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David Byrne's play about Imelda Marcos called for the theater to be
transformed into a disco. Spanish photographer Fernando Sancho
found the whole idea mesmerizing, so he traipsed to a lumberyard in
Calgary to capture the making of the pop-up disco, followed it back
to Seattle to photograph the all-Asian cast practicing in an
abandoned building while they waited for the disco to be installed,
and finally chronicled the moments when the cast took the stage in
a Seattle Repertory Theater that had been transformed into a 70s
era discotheque complete with mirror ball. Interviews with cast
members reveal the thrills and challenges of acting in a play where
the audience is part of the production.
Howard Vernon returns as the demented Dr Orloff, who, in this
chiller, creates an invisible human in order to kidnap his
partner's daughter, with whom he's obsessed.
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