This book uses the body to peel back the layers of time and taken-for-granted ideas about the two defining political forms of modernity, the state and the subject of rights. It traces, under the lens of the body, how the state and the subject mutually constituted each other all the way down, by going all the way back, to their original crafting in the seventeenth century. It considers two revolutions. The first, scientific, threw humanity out of the centre of the universe, and transformed the very meanings of matter, space, and the body; while the second, legal and political, re-established humans as the centre-point of the framework of modern rights. The book analyses the fundamental rights to security, liberty, and property respectively as the initial knots where the state-subject relation was first sealed. It develops three arguments, that the body served to naturalise security; to individualise liberty; and to privatise property. Covering a wide range of materials-from early modern Dutch painting, to the canon of English political thought, the Anglo-Scottish legal struggles of naturalization, and medical and religious practices-it shows both how the body has operated as history's great naturaliser, and how it can be mobilised instead as a critical tool that lays bare the deeply racialised and gendered constructions that made the state and the subject of rights. The book returns to the origins of constructivist and constitutive theorising to reclaim their radical and critical potential.

From Louis Brandeis to Robert Bork to Clarence Thomas, the nomination of federal judges has generated intense political conflict. With the coming retirement of one or more Supreme Court Justices--and threats to filibuster lower court judges--the selection process is likely to be, once again, the center of red-hot partisan debate.
In Advice and Consent, two leading legal scholars, Lee Epstein and Jeffrey A. Segal, offer a brief, illuminating Baedeker to this highly important procedure, discussing everything from constitutional background, to crucial differences in the nomination of judges and justices, to the role of the Judiciary Committee in vetting nominees. Epstein and Segal shed light on the role played by the media, by the American Bar Association, and by special interest groups (whose efforts helped defeat Judge Bork). Though it is often assumed that political clashes over nominees are a new phenomenon, the authors argue that the appointment of justices and judges has always been a highly contentious process--one largely driven by ideological and partisan concerns. The reader discovers how presidents and the senate have tried to remake the bench, ranging from FDR's controversial "court packing" scheme to the Senate's creation in 1978 of 35 new appellate and 117 district court judgeships, allowing the Democrats to shape the judiciary for years. The authors conclude with possible "reforms," from the so-called nuclear option, whereby a majority of the Senate could vote to prohibit filibusters, to the even more dramatic suggestion that Congress eliminate a judge's life tenure either by term limits or compulsory retirement.
With key appointments looming on the horizon, Adviceand Consent provides everything concerned citizens need to know to understand the partisan rows that surround the judicial nominating process.

Attention Equals Life examines why a quest to pay attention to daily life has increasingly become a central feature of both contemporary American poetry and the wider culture of which it is a part. Drawing on theories and debates about the nature of everyday life from a number of fields across the humanities, this book traces the modern history of this preoccupation and consider why it is so much with us today. Attention Equals Life argues that it is no coincidence that a potent hunger for everyday life explodes in the post-1945 period. This deep cultural need should be seen as a reaction to the rapid and dislocating cultural, political, and social transformations of this epoch, which have resulted in a culture of perilous distraction, interruption, and fragmented attention. The book argues that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even method of resistance, to a culture gradually losing its capacity to pay attention. It examines why a compulsion to represent the everyday becomes predominant in the decades after modernism, why it has so often led to unusual, challenging projects and formal innovation, and why poetry, in particular, might be an everyday-life genre par excellence. The book considers the variety of forms this preoccupation takes, and examines its aesthetic, philosophical, and political ramifications. By exploring the use of innovative strategies, unusual projects, and new technologies as methods of attending to dailiness, Attention Equals Life uncovers an important strain at the heart of twentieth and twenty-first century literature.

How do we do more with less? From the #1 New York Times bestselling author of Range, why limits are the key to stimulating creativity, innovation, collaboration, and personal contentment.

We live in a world that gives us seemingly infinite choices and prizes freedom above all else. We have an unprecedented number of options regarding what to do, who to be, and how to spend our time. All that choice is wonderful; it is also overwhelming. The irony is that total freedom can be paralyzing, and unlimited resources don’t necessarily lead to the biggest breakthroughs. In fact, overvaluing complete freedom can be disastrous for everything from starting a company to harnessing creativity to finding personal satisfaction.

David Epstein argues that all of us—individuals, businesses, institutions, even societies—can benefit from narrowing our options. He dives into the science and practice of constraints, exploring exactly when and how guardrails can be beneficial, whether we’re working with limited resources or using self-imposed boundaries to tap unexpected wells of focus and innovation.

Original, galvanizing, and deeply researched, Inside the Box tells absorbing stories of people and organizations that embraced constraints to transform themselves, and the world—as well as a few that struggled from a lack of limits. Epstein reveals how boundaries create breakthroughs, and how setting the right constraints can help you become the most creative, productive, and satisfied version of yourself.

