Full of eccentric characters, Killing Dragons is the story of the first British mountaineers to tackle the Alpine summits of Switzerland during the late eighteenth century. Originally the explorers of this area were poorly equipped, wearing ordinary shoes and no protective clothing. The British arrived intent on reaching every Alpine summit, and 'mountaineering' was born. The title refers to the mythical creatures said to inhabit these peaks: 'Here be dragons,' said the old maps ...

Whether writing of the Alps, the high seas, or the North Pole, Fergus Fleming has won acclaim as one of today's most vivid and engaging historians of adventure and exploration. The Sword and the Cross takes us to the Sahara at the end of the nineteenth century, when France had designs on a hostile wilderness dominated by deadly Tuareg nomads. Two fanatical adventurers, Charles de Foucauld and Henri Laperrine, rose to the cause of their country's national honor. Abandoning his decadent lifestyle as a sensualist and womanizer, Foucauld founded a monastic order so severe that during his lifetime it never had a membership of more than one. Yet he remained a committed imperialist and from his remote hermitage continued to assist the military. The stern career soldier Laperrine, meanwhile, founded a camel corps whose exploits became legendary. During World War I the Sahara's fragile peace crumbled. In the desert mountains Foucauld paid a tragic price for his role as imperial pawn. Laperrine, by then recalled to the Western Front, returned to avenge his friend.

On John Franklin's 1820 expedition to find the North-West Passage, Michel Teroahaute cannibalized two team members and was preparing a third when he was caught and killed. When Rene la Salle set off for the Mississippi Delta in 1684, he missed the target by five hundred miles, but on landing immediately built a prison for those who fell asleep on watch. Consummate storyteller Fergus Fleming brings together these and forty-three other gripping stories in Off the Map. Spanning three ages of exploration, it is a uniquely accessible and supremely entertaining history of adventure and endeavor. Off the Map recounts episodes both classic and forgotten: the classics are brought to life in more vivid colors than ever before; the lesser-known stories offer accounts of feats that are no less heroic or extraordinary but have long lain hidden in the undergrowth of history. From the Renaissance golden age of Columbus, da Gama, and Magellan to the twentieth-century heroics of polar explorers such as Peary, Scott, and Amundsen, this is an unforgettable journey into the annals of adventure.

'Constantly entertaining ... So much here to amuse and inform' Observer 'These friendly, knockabout letters are a treat' Sunday Telegraph 'Irresistible' New York Times ________________________ Before the world-famous Bond films came the world-famous novels. This book tells the story of the man who wrote them and how he created spy fiction's most compelling hero. In August 1952, Ian Fleming bought a gold-plated typewriter as a present to himself for finishing his first novel, Casino Royale. It marked in glamorous style the arrival of James Bond, agent 007, and the start of a career that saw Fleming become one of the world's most celebrated thriller writers. Before his death in 1964 he produced fourteen bestselling Bond books, two works of non-fiction and the famous children's story Chitty-Chitty-Bang-Bang. Fleming's output was matched by an equally energetic flow of letters. He wrote constantly, to his wife, publisher, editors, fans, critics and friends, including Raymond Chandler, Noel Coward and Somerset Maugham. His letters - witty and charming, funny and revealing - chart 007's progress: from badgering his publisher about his quota of free copies to apologising to readers for having mistaken a certain brand of perfume and for equipping Bond with the wrong kind of gun. Collected here together by his nephew, the letters provide a fascinating insight into the mind of the man who created a worldwide sensation. 'Splendid' New Statesman 'A revelation' Guardian 'A fascinating portrait of Bond's creator, revealing a man of keen wit and charm' Gentleman's Journal