Investigating local Indigenous processes of creation and creativity, this book uses ethnographic and comparative anthropological perspectives to enquire about creative transformative practices in lowland South America. The volume shows how people create and reinforce their conditions of being by employing different genres of transgression and by creatively shifting contexts of significance. Local socio-cosmic orders, the interrelation of creative genres (myth, verbal art, song, ritual, and handicrafts), and their changing frames of reference (from communal celebrations to wider political and commercial realms) demonstrate the relational, generative, and processual quality of Amerindian creativity.

Indigenous peoples have been cast as representing modernity’s fading premodern Other. This volume starts from the opposite assumption, namely that contemporary indigenous peoples are specifically modern societies, profoundly shaped by their specific ways of dealing with, making use of and transforming the contexts imposed by nation-states, colonial systems and globalization. They do that from a position alternative to that of the modern West. The book aims to understand these processes and the resulting forms of indigenous modernities in Lowland South America through ethnographic case studies. It argues that there is more about indigenous modernities than the simple assertion that indigenous peoples are now modern too. Indigenous groups are modern in multiple, complex and alternative ways. As the contributions show this holds true for current forms of shamanism and indigenous Christian churches, new meanings of traditional clothing, as well as indigenous cosmologies that confront western concepts, technology and welfare programs. The notion of indigenous modernities refers to a space beyond old modernist dichotomies. The paradox, like the disturbing Otherness it brings to our attention, is the result of a relation in which assumptions we take ontologically for granted are confronted by other realities. Looking at the creative ways indigenous peoples’ practices subvert such assumptions may result in substantial irritation and is a starting point for a renewed reflection on classical assumptions about modernities and indigenous ways of both being modern and exceeding modernity in the face of long-standing power inequalities and the imposition of logics of Western ontology.

This book offers a new anthropological understanding of the socio-cosmological and ontological characteristics of the Isthmo-Colombian Area, beyond established theories for Amazonia, the Andes and Mesoamerica. It focuses on a core region that has been largely neglected by comparative anthropology in recent decades. Centering on relations between Chibchan groups and their neighbors, the contributions consider prevailing socio-cosmological principles and their relationship to Amazonian animism and Mesoamerican and Andean analogism. Classical notions of area homogeneity are reconsidered and the book formulates an overarching proposal for how to make sense of the heterogeneity of the region's indigenous groups. Drawing on original fieldwork and comparative analysis, the volume provides a valuable anthropological addition to archaeological and linguistic knowledge of the Isthmo Colombian Area.

This book offers a new anthropological understanding of the socio-cosmological and ontological characteristics of the Isthmo-Colombian Area, beyond established theories for Amazonia, the Andes and Mesoamerica. It focuses on a core region that has been largely neglected by comparative anthropology in recent decades. Centering on relations between Chibchan groups and their neighbors, the contributions consider prevailing socio-cosmological principles and their relationship to Amazonian animism and Mesoamerican and Andean analogism. Classical notions of area homogeneity are reconsidered and the book formulates an overarching proposal for how to make sense of the heterogeneity of the region's indigenous groups. Drawing on original fieldwork and comparative analysis, the volume provides a valuable anthropological addition to archaeological and linguistic knowledge of the Isthmo Colombian Area.

This book investigates the social and cultural dimensions of climate change in Southern Africa, focusing on how knowledge about climate change is conceived and conveyed. Despite contributing very little to the global production of emissions, the African continent looks set to be the hardest hit by climate change. Adopting a decolonial perspective, this book argues that knowledge and discourse about climate change has largely disregarded African epistemologies, leading to inequalities in knowledge systems. Only by considering regionally specific forms of conceptualizing, perceiving, and responding to climate change can these global problems be tackled. First exploring African epistemologies of climate change, the book then goes on to the social impacts of climate change, matters of climate justice, and finally institutional change and adaptation. Providing important insights into the social and cultural perception and communication of climate change in Africa, this book will be of interest to researchers from across the fields of African studies, sociology, anthropology, philosophy, political science, climate change, and geography.