller requires serious willpower to not devour in a single sitting' Oprah Daily From the outside, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband. After fifteen years together, she is still besotted with him. But she's never quite sure that her passion is reciprocated. Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, charting every mistake and punishing him accordingly to help him improve. And she tests him - setting traps to make sure that he still loves her just as much as he did when they first met. Until one day she realizes she may have gone too far . . . With the surprise of Gone Girl, the bleakness of The Talented Mr Ripley and the sinister charm of the Netflix thriller You, My Husband is a bold and exhilarating story of passion and the dark secrets that lie beneath a seemingly healthy marriage. 'The exceptional My Husband has everything I look for in a novel: chic, beguiling and deeply unhinged' Juno Dawson

In August 2020, Lebanon was in the midst of the global pandemic and a devastating economic crisis. People protested in the streets, calling for the removal of a political elite accused of greed, negligence and incompetence. The Lebanese people felt as though their country was staring into the abyss. But the worst was yet to come.  On the evening of August 4, 2020, Hangar 12 of the Port of Beirut exploded, and then exploded again. A shockwave moving faster than the speed of sound tore through Beirut, leaving nearly 200 people dead, 6,000 injured and 300,000 homeless. The blast had been caused by the storing of thousands of tons of ammonium nitrate alongside a stash of fireworks - a deadly arrangement about which the government had known, but done nothing. For six months straight, French-Lebanese author and artist Lamia Ziadé wrote, illustrated and recorded every new piece of information, every photograph of the wreckage or the wounded that made its way around WhatsApp groups, Instagram and Twitter. In My Port of Beirut, Ziadé weaves together the play-by-play of the tragedy with her own personal stories, as well as the historical and political background that made such a catastrophe possible and, perhaps, inevitable.

From the outside, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband. After fifteen years together, she is still besotted with him. But she's never quite sure that her passion is reciprocated.

Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, charting every mistake and punishing him accordingly to help him improve. And she tests him - setting traps to make sure that he still loves her just as much as he did when they first met.

Until one day she realizes she may have gone too far . . .

With the surprise of Gone Girl, the bleakness of The Talented Mr Ripley and the sinister charm of the Netflix thriller You, My Husband is a bold and exhilarating story of passion and the dark secrets that lie beneath a seemingly healthy marriage.

In this suspenseful and darkly funny debut novel, a sophisticated French woman spends her life obsessing over her perfect husband—but can their marriage survive her passionate love? “One of the most daring, provocative, unnervingly intimate thrillers I’ve read in years. Few writers besides Ruth Rendell and Patricia Highsmith can evoke domestic unease with such sangfroid; fewer still can make it such delirious fun.� —A. J. Finn, #1 NYT bestselling author of The Woman in the Window At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband. After fifteen years together, she is still besotted with him. But she’s never quite sure that her passion is reciprocated. Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, charting every mistake and punishing him accordingly to help him improve. And she tests him—setting traps to make sure that he still loves her just as much as he did when they first met. Until one day she realizes she may have gone too far . . . The winner of France’s First Novel Prize in 2021, My Husband builds on the premise of hits like Gone Girl and Fates and Furies—how well can you really know your spouse?—and adds the tension and creepy obsession of You. The result is an irresistible read—compelling, tense, and engaging, infused with sly subversive humor, and told in an utterly original voice that makes it unforgettable. Translated from the French by Emma Ramadan

A powerful, heartrending, and insightful novel of a trio of women in Cameroon who dare to rebel against oppressive, long-held cultural traditions—including polygamy and domestic abuse—that define and limit their lives. Three women, three stories, three linked destinies . . . In North Cameroon, well-to-do young Ramla is torn from her true love and wed to a manipulative older man. Safira, her co-wife, juggles envy and empathy for this new bride with disappointment in the husband she desperately loves. Like her older sister, Ramla, Hindou is married off to a man she does not know or want, a distant cousin whose instability and violence terrifies her. From an early age, these women were raised to submit to men, or risk shame and repudiation of themselves and their families. They are advised to have munyal—patience. They are told that their fates are the will of the All-Powerful, and that it is unthinkable—or rather, impossible—to defy tradition. They are reminded of the Fulani proverb which holds, “At the end of patience, there is the sky.� Yet Ramla, Safira, and Hindou are tired of waiting for a happiness that may never come. Their lives are driven by impatience and clouded by the suffering rooted in forced marriage and physical abuse, but it is this oppressive culture that binds them together. In a society that demands female obedience, how will these three impatient women free themselves? Djaïli Amadou Amal makes her literary debut in English with this remarkable novel that breaks taboos as it denounces the cultural mores of Africa's Sahel region. Inspired by the author’s own experiences and written with grace, strength, and veracity, The Impatient is a moving testimony to a shared pain and a call for change—an unflinching depiction of the psychic damage traditions can have on the women who must abide by them and a denunciation of violence against all women and the normalization of domestic abuse—not only in Cameroon but around the globe. Translated from the French by Emma Ramadan

