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Seven Rooms
Dominic Jaeckle, Jess Chandler; Afterword by Gareth Evans; Contributions by Mario Dondero, Erica Baum, Jess Cotton, Rebecca Tamás, Stephen Watts, Helen Cammock, Salvador Espriu, Lucy Mercer, Lucy Sante, Ryūnosuke Akutagawa, Ryan Choi, John Yau, Nicolette Polek, Chris Petit, Sascha Macht, Amanda DeMarco, Mark Lanegan, Vala Thorodds, Richard Scott, Joshua Cohen, Hannah Regel, Nick Cave,, Daisy Lafarge, Holly Pester, Matthew Gregory, Olivier Castel, Emmanuel Iduma, Joan Brossa, Cameron Griffiths, Imogen Cassels, Hisham Bustani, Maia Tabet, Raúl Guerrero, Velimir Khlebnikov, Natasha Randall, Edwina Atlee, Matthew Shaw, Aidan Moffat, Lesley Harrison, Oliver Bancroft, Lauren de Sá Naylor, Will Eaves, Sandro Miller, Jim Hugunin,, …
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R601
R501
Discovery Miles 5 010
Save R100 (17%)
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Ships in 9 - 15 working days
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Seven Rooms brings together highlights from Hotel, a magazine for
new approaches to fiction, non-fiction & poetry which, since
its inception in 2016, provided a space for experimental reflection
on literature's status as art & cultural mediator. Co-published
by Tenement Press and Prototype, this anthology captures, refracts,
and reflects a vital moment in independent publishing in the UK,
and is built on the shared values of openness, collaboration, and
total creative freedom.
'A lyrical investigation ... both powerful and transcendent'
CHIGOZIE OBIOMA 'Acutely observed, hauntingly rendered and deeply
affecting' AMINATTA FORNA 'Both epic and intimate' MARGO JEFFERSON
An astonishing search for a missing person, the hidden tragedies of
war and the truth of Nigeria's history. Emmanuel Iduma never met
his uncle, his father's favourite brother and the man for whom he
is named. The elder Emmanuel left home in 1967 to fight in the
Biafran War and was not seen again. The war lasted for three years,
with young Igbo men volunteering to fight for a breakaway republic
in the chaotic wake of British decolonization. Around one hundred
thousand others who fought in the war share a fate like Emmanuel's
uncle, though there are no official records of these losses. The
tensions that gave rise to the conflict remain live, threatening
sometimes to bubble over. In this landscape, there are no monuments
or graves. Instead, a collective remembering that remains, for the
most part, silent. I Am Still with You sees a young Nigerian return
to his place of birth. Travelling the route of the war, Iduma
explores both a national history and the mysteries of his own
family, finding both somewhat scarred and haunted, the memories
warped by time and the darkest parts left for decades unspoken.
Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that took him to eight African countries.
In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately 1,500 colour negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017.
Todd Webb in Africa includes over 150 striking colour photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Accompanying essays place the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.
Namsa Leuba: Crossed Looks is the first artist monograph featuring
the work of Swiss-Guinean artist Namsa Leuba. This publication
accompanies the first solo exhibition of Namsa Leuba in the United
States, at the Halsey Institute of Contemporary Art in Charleston,
South Carolina on August 27 - December 11, 2021. Crossed Looks
features Leuba's major projects to date, including photography
series in Guinea, South Africa, Nigeria, Benin, and the debut of a
new series recently made in Tahiti. The exhibition and publication
consider how Leuba's photographic practice explores the
representation of African identity and the cultural Other in the
Western imagination. Over 90 photographs inspired by the visual
culture and ceremonies of West Africa, contemporary fashion and
design, and the history of photography and its colonizing gaze
present Leuba's unique perspective that straddles reality and
fantasy. Through the adaptation of myths attributed to the Other,
Leuba's photographs acknowledge this double act of looking, a
cross-dialogue of global cultures. The exhibition is supported by a
major grant from the National Endowment for the Arts and from Pro
Helvetia. The publication features essays contributed by exhibition
curator Joseph Gergel; writer and art critic Emmanuel Iduma; and
art historian Dr. Mary Trent. These essays examine the nuanced
themes of identity and representation in Leuba's multiple bodies of
work.
