Mitch Rapp confronts a very different kind of killer in this explosive addition to Vince Flynn’s #1 New York Times bestselling series, written by Kyle Mills.

With President Anthony Cook convinced that Mitch Rapp poses a mortal threat to him, CIA Director Irene Kennedy is forced to construct a truce between the two men. The terms are simple: Rapp agrees to leave the country and stay in plain sight for as long as Cook controls the White House. In exchange, the administration agrees not to make any moves against him.

This fragile détente holds until Cook’s power-hungry security adviser convinces him that Rapp has no intention of honoring their agreement. To put him on the defensive, they leak the identity of his partner, Claudia Gould. As Rapp races to neutralize the enemies organizing against her, he discovers that a new type of assassin is on her trail.

Known only as Legion, the shadowy killer has created a business model based on double-blind secrecy. Neither the assassin nor the client knows the other’s identity. Because of this, Legion can’t be called off nor can they afford to fail. No matter how long it takes—weeks, months, years—they won’t stand down until their target is dead. Faced with the seemingly impossible task of finding and stopping Legion, Rapp and his people must close ranks against a world that has turned on them.

In a world where everyone is striving for what is not worth having, orphan Becky Sharp sets out to claw her way to the top of English society.

Written by Gwyneth Hughes, this 7-episode Vanity Fair is a new adaptation of William Makepeace Thackeray’s 19th century literary classic. Set against the backdrop of the Napoleonic Wars, Becky’s story of villainy, crime, merriment, lovemaking, jilting, laughing, cheating, fighting and dancing takes her all the way to the court of King George IV, via the Battle of Waterloo, breaking hearts and losing fortunes as she goes.‎

ONE LIFE tells the true story of Sir Nicholas ‘Nicky’ Winton, a young London broker who, in the months leading up to World War II, rescued 669 predominantly Jewish children from the Nazis.

Nicky visited Prague in December 1938 and found families who had fled the rise of the Nazis in Germany and Austria, living in desperate conditions with little or no shelter and food, and under threat of Nazi invasion. He immediately realised it was a race against time. How many children could he and the team rescue before the borders closed?

Fifty years later, it’s 1988 and Nicky lives haunted by the fate of the children he wasn’t able to bring to safety in England; always blaming himself for not doing more. It’s not until a live BBC television show, ‘That’s Life’, surprises him by introducing him to some surviving children – now adults – that he finally begins to come to terms with the guilt and grief he had carried for five decades.

Mitch Rapp returns to make a mortal enemy of Russia in this high-octane and up-to-the-minute installment in the #1 New York Times bestselling series from “one of the best thriller writers on the planet” (The Real Book Spy).

Mitch Rapp hates owing anyone a favor—especially when it’s the world’s most powerful crime lord. But when Damian Losa calls, Mitch is honor-bound to answer.

The Syrian government appears to have created a highly addictive new narcotic that it plans to distribute throughout Europe. It’s a major threat to Losa’s business and he’s determined to send someone to keep him on top by any means necessary. Rapp is the perfect choice for the mission. Not only does he have extensive experience operating in the Middle East, but he’s also entirely expendable.

As he crosses into war-torn Syria, Rapp quickly discovers a shocking truth. The new drug isn’t being produced by Damascus to prop up the government’s collapsing finances. Instead, it was created by Russia’s asymmetrical warfare unit, not for profit but as a weapon against the West.

With far more than Damian Losa’s interests at stake, Rapp devises a desperate plan that forces him and his team onto a battlefield where the United States is virtually powerless and allegiances shift almost hourly. Further, if Russia uncovers their plot, it will set off a confrontation between the two countries that could change the course of human history.