What are you willing to do to survive? What are you willing to endure if it means you might live? 'Achingly moving, gives much-needed hope . . . Deserves the status both as a valuable historical source and as a stand-out memoir' Daily Express 'A story that needs to be heard' 5***** Reader Review Entering Terezin, a Nazi concentration camp, Franci was expected to die. She refused. In the summer of 1942, twenty-two-year-old Franci Rabinek - designated a Jew by the Nazi racial laws - arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labour camps in Hamburg, and finally to Bergen Belsen. Franci, a spirited and glamorous young woman, was known among her fellow inmates as the Prague dress designer. Having endured the transportation of her parents, she never forgot her mother's parting words: 'Your only duty to us is to stay alive'. During an Auschwitz selection, Franci would spontaneously lie to Nazi officer Dr Josef Mengele, and claim to be an electrician. A split-second decision that would go on to endanger - and save - her life. Unpublished for 50 years, Franci's War is an astonishing account of one woman's attempt to survive. Heartbreaking and candid, Franci finds the light in her darkest years and the horrors she faces instill in her, strength and resilience to survive and to live again. She gives a voice to the women prisoners in her tight-knit circle of friends. Her testimony sheds new light on the alliances, love affairs, and sexual barter that took place during the Holocaust, offering a compelling insight into the resilience and courage of ordinary people in an extraordinary situation. Above all, Franci's War asks us to explore what it takes to survive, and what it means to truly live. 'A candid account of shocking events. Franci is someone many women today will be able to identify with' 5***** Reader Review 'First-hand accounts of life in Nazi death camps never lose their terrible power but few are as extraordinary as Franci's War' Mail on Sunday 'Fascinating and traumatic. Well worth a read' 5***** Reader Review

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

WITH AN INTRODUCTION BY CRAIG BROWN, BESTSELLING AUTHOR OF ONE TWO THREE FOUR Everybody knows the Beatles: John, Paul, George, Ringo ... and Brian. The Fab Four's meteoric rise is one of the most famous rags-to-riches stories ever told. And behind it all was Brian Epstein, the 'fifth Beatle' and legendary manager, who transformed the group from a small-time club band into global superstars. What was his secret? How did one man lead these scruffy Liverpool lads to change the world of popular music forever? A Cellarful of Noise is Brian Epstein's original 1964 memoir of a life spent making music history. It includes thirty contemporary photographs which offer a glimpse of Brian and the Beatles on their way to phenomenal success. Eye-opening, moving and constantly entertaining, this is essential reading for every Beatles fan.

One of today's hottest knitwear designers reveals how to knit a garden of colourful and whimsical flowers. The pretty blossoms can be used to adorn clothes, shoes, pillows, bags and more. With Epstein's detailed instructions and the breathtaking images, knitters will find completing these projects a pleasure. Nicky Epstein is a 'rock star' of knitting and here she knits up a garden of colourful and whimsical flowers to adorn clothes, shoes, pillows, bags - almost anything at all. These pretty blossoms range from ruffled roses to lazy daisies, from single blooms to complete bouquets, from layered petal varieties to scalloped and corkscrew styles. Some are made of soft, sensuous felt; others showcase sparkling, eye-catching gold lame. With Epstein's detailed instructions and the breathtaking images, knitters will find completing these projects a pleasure.

This book is a timely examination of congressional oversight in the United States, serving as a definitive guide for scholars and political, legal, and media observers seeking to navigate contemporary conflicts between Congress and the White House. Author Daniel Epstein has spent his professional career as a lawyer serving all sides of the regulatory process: he ran investigations for Congress, defended the White House from congressional oversight, and represented individuals, nonprofit news organizations, and entrepreneurs in federal court to fight for regulatory transparency and fairness. Epstein uses historical and observational data to argue that the modern federal bureaucracy did not begin as a regulatory state but as an investigative state. The contemporary picture of Congress having empowered the bureaucracy to set policy through rules is a relatively recent development in the political development of administrative law.  The book’s novel econometric models and historical analyses force a shift in how legal scholars and judges understand delegation, congressional oversight, and agency investigations.

Despite the deep-seated notion that the archetypal American poet sings a solitary "Song of Myself," much of the most enduring American poetry has actually been preoccupied with friendship and its pleasures, contradictions, and discontents. Beautiful Enemies examines this obsession with the problems and paradoxes of friendship, tracing its eruption in the New American Poetry that emerges after the Second World War as a potent avant-garde movement. The book argues that a clash between friendship and nonconformity is central to postwar American poetry and its development. By focusing on of some of the most important and influential postmodernist American poets-the New York School poets John Ashbery, Frank O'Hara, and their close contemporary Amiri Baraka-the book offers a new interpretation of the peculiar dynamics of American avant-garde poetic communities and the role of the individual within them. At the same time, this study challenges both the reductive critiques of American individualism and the idealized, heavily biographical celebrations of literary camaraderie one finds in much critical discussion. Beautiful Enemies foregrounds a fundamental paradox: that at the heart of experimental American poetry pulses a commitment to individualism and dynamic movement that runs directly counter to an equally profound devotion to avant-garde collaboration and community. Delving into unmined archival evidence (including unpublished correspondence, poems, and drafts), the book demonstrates that this tense dialectic-between an aversion to conformity and a poetics of friendship-actually energizes postwar American poetry, drives the creation, meaning, and form of important poems, frames the interrelationships between certain key poets, and leaves contemporary writers with a complicated legacy to negotiate. Combining extensive readings of the poets with analysis of cultural, philosophical, and biographical contexts, Beautiful Enemies uncovers the collision between radical self-reliance and the siren call of the interpersonal at the core of twentieth-century American poetry