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The authors in this illustrated volume explore how art historical and technical examination of 15th-18th century European paintings conducted in tandem not only address key subjects such as meaning, materials, and manufacturing techniques, but also allow fresh perspectives on the prevailing workshop practices of copying, replicating, and emulating paintings.
The four paintings investigated in this book all depict Christ driving the traders from the temple. They are alike yet different with echoes of Pieter Bruegel the Elder and Hieronymous Bosch, but all were presumed to have been painted in Antwerp in the 16th century.
Proceedings of the third symposium of the Art Technological Source Research Working Group
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