All 25 episodes of the BBC comedy written by Roy Clarke. Miserly Arkwright (Ronnie Barker) employs his down-trodden nephew Granville (David Jason) at his grocer's store, while attempting to woo Nurse Gladys Emmanuel (Lynda Baron). Episodes comprise: 'Full of Mysterious Promise', 'A Mattress on Wheels', 'A Nice Cosy Little Disease', 'Beware of the Dog', 'Well Catered Funeral', 'Apple and Self Service', 'Laundry Blues', 'The Reluctant Traveller', 'Fig Biscuits and Inspirational Toilet Rolls', 'The New Suit', 'Arkwright's Mobile Store', 'Shedding at the Wedding', 'St. Albert's Day', 'An Errand Boy by the Ear', 'The Ginger Men', 'Duet for Solo Bicycle', 'How to Ignite Your Errand Boy', 'The Man from Down Under', 'The Cool Cocoa Tin Lid', 'Soulmate Wanted', 'Horse-Trading', 'The Housekeeper Caper', 'The Errand Boy Executive', 'Happy Birthday Arkwright' and 'The Mystical Boudoir of Nurse Gladys Emmanuel'.

One of the most critically acclaimed suspense writers of our time, "New York Times" bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong.

On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media--as well as Amy's fiercely doting parents--the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter--but is he really a killer?

As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?

With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

Named the Best Thriller of 2022 by The Real Book Spy Mitch Rapp confronts a very different kind of killer in this explosive "and entertaining from the first page to the last" (The Providence Journal) addition to Vince Flynn's #1 New York Times bestselling series, written by Kyle Mills. With President Anthony Cook convinced that Mitch Rapp poses a mortal threat to him, CIA Director Irene Kennedy is forced to construct a truce between the two men. The terms are simple: Rapp agrees to leave the country and stay in plain sight for as long as Cook controls the White House. In exchange, the administration agrees not to make any moves against him. This fragile détente holds until Cook's power-hungry security adviser convinces him that Rapp has no intention of honoring their agreement. To put him on the defensive, they leak the identity of his partner, Claudia Gould. As Rapp races to neutralize the enemies organizing against her, he discovers that a new type of assassin is on her trail. Known only as Legion, the shadowy killer has created a business model based on double-blind secrecy. Neither the assassin nor the client knows the other's identity. Because of this, Legion can't be called off nor can they afford to fail. No matter how long it takes--weeks, months, years--they won't stand down until their target is dead. Faced with the seemingly impossible task of finding and stopping Legion, Rapp and his people must close ranks against a world that has turned on them in this white-knuckled thriller filled with "plenty of action and political intrigue" (Booklist).

The Oxford Handbook of John Donne presents scholars with the history of Donne studies and provides tools to orient scholarship in this field in the twenty-first century and beyond. Though profoundly historical in its orientation, the Handbook is not a summary of existing knowledge but a resource that reveals patterns of literary and historical attention and the new directions that these patterns enable or obstruct.
Part I -- Research resources in Donne Studies and why they they matter -- emphasizes the heuristic and practical orientation of the Handbook, examining prevailing assumptions and reviewing the specialized scholarly tools available. This section provides a brief evaluation and description of the scholarly strengths, shortcomings, and significance of each resource, focusing on a balanced evaluation of the opportunities and the hazards each offers.
Part II -- Donne's genres -- begins with an introduction that explores the significance and differentiation of the numerous genres in which Donne wrote, including discussion of the problems posed by his overlapping and bending of genres. Essays trace the conventions and histories of the genres concered and study the ways in which Donne's works confirm how and why his "fresh invention" illustrates his responses to the literary and non-literary contexts of their composition.
Part III -- Biographical and historical contexts -- creates perspective on what is known about Donne's life; shows how his life and writings epitomized and affected important controversial issues of his day; and brings to bear on Donne studies some of the most stimulating and creative ideas developed in recent decades by historians of early modern England.
Part IV -- Problems of literary interpretation that have been traditionally and generally important in Donne Studies -- introduces students and researchers to major critical debates affecting the reception of Donne from the 17th through to the 21st centuries.

Haunted by the failure to catch Londonʼs most evil killer, Jack the Ripper, Inspector Edmund Reid now heads up the notorious H Division – the toughest police district in the East End.

Charged with keeping order in the blood-stained streets of Whitechapel, Reid and his men find themselves fighting to uphold justice and the rule of law; but always in the background lurks the fear of the Ripper.