Winner of the 2018 Albertine Prize Finalist for the 2018 Lamba Literary Awards Finalist for the 2018 French American Foundation Translation Prize Available in a new edition, Anne Garréta's sensual portrayal of trysts past. Not One Day begins with a maxim: “Not one day without a woman.� What follows is an intimate, erotic, and sometimes bitter recounting of loves and lovers past, breathtakingly written, exploring the interplay between memory, fantasy, and desire. Organized alphabetically, Not One Day remembers the evanescent thrill of each encounter, dismissing the ultimatum of truth in favor of an enigmatic assemblage. “For life is too short to submit to reading poorly written books and sleeping with women one does not love.�

How does the criminal justice system affect women's lives? Do prisons keep women safe? Should feminists rely on policing and the law to achieve women's liberation? The mainstream feminist movement has proposed "locking up the bad men," and called on prisons, the legal system, and the state to protect women from misogynist violence. This carceral approach to feminism, activist and scholar Gwenola Ricordeau argues, does not make women safer: it harms women, including victims of violence, and in particular people of color, poor people, and LGBTQ people. In this scintillating, comprehensive study, Ricordeau draws from two decades as an abolitionist activist and scholar of the penal justice system to describe how the criminal justice system hurts women. Considering the position of survivors of violence, criminalized women, and women with criminalized relatives, Ricordeau charts a new path to emancipation without incarceration. With a new foreword by Silvia Federici.

Originally published in French in 1974, radical feminist Francoise d'Eaubonne surveyed women's status around the globe and argued that the stakes of feminist struggle was not about equality but about life and death-for humans and the planet. In this wide-ranging manifesto, d'Eaubonne first proposed a politics of ecofeminism, the idea that the patriarchal system's claim over women's bodies and the natural world destroys both, and that feminism and environmentalism must bring about a new 'mutation'-an overthrow of not just male power but the system of power itself. As d'Eaubonne prophesied, "the planet placed in the feminine will flourish for all." Never before published in English, and translated here by French feminist scholar Ruth Hottell, this edition includes an introduction from scholars of ecology and feminism situating d'Eaubonne's work within current feminist theory, environmental justice organizing, and anticolonial feminism.

Nominated for the 2016 PEN Translation Prize One of Flavorwire's Top 50 Independent Books of 2015 One of Entropy Magazine's Best Fiction Books of 2015 One of Bookriot's 100 Must-Read Books Translated From French Sphinx is the remarkable debut novel, originally published in 1986, by the incredibly talented and inventive French author Anne Garreta, one of the few female members of Oulipo, the influential and exclusive French experimental literary group whose mission is to create literature based on mathematical and linguistic restraints, and whose ranks include Georges Perec and Italo Calvino, among others. A beautiful and complex love story between two characters, the narrator, "I," and their lover, A***, written without using any gender markers to refer to the main characters, Sphinx is a remarkable linguistic feat and paragon of experimental literature that has never been accomplished before or since in the strictly-gendered French language. Sphinx is a landmark text in the feminist, LGBT, and experimental literary canons appearing in English for the first time.

Garreta's first novel in a decade follows the mania that descends upon a family when the father finds himself in possession of a concrete mixer. As he seeks to modernize every aspect of their lives, disaster strikes when the younger sister is subsumed by concrete. Through puns, wordplay, and dizzying verbal effect, Garreta reinvents the novel form and blurs the line between spoken and written language in an attempt to confront the elasticity of communication.

The work of a masterful novelist and translator collide in this visionary and hilarious debut from acclaimed French writer Brice Matthieussent. Revenge of the Translator follows Trad, who is translating a mysterious author's book, Translator's Revenge, from English to French. The book opens as a series of footnotes from Trad as he justifies changes he makes. As the novel progresses, Trad begins to take over the writing, methodically breaking down the work of the original writer and changing the course of the text. The lines between reality and fiction start to blur as Trad's world overlaps with the characters in Translator's Revenge, who seem to grow more and more independent of Trad's increasingly deranged struggle to control the plot. Revenge of the Translator is a brilliant, rule-defying exploration of literature, the act of writing and translating, and the often complicated relationship between authors and their translators.

The Shutters collects the two most important poetry collections-"The Shutters" and "Photograms"-by the legendary Moroccan writer Ahmed Bouanani. By intertwining myth and tradition with the familiar objects and smells of his lived present, Bouanani reconstructs vivid images of Morocco's past. He weaves together references to the Second World War, the Spanish and French protectorates, the Rif War, dead soldiers, prisoners, and poets screaming in their tombs with mouths full of dirt. His poetry, written in an imposed language with a "strange alphabet," bravely confronts the violence of his country's history-particularly during the period of les annees de plomb, the years of lead-all of which bears the brutal imprint of colonization. As Bouanani writes, "These memories retrace the seasons of a country that was quickly forgetful of its past, indifferent to its present, constantly turning its back on the future."