Norway and Russia have been closely related through the ages, both geographically and historically, and have experienced similar problems relating to climate, building maintenance and national wooden architecture. As a result, the parallel study of architectural conservation and restoration theories and practices in both neighbouring Northern states makes for a stimulating collective monograph. Architectural Conservation and Restoration in Norway and Russia delves into the main challenges of historic and contemporary architectural preservation practices in the two countries. The book consists of three main parts: the discovery and preservation of historical architecture in the late nineteenth to early twentieth century; contemporary approaches to former restorations and the conservation and maintenance of historical architecture; and, finally, current questions concerning preservation of twentieth-century architectural heritage which, due to different building technologies and artistic qualities, demand revised methods and historical evaluation. This is a valuable resource for academics, researchers and students in different areas of architecture (medieval, nineteenth-century, wooden and contemporary architecture) as well as in the fields of art, architectural history, cultural heritage and Scandinavian and Russian studies.

The book presents a broad panoramic overview of church architecture in the Russian North between the fourteenth and nineteenth centuries. While it is inevitably overshadowed by the imperial splendour of the country's capital cities, this unique phenomenon is regarded as the most distinctive national expression of traditional Russian artistic culture and at the same time as a significant part of humanity's worldwide architectural heritage. The chief intention of the book is to present the regionally specific features of the wooden churches of the Russian North, which vary from area to area for local natural or historical reasons. This approach touches upon the very important questions of the typology and classification of the multiplicity of architectural forms. The "regional view" entails giving clear definitions of the ambiguous terms "architectural school" and "tradition", explaining the origins and shaping impulses for the different regional clusters of objects. Structurally the book presents a history of the development of wooden church architecture in the Russian North and then follows the key points of the mediaeval Russian expansion along the waterways from Novgorod into the North - he Svir' River, Lake Onego, the town of Kargopol' and the River Onega, the White Sea, the Rivers Dvina, Pinega and Mezen' - those areas that still retain the most splendid pieces of Russian regional wooden church architecture. The study is based on field research and provides an up-to-date, multi-faceted view of Russian wooden architecture.

Norway and Russia have been closely related through the ages, both geographically and historically, and have experienced similar problems relating to climate, building maintenance and national wooden architecture. As a result, the parallel study of architectural conservation and restoration theories and practices in both neighbouring Northern states makes for a stimulating collective monograph. Architectural Conservation and Restoration in Norway and Russia delves into the main challenges of historic and contemporary architectural preservation practices in the two countries. The book consists of three main parts: the discovery and preservation of historical architecture in the late nineteenth to early twentieth century; contemporary approaches to former restorations and the conservation and maintenance of historical architecture; and, finally, current questions concerning preservation of twentieth-century architectural heritage which, due to different building technologies and artistic qualities, demand revised methods and historical evaluation. This is a valuable resource for academics, researchers and students in different areas of architecture (medieval, nineteenth-century, wooden and contemporary architecture) as well as in the fields of art, architectural history, cultural heritage and Scandinavian and Russian studies.

The book presents a broad panoramic overview of church architecture in the Russian North between the fourteenth and nineteenth centuries. While it is inevitably overshadowed by the imperial splendour of the country's capital cities, this unique phenomenon is regarded as the most distinctive national expression of traditional Russian artistic culture and at the same time as a significant part of humanity's worldwide architectural heritage. The chief intention of the book is to present the regionally specific features of the wooden churches of the Russian North, which vary from area to area for local natural or historical reasons. This approach touches upon the very important questions of the typology and classification of the multiplicity of architectural forms. The "regional view" entails giving clear definitions of the ambiguous terms "architectural school" and "tradition", explaining the origins and shaping impulses for the different regional clusters of objects. Structurally the book presents a history of the development of wooden church architecture in the Russian North and then follows the key points of the mediaeval Russian expansion along the waterways from Novgorod into the North - he Svir' River, Lake Onego, the town of Kargopol' and the River Onega, the White Sea, the Rivers Dvina, Pinega and Mezen' - those areas that still retain the most splendid pieces of Russian regional wooden church architecture. The study is based on field research and provides an up-to-date, multi-faceted view of Russian wooden architecture.