This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Composed in the summer of 1831 while in Rome, Berlioz's work was inspired by the Scottish rebel Rob-Roy MacGregor had to wait until the spring of 1833 for its premiere. The composer abandoned the piece shortly afterwards, but used some of the music material for his more famous "Harold in Italy." An unabridged, digitally enhanced reprint from Volume 4 of Series II of the Berlioz Complete Works, edited by Charles Malherbe and Felix Weingartner, issued by Breitkopf and Hrtel between 1900 and 1907, this new study score presents the Berlioz's fascinating work in an easy-to-read format at a very reasonable price.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Three works by conductor Felix Weingartner (1863-1942) feature the title essay, which discusses the performing difficulties and interpretation questions involved in Beethoven's 9 symphonies. Also includes "On Conducting" and "The Symphony Since Beethoven," both attesting to the belief that art is at its best when an "exceedingly delicate balance is attained between the feeling and the intellect."

Three works by conductor Felix Weingartner (1863-1942) feature the title essay, which discusses the performing difficulties and interpretation questions involved in Beethoven's 9 symphonies. Also includes "On Conducting" and "The Symphony Since Beethoven," both attesting to the belief that art is at its best when an "exceedingly delicate balance is attained between the feeling and the intellect."

Berlioz composed his tremendous "Legende dramatique" in 1845-46, largely creating his own libretto after Gerard de Nerval's French translation of the famous Faust story by Goethe. The composer produced the dramatic oratorio at his own expense for the premiere on December 6, 1846 at Paris' Opera-Comique. Despite critical acclaim, the performance was not well-attended - a major financial setback for the composer. This new study score is a digitally-enhanced reprint of the score issued in 1901 by Breitkopf & Hartel as part of the projected Berlioz Complete Works, edited by Charles Malherbe and Felix Weingartner.

Felix Weingartner war einer der beruhmtesten Dirigenten Osterreichs und wird bis heute zu den pragenden Figuren des 20. Jahrhunderts gerechnet. Im vorliegenden ersten Teil seiner Autobiographie gewahrt der hochbegabte Kunstler intime Einblicke in sein Leben und Schaffen. Seine Erinnerungen reichen von seinen Anfangen als Student in Graz und Leipzig, uber seine Studien mit Franz Liszt in Weimar bis hin zu seinem Umzug nach Berlin. Eine Vielzahl an bemerkenswerten personlichen Anekdoten machen Weingartners mit feinem Spott gewurzten Erzahlungen zu einem wichtigen Dokument der Zeitgeschichte. Der zweite Teil der Autobiographie 'Lebenserinnerungen II' erscheint ebenfalls im SEVERUS Verlag unter der ISBN 978-3-86347-725-7.