Frances E. Dolan examines the puzzling pronouns and puns, the love poetry, mischief, and disguises of "Twelfth Night," exploring its themes of grief, obsessive love, social climbing and gender identity, and helping you towards your own close-readings.

A detailed study of seventeenth century farming practices and their relevance for today We are today grappling with the consequences of disastrous changes in our farming and food systems. While the problems we face have reached a crisis point, their roots are deep. Even in the seventeenth century, Frances E. Dolan contends, some writers and thinkers voiced their reservations, both moral and environmental, about a philosophy of improvement that rationalized massive changes in land use, farming methods, and food production. Despite these reservations, the seventeenth century was a watershed in the formation of practices that would lead toward the industrialization of agriculture. But it was also a period of robust and inventive experimentation in what we now think of as alternative agriculture. This book approaches the seventeenth century, in its failed proposals and successful ventures, as a resource for imagining the future of agriculture in fruitful ways. It invites both specialists and non-specialists to see and appreciate the period from the ground up. Building on and connecting histories of food and work, literary criticism of the pastoral and georgic, histories of elite and vernacular science, and histories of reading and writing practices, among other areas of inquiry, Digging the Past offers fine-grained case studies of projects heralded as innovations both in the seventeenth century and in our own time: composting and soil amendment, local food, natural wine, and hedgerows. Dolan analyzes the stories seventeenth-century writers told one another in letters, diaries, and notebooks, in huge botanical catalogs and flimsy pamphlets, in plays, poems, and how-to guides, in adages and epics. She digs deeply to assess precisely how and with what effect key terms, figurations, and stories galvanized early modern imaginations and reappear, often unrecognized, on the websites and in the tour scripts of farms and vineyards today.

At a time when England was an officially Protestant country to translate Catholic works, thereby helping to propagate the faith, was a brave act and to actually identify oneself in print, as did Cary, as 'a Catholique, and a woman' was a risky assertion of political opposition. One of Cary's daughters asserts that Cary's translation of Cardinal Du Perron's Reply was largely motivated by a desire to convert scholars at Oxford and Cambridge. With her translation in 1630 she sought to reactivate a polemical war which had peaked in 1616 and she intervened in political debate that was far from resolved, and that would issue in revolution, regicide and restoration in the years to come. Although few copies escaped the burning ordered by Archbishop Abbot, at least ten survive. The copy reproduced here is from Cambridge University. Alexia Grey (baptised Margaret) joined the monastery of the Immaculate Conception in Ghent in 1629 at the age of twenty two or three. Hers was not the first translation of Benedict's Rule but by that time a 'reformation' and more than a century had rendered earlier translations unavailable. Her work was an important contribution to sustaining conventual life for Englishwomen abroad. Grey's translation is sometimes bound, as in this volume, with Statutes compyled for the better observation of the holy rule of S. Benedict. The fine copy reproduced here is from the Downside Abbey in Bath.

The acclaimed Pelican Shakespeare series, now in a dazzling new series design The Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers designed by Manuja Waldia, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. This edition of Richard II is edited with an introduction by Francis E. Dolan. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In the motley ranks of seventeenth-century print, one often comes upon the title "True Relation." Purportedly true relations describe monsters, miracles, disasters, crimes, trials, and apparitions. They also convey discoveries achieved through exploration or experiment. Contemporaries relied on such accounts for access to information even as they distrusted them; scholars today share both their dependency and their doubt. What we take as evidence, Frances E. Dolan argues, often raises more questions than it answers. Although historians have tracked dramatic changes in evidentiary standards and practices in the period, these changes did not solve the problem of how to interpret true relations or ease the reliance on them. The burden remains on readers.Dolan connects early modern debates about textual evidence to recent discussions of the value of seventeenth-century texts as historical evidence. Then as now, she contends, literary techniques of analysis have proven central to staking and assessing truth claims. She addresses the kinds of texts that circulated about three traumatic events--the Gunpowder Plot, witchcraft prosecutions, and the London Fire--and looks at legal depositions, advice literature, and plays as genres of evidence that hover in a space between fact and fiction. Even as doubts linger about their documentary and literary value, scholars rely heavily on them. Confronting and exploring these doubts, Dolan makes a case for owning up to our agency in crafting true relations among the textual fragments that survive.

Marriage is often described as a melding of two people into one. But what--or who--must be lost, fragmented, or buried in that process? We have inherited a model of marriage so flawed, Frances E. Dolan contends, that its logical consequence is conflict.Dolan ranges over sixteenth- and seventeenth-century Puritan advice literature, sensational accounts of "true crime," and late twentieth-century marriage manuals and films about battered women who kill their abusers. She reads the inevitable "Taming of the Shrew" against William Byrd's diary of life on his Virginia plantation, Noel Coward's "Private Lives," and Barbara Ehrenreich's assessment in "Nickel and Dimed" of the relationship between marriage and housework. She traces the connections between Phillippa Gregory's best-selling novel "The Other Boleyn Girl" and documents about Anne Boleyn's fatal marriage and her daughter Elizabeth I's much-debated virginity. By contrasting depictions of marriage in the sixteenth and seventeenth centuries and our own time, she shows that the early modern apprehension of marriage as an economy of scarcity continues to haunt the present in the form of a conceptual structure that can accommodate only one fully developed person. When two fractious individuals assert their conflicting wills, resolution can be achieved only when one spouse absorbs, subordinates, or eliminates the other.In an era when marriage remains hotly contested, this book draws our attention to one of the histories that bears on the present, a history in which marriage promises both intimate connection and fierce conflict, both companionship and competition.

Frances E. Dolan examines the puzzling pronouns and puns, the love poetry, mischief, and disguises of "Twelfth Night," exploring its themes of grief, obsessive love, social climbing and gender identity, and helping you towards your own close-readings.

Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.Frances E. Dolan examines stories ranging from the profoundly disturbing to the comically macabre: of husband murder, wife murder, infanticide, and witchcraft. She surveys trial transcripts, confessions, and scaffold speeches, as well as pamphlets, ballads, popular plays based on notorious crimes, and such well-known works as The Tempest, Othello, Macbeth, and The Winter's Tale. Citing contemporary analogies between the politics of household and commonwealth, she shows how both legal and literary narratives attempt to restore the order threatened by insubordinate dependents.

In Whores of Babylon, Frances E. Dolan offers a perceptive study of the central role that Catholics and Catholicism played in early modern English law, literature, and politics. She contends that despite sharing the same blood, origins, and history as their Protestant antagonists, Catholics provoked more prolific and intemperate visual and verbal representation, and more elaborate and sustained legal regulation, than any other marginal group in seventeenth-century England. This careful and thorough study examines legal and literary representations of the "Catholic menace" during three crises in Protestant/Catholic relations, from the Gunpowder Plot (1605) to the Popish Plot and Meal Tub Plot (1678-80). It also offers the first sustained analysis of the extent to which gender issues informed both Catholicism and anti-Catholicism in the early modern period. Available for the first time in paperback, this book will appeal to scholars and students of early modern England, Catholic history, and gender studies.

Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.Frances E. Dolan examines stories ranging from the profoundly disturbing to the comically macabre: of husband murder, wife murder, infanticide, and witchcraft. She surveys trial transcripts, confessions, and scaffold speeches, as well as pamphlets, ballads, popular plays based on notorious crimes, and such well-known works as The Tempest, Othello, Macbeth, and The Winter's Tale. Citing contemporary analogies between the politics of household and commonwealth, she shows how both legal and literary narratives attempt to restore the order threatened by insubordinate dependents.