The Ripper's Shadow is still felt in the neighbourhood by the vigilantes, the sensation-seeking newspaper hacks and the men who hunted – and failed to find – the notorious murderer. It seems that even though the notorious killer has disappeared, there are plenty more willing to stain the streets of Whitechapel with their victims’ blood...

180 Days of Social Studies is a fun and effective daily practice workbook designed to help students build social studies content knowledge. This easy-to-use sixth grade workbook is great for at-home learning or in the classroom. The engaging standards-based activities cover grade-level skills with easy to follow instructions and an answer key to quickly assess student understanding. Each week students explore a new topic focusing on one of the four social studies disciplines: history, civics, geography, and economics. Watch student s confidence soar as they build analytic skills with these quick independent learning activities.Parents appreciate the teacher-approved activity books that keep their child engaged and learning. Great for homeschooling, to reinforce learning at school, or prevent learning loss over summer.Teachers rely on the daily practice workbooks to save them valuable time. The ready to implement activities are perfect for daily morning review or homework. The activities can also be used for intervention skill building to address learning gaps. Supports the C3 Framework and aligns to the NCSS curriculum standards.

The first two series of the TV drama starring Matthew Macfadyen as a detective trying to maintain the law on the streets of Whitechapel in the wake of the Jack the Ripper murders. Though the immediate threat posed by the Ripper seems to have receded, H Division's Detective Inspector Edmund Reid (Macfadyen), aided by the hard-boiled Sergeant Bennett Drake (Jerome Flynn) and American forensics expert Captain Homer Jackson (Adam Rothenberg), still has his hands full trying to keep the East End streets safe. Series 1 episodes are: 'I Need Light', 'In My Protection', 'The King Came Calling', 'The Good of This City', 'The Weight of One Man's Heart', 'Tournament of Shadows', 'A Man of My Company' and 'What Use Our Work?'. Series 2 episodes are: 'Pure As the Driven', 'Am I Not Monstrous?', 'Become Man', 'Dynamite and a Woman', 'Threads of Silk and Gold', 'A Stronger Loving World', 'Our Betrayal: Part One' and 'Our Betrayal: Part Two'.

The Central Intelligence Agency is in crisis.

Following the collapse of the Soviet Union, Congress is questioning the organization’s necessity. Interim CIA director Thomas Stansfield is already on the back foot when things somehow get worse: a brilliantly run sting operation in Moscow has resulted in the arrest of America’s most prized Russian asset and the expulsion of his CIA handler.

With the Moscow Station now paralyzed, Stansfield seeks help from Mitch Rapp, a newly minted assassin in the secretive Orion program. But Rapp has problems of his own: when his Swiss girlfriend's grandfather receives a box containing the head of a former Cold War comrade along with a note promising that hers will be next, Rapp finds himself on the frontlines in a war between the American and Russian intelligence services.

To protect the woman he loves and save the CIA from destruction, Mitch Rapp must be willing to risk everything.

Praise for the Mitch Rapp series:

‘Sizzles with inside information and CIA secrets’ DAN BROWN ‘Literally takes no prisoners’ THE TIMES ‘Mitch Rapp is a great character who always leaves the bad guys either very sorry for themselves or very dead’ GUARDIAN

The Modern Guide identifies five core characteristics of contemporary networks and translates these into ten key pieces of guidance for researchers and practitioners. Arguing that a knowledge–practice gap has emerged due to the lack of contact between network practitioners and researchers, contributors chart a more collaborative future for the field. They identify how research can be effectively translated and implemented to shape the future of social networks. This Modern Guide highlights the key dimensions of today’s networks, advancing knowledge of how networks operate and how they will function in the future. It showcases the diversity of these networks through extensive case studies, examining experiments in network structure, governance, management, leadership, and evaluation. Combining academic perspectives with practice-based insights, it pushes disciplinary boundaries and provides unique insights into researching and participating in social networks. Providing a state-of-the-art overview of modern networks, it will prove invaluable to academics and researchers in organisation studies, public administration and management, and social networks. It will also be a useful resource for practitioners seeking guidance on how to adapt to the rapid evolution of networks.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.