David Byrne's play about Imelda Marcos called for the theater to be
transformed into a disco. Spanish photographer Fernando Sancho
found the whole idea mesmerizing, so he traipsed to a lumberyard in
Calgary to capture the making of the pop-up disco, followed it back
to Seattle to photograph the all-Asian cast practicing in an
abandoned building while they waited for the disco to be installed,
and finally chronicled the moments when the cast took the stage in
a Seattle Repertory Theater that had been transformed into a 70s
era discotheque complete with mirror ball. Interviews with cast
members reveal the thrills and challenges of acting in a play where
the audience is part of the production.
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