'A lyrical investigation ... both powerful and transcendent'
CHIGOZIE OBIOMA 'Acutely observed, hauntingly rendered and deeply
affecting' AMINATTA FORNA 'Both epic and intimate' MARGO JEFFERSON
An astonishing search for a missing person, the hidden tragedies of
war and the truth of Nigeria's history. Emmanuel Iduma never met
his uncle, his father's favourite brother and the man for whom he
is named. The elder Emmanuel left home in 1967 to fight in the
Biafran War and was not seen again. The war lasted for three years,
with young Igbo men volunteering to fight for a breakaway republic
in the chaotic wake of British decolonization. Around one hundred
thousand others who fought in the war share a fate like Emmanuel's
uncle, though there are no official records of these losses. The
tensions that gave rise to the conflict remain live, threatening
sometimes to bubble over. In this landscape, there are no monuments
or graves. Instead, a collective remembering that remains, for the
most part, silent. I Am Still with You sees a young Nigerian return
to his place of birth. Travelling the route of the war, Iduma
explores both a national history and the mysteries of his own
family, finding both somewhat scarred and haunted, the memories
warped by time and the darkest parts left for decades unspoken.
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Ming Smith: An Aperture Monograph (Hardcover)
Ming Smith; Preface by Alan Govenar, of Documentary Arts; Text written by Namwali Serpell, Janet Hill-Talbert, Emmanuel Iduma
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R1,514
Discovery Miles 15 140
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Ships in 12 - 17 working days
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Ming Smith’s poetic and experimental images are icons of
twentieth-century African American life. One of the greatest
artist-photographers working today, Smith moved to New York in the
1970s and began to make images charged with startling beauty and
spiritual energy. This long-awaited monograph brings together four
decades of Smith’s work, celebrating her trademark lyricism,
distinctively blurred silhouettes, dynamic street scenes, and deep
devotion to theater, music, poetry, and dance—from the
“Pittsburgh Cycle” plays of August Wilson to the Afrofuturism
of Sun Ra. With never-before-seen images, and a range of
illuminating essays and interviews, this tribute to Smith’s
singular vision promises to be an enduring contribution to the
history of American photography. Copublished by Aperture and
Documentary Arts
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A Stranger's Pose (Paperback)
Emmanuel Iduma; Foreword by Teju Cole; Photographs by Abraham Oghobase, Adeola Olagunju, Dawit L Petros, …
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R351
R315
Discovery Miles 3 150
Save R36 (10%)
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Ships in 12 - 17 working days
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A unique blend of travelogue, musings and poetry, A Stranger's Pose
draws the reader into a world of encounters haunted by the absence
of home, estrangement from a lover and family tragedies. The
author's recollections and reflections of fragments of his journeys
to African cities, from Dakar to Douala, Bamako to Benin, and
Khartoum to Casablanca, offer a compelling and very personal
meditation on the meaning of home and the generosity of strangers
to a lone traveller. Alongside accounts of the author's own travels
are other narratives about movement, intimacy, the power of
language and translation. Whilst echoing the writings of Anne
Michaels and John Berger, this remarkable book charts a path of its
own that will redefine travel writing.
In the summer of 2021, the Nigerian artist Emeka Ogboh (*1977)
transformed the centre of Frankfurt into a sound landscape on water
and on land. The sound installation is dedicated to the city of
Frankfurt am Main and offers a possible response to the
crisis-ridden year 2020. For Emeka Ogboh, music is a medium for
connecting people, regardless of their language, background, or
religious denomination. The catalogue documents the staging of THIS
TOO SHALL PASS in the city and provides insights into the creation
and conception of the work with accompanying text contributions.
Parts of the sound installation are made accessible through the
integration of augmented-reality elements. Text in English and
German.
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