The world consumes over 300 million tonnes of plastic each year. But when did we start using plastic? And why? Where does all the plastic waste go? Journey through the life cycle of plastic - how plastics are produced, the many uses of plastics throughout the last century, how our plastic use has spiralled out of control, and what we can do about it.

The world consumes over 300 million tonnes of plastic each year. But when did we start using plastic? And why? Where does all the plastic waste go? Journey through the life cycle of plastic - how plastics are produced and recycled, the many uses of plastics throughout the last century, how our plastic use and pollution has spiralled out of control, and what we can do about it.

This book examines the evolution of foreign aid policy in Japan and South Korea, analyzing policy rationales, institutional developments and policy choices. The book searches for new strategies of international development cooperation in an uncertain world. The book compares two countries' policies in a unique way: pairs of Japanese and Korean scholars examine same policy themes in separate chapters, contrasting differences and similarities. This book will be of great value to scholars of international development cooperation, public policy and East Asian politics.

This book examines the evolution of foreign aid policy in Japan and South Korea, analyzing policy rationales, institutional developments and policy choices. The book searches for new strategies of international development cooperation in an uncertain world. The book compares two countries' policies in a unique way: pairs of Japanese and Korean scholars examine same policy themes in separate chapters, contrasting differences and similarities. This book will be of great value to scholars of international development cooperation, public policy and East Asian politics.

This volume is a translation of Choi Seung-ja's 1991 anthology titled Portrait of a Suburbanite. Published in the series of "100 Prominent Korean Poets" by Mirae Press, the poems in this volume were selected from four of Choi's previous works titled, Love of This Age (1981), Merry Diary (1984), House of Memory (1989), and the subsequently published My Tomb, Green (1993). Speaking with a fierce sense of equality and independence, Choi Seung-ja's poetry battled ossified forms of language not only on the political but also the personal front. Like her male colleagues, Choi parodied and critiqued the idol of the father, but even further, she insightfully explored irreverent content to reveal the gendered constraints of the lyric form. In particular, Choi exposed the idolatrous power of the lover, the basis of exploitation and injustice at the most intimate level. On top of their political disempowerment as citizens, the private and domestic alienation of women as daughters, lovers, and wives form a deep stratum of repression. When Choi's women personae broke this long silence of compliance nurtured by the traditional lyric and voiced themselves as exploited and traumatized, yet fearless and tenacious human beings, the shock of this transgression shook the nation. In turn it demonstrate how long and how powerfully the gender constrictions had been imposed on Korean women.

Doktorarbeit / Dissertation aus dem Jahr 2011 im Fachbereich Theologie - Praktische Theologie, Note: 3, Westfalische Wilhelms-Universitat Munster (Evangelisch-Theologische Fakultat), Sprache: Deutsch, Abstract: Die vorliegende Studie ist dem Kindergottesdienst bzw. der Sonntagsschule auf der Uberschnittstelle von Religionspadagogik und Liturgik gewidmet. Konkret vergleicht sie den deutschen Kindergottesdienst und die koreanische Sonntagsschule. Fur den deutschen Sprachraum werden dabei wichtige Dokumente zur koreanischen Sonntagsschule erschlossen. Zugleich rekonstruiert die Arbeit ubersichtlich den deutschen Diskurs zum Kindergottesdienst auf den verschiedenen Ebenen. In einem abschliessenden Teil werden komparativ jeweils handlungsorientierende Impulse fur beide Traditionen herausgearbeitet