The concept of friendship has long been central to the field of eighteenth-century literary studies, not least because it was presented by the era's own authors as an essential aspect of their literary identities. For writers like Alexander Pope and Jonathan Swift, being known as a good friend was just as important as gaining literary reputation.Friendship and Allegiance builds on recent scholarly interest both in friendship itself and more broadly in the relationship between privacy and publicity in the eighteenth century. It investigates how the idea of personal friendship could be distorted by its role in public discourse and whether friendship's value or meaning can ever be securely established in the midst of wider political, social and cultural debates. The book offers new ways of thinking about eighteenth-century friendship and about the prominent authors of the time who attempted to make sense of it.

Friendship and Allegiance explores the concept of friendship as it was defined, contested and distorted by writers of the early eighteenth century. Setting well-known canonical texts (The Beggar's Opera, Gulliver's Travels) alongside lesser-known works, it portrays a literary world renegotiating the meaning of public and private virtue.

Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.

1950s British crime thriller. Robert Matthews (Emrys Jones) is arrested in Cornwall when he is mistaken for convict John Barlow, to whom he bears a striking resemblance. When Barlow (also Jones) hears of this, he makes his way to the man's cottage and takes his place. After surviving a local shipwreck Robert's fiancée Ann Farrington (Zena Marshall) is taken in by Barlow, who maintains his imposture but soon discovers that Matthews is not all he seems.

The sixteenth century has long been acknowledged the Golden Age of English verse - with such names as Shakespeare, Donne, and Spenser to its credit it could hardly be otherwise. Hailed as a veritable treasure house (London Review of Books) and magnificent, heartening (The Observer), this brilliant anthology includes both undisputed masterpieces and brilliant but hitherto neglected gems. It is the first to reveal the full range and diversity of the centurys poetic riches. Readers will find poems from a who's who of English verse, including work by Shakespeare, Sir Philip Sydney, Christopher Marlowe, John Lyly, Sir Walter Ralegh, Ben Jonson, Thomas Campion, John Skelton, Sir Thomas More, Edmund Spencer, Thomas Dekker, Thomas Lodge, Fulke Greville, and John Donne, to name a few. There are excerpts from Arthur Goldings famed translation of Ovids Metamorphoses and Spencers Faerie Queene. Now reissued with a clear, clean design, here is the most complete picture available of the poetic vitality of the sixteenth century.

Celebrity Across the Channel, 1750-1850 is the first book to study and compare the concept of celebrity in France and Britain from 1750 to 1850 as the two countries transformed into the states we recognize today. It offers a transnational perspective by placing in dialogue the growing fields of celebrity studies in the two countries, especially by engaging with Antoine Lilti’s seminal work, The Invention of Celebrity, translated into English in 2017. With contributions from a diverse range of scholarly cultures, the volume has a firmly interdisciplinary scope over the time period 1750 to 1850, which was an era marked by social, political, and cultural upheaval. Bringing together the fields of history, politics, literature, theater studies, and musicology, the volume employs a firmly interdisciplinary scope to explore an era marked by social, political, and cultural upheaval. The organization of the collection allows for new readings of the similarities and differences in the understanding of celebrity in Britain and France. Consequently, the volume builds upon the questions that are currently at the heart of celebrity studies.