African American theater buildings were theaters owned or managed by blacks or whites for an African American audience. Such theaters included nickelodeons, vaudeville houses, musical houses and neighborhood movie theaters. Although nearly 2,000 African American theater buildings existed in the 20th century, very little has been written about them. In this book, the African American theater buildings from 1900 through 1955 are arranged by state, then by city, and then alphabetically under the name by which they were known. The street address, dates of operation, number of seats, architect, whether it was a member of TOBA (Theater Owners Booking Association), type of theater (nickelodeon, vaudeville, musical, drama or picture), alternate name(s), race and name of manager or owner, whether the audience was mixed, and the fate of the theater are provided where known. Commentary by theater historians is also provided.

From the onset of the modern civil rights and black power movements of the late 1960s and early 1970s through recent times, scholarship on Pennsylvania's African American experience proliferated. Unfortunately, much of it is scattered in books and journals that are not easily accessible. Under the editorship of Joe W. Trotter and Eric Ledell Smith, African Americans in Pennsylvania brings together an outstanding array of this scholarship and makes it accessible to a wider audience, including general as well as professional students of the black experience.

This volume, co-published with the Pennsylvania Historical and Museum Commission, offers the most comprehensive history of the state's black history to date. Chapters emphasize the interplay of class and race from the origins of the Commonwealth during the seventeenth century, through the era of deindustrialization in the late twentieth century. We see not only poor and working-class people but also educated business and professional people. And although scholarship has traditionally focused on the experiences of black men, this volume includes significant research on black women. Most important, this volume suggests a conceptual framework for a historical synthesis of the state's African American experience.

In his introduction, Trotter assesses the strengths and limitations of existing scholarship, showing how it is built on the contributions of nineteenth-century pioneers as well as those of the first generation of professional historians, including W. E. B. Du Bois, Richard R. Wright, and Edward Raymond Turner. Chapters are grouped into four interlocking parts that correspond to important changes in Pennsylvania's political economy. Each part includes a brief substantive introduction that ties together the themes of the ensuing chapters. This format enables readers to develop their own synthesis of key socioeconomic and political changes in the state's African American experience over more than three centuries of time.

African Americans in Pennsylvania shows how ordinary people have influenced the culture, institutions, and politics of African American communities in Pennsylvania. In the process, it documents the ways that black people have influenced, and continue to influence, the state as a whole.

Contributors are Elijah Anderson, John F. Bauman, R. J. M. Blackett, John E. Bodnar, Carolyn Leonard Carson, Dennis C. Dickerson, Gerald G. Eggert, V. P. Franklin, Laurence Glasco, Peter Gottlieb, Theodore Hershberg, Leroy T. Hopkins, Norman P. Hummon, Emma Jones Lapsansky, Janice Sumler Lewis, Frederic Miller, Edward K. Muller, Gary B. Nash, Merl E. Reed, Harry C. Silcox, Jean R. Soderlund, and Joe W. Trotter, Jr.