At present, the marketplace for professionals, researchers, and graduate students in solid-state physics and materials science lacks a book that presents a comprehensive discussion of ferroelectrics and related materials in a form that is suitable for experimentalists and engineers. This book proposes to present a wide coverage of domain-related issues concerning these materials. This coverage includes selected theoretical topics (which are covered in the existing literature) in addition to a plethora of experimental data which occupies over half of the book.

The book presents experimental findings and theoretical understanding of ferroic (non-magnetic) domains developed during the past 60 years. It addresses the situation by looking specifically at bulk crystals and thin films, with a particular focus on recently-developed microelectronic applications and methods for observations of domains with techniques such as scanning force microscopy, polarized light microscopy, scanning optical microscopy, electron microscopy, and surface decorating techniques.

"Domains in Ferroic Crystals and Thin Films" covers a large area of material properties and effects connected with static and dynamic properties of domains, which are extremely relevant to materials referred to as ferroics. In other textbooks on solid state physics, one large group of ferroics is customarily covered: those in which magnetic properties play a dominant role. Numerous books are specifically devoted to magnetic ferroics and cover a wide spectrum of magnetic domain phenomena. In contrast, "Domains in Ferroic Crystals and Thin Films" concentrates on domain-related phenomena in nonmagnetic ferroics. These materials are still inadequately represented in solid state physics textbooks and monographs.

Despite recent interest in music-making in the so-called 'provinces', the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison's life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.

Despite recent interest in music-making in the so-called 'provinces', the idea still lingers that music-making outside London was small in scale, second-rate and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison's life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Latitudinarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America. This book looks at these connections, exploring the ways in which the musical culture in the north-east region interacted with, and influenced, musical culture elsewhere, and the non-musical influences with which it was involved, including contemporary religious, philosophical and commercial developments, establishing that regional centres such as Newcastle could be as well-informed, influential and vibrant as London.

At present, the marketplace for professionals, researchers, and graduate students in solid-state physics and materials science lacks a book that presents a comprehensive discussion of ferroelectrics and related materials in a form that is suitable for experimentalists and engineers. This book proposes to present a wide coverage of domain-related issues concerning these materials. This coverage includes selected theoretical topics (which are covered in the existing literature) in addition to a plethora of experimental data which occupies over half of the book. The book presents experimental findings and theoretical understanding of ferroic (non-magnetic) domains developed during the past 60 years. It addresses the situation by looking specifically at bulk crystals and thin films, with a particular focus on recently-developed microelectronic applications and methods for observations of domains with techniques such as scanning force microscopy, polarized light microscopy, scanning optical microscopy, electron microscopy, and surface decorating techniques. "Domains in Ferroic Crystals and Thin Films" covers a large area of material properties and effects connected with static and dynamic properties of domains, which are extremely relevant to materials referred to as ferroics. In other textbooks on solid state physics, one large group of ferroics is customarily covered: those in which magnetic properties play a dominant role. Numerous books are specifically devoted to magnetic ferroics and cover a wide spectrum of magnetic domain phenomena. In contrast, "Domains in Ferroic Crystals and Thin Films" concentrates on domain-related phenomena in nonmagnetic ferroics. These materials are still inadequately represented in solid state physics textbooks and monographs.

This study of the growth of instrumental music and the crucial transition of composers, from dependent court musicians to free professionals, emphasizes the major influential cultural trends and political events of the mid-eighteenth and mid-nineteenth centuries.

British comedy starring Leslie Phillips. Simon Hurd (Phillips) takes it upon himself to raise the necessary finances to keep the local youth club open. But he uses a peculiar technique to do so - he attends funerals and blackmails mourners into giving him money by threatening to reveal unfortunate stories about them to the press. However, he may regret his pitches after potentially meeting his match...

Wartime drama with a musical score by English composer Ralph Vaughan Williams. As Hitler's Blitzkrieg sweeps across the Low Countries in 1940, a squadron of Belgian pilots takes temporary shelter on a Flemish Farm. There, wounded pilot Fernard Matagne (Philip Friend) is nursed by farmer's daughter Trescha (Jane Baxter), and the two fall in love. But their relationship is doomed as Hitler's occupying forces advance and the squadron is ordered to return to England.

1950s suspense thriller starring Dirk Bogarde as a wanted man. Hapless murderer Chris Lloyd (Dirk Bogarde) takes flight from his crime with 6-year-old witness Robbie (Jon Whiteley) in tow. As they head towards the Scottish border, the fugitive begins to strike up a relationship with the boy, who has problems of his own.

1950s British comedy set in a boys' school facing closure. Cardew the Cad (Cardew Robinson) is a wealthy mature student who has yet to graduate. With the school in trouble, Cardew finds himself facing bribery at the hands of scheming headmaster Dr. Septimus Jankers (Fred Emney) and his accomplice, Harry the Scar (Freddie Mills).

The Tailor and Ansty was banned soon after its first publication in 1942 and became the subject of much bitter controversy. It has become a modern Irish classic, promising to make immortal the Tailor and his irrepressible wife, Ansty. The Tailor never travelled further than Scotland, yet the breadth of the world could not contain the wealth of his humour and fantasy. All human life is here - marriages, inquests, matchmaking, wakes - and always the Tailor, his wife and their black cow.

Collection of four British crime thrillers from the 1950s. In 'High Treason' (1951), after the destruction of the SS Asia Star in London Docks, Commander 'Robbie' Brennan (Liam Redmond) joins forces with Special Branch and MI5 to investigate an underground terrorist group plotting acts of sabotage. They discover that the group are planning an attack on a power station. Can they stop them before it's too late? In 'The Big Chance' (1957), fed up with living his mundane life, travel agency employee Bill Anderson (William Russell) siezes his opportunity for a change when a customer returns tickets to Panama. Bill decides to take the tickets and go to Panama himself. While at the airport, however, he is distracted by the alluring Diana Maxwell (Adrienne Corri). When the flight is delayed until the following day, Diana manages to get Bill involved in all manner of misadventures. Will he be glad of this change from the humdrum of his daily existence? In 'Dublin Nightmare' (1958), adapted from the novel by Robin Estridge, Steve Lawlor (Richard Leech) is reported dead following a car accident after he helped a Republican gang rob a Northern Irish security vehicle. The loot has gone missing and while the gang believe the car passenger Danny O'Callaghan (Pat O'Sullivan) has betrayed them, Lawlor's former girlfriend is convinced he is still alive. His photographer friend John Kevin (William Sylvester) investigates. In 'Deadly Nightshade' (1953) Robert Matthews (Emrys Jones) is arrested in Cornwall when he is mistaken for convict John Barlow, to whom he bears a striking resemblance. When Barlow (also Jones) hears of this, he makes his way to the man's cottage and takes his place. After surviving a local shipwreck Robert's fiancée Ann Farrington (Zena Marshall) is taken in by Barlow, who maintains his imposture but soon discovers that Matthews is not all he seems.