This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Orlando Innamorato Di Matteo M. Bojardo: Rifatto Da Francesco Berni, Volume 3; Volumes 45-49 Of Classici Italiani; Orlando Innamorato Di Matteo M. Bojardo: Rifatto Da Francesco Berni; Matteo Maria Boiardo Matteo Maria Boiardo, Francesco Berni, Giammaria Mazzuchelli (conte) Societ� tipografica de' Classici italiani, 1806

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Orlando Innamorato Di Matteo Ma. Bojardo Rifatto Da Francesco Berni: Tomo V.; Volume 15 Of Parnaso Italiano Ovvero Raccolta De' Poeti Classici Italiani D'ogni Genere D'ogni Eta D'ogni Metro E Del Piu Scelto Tra Gli Ottimi Francesco Berni, Matteo Maria Boiardo Cristoforo Dall'Acqua, Daniotto presso Antonio Zatta e Figli, 1785

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Opere Di Francesco Berni: Nuova Ed. Riv. E Cor. Contenente Il Dialogo Dei Poeti--Le Rime--Le Poesie Latine, Precedute Da Uno Studio Del Prof. Stefano Grosso--Le Lettere Edite Ed Inedite--L'opuscolo Del Vergerio Sul Protestantismo Del Berni, E Una Giunta Di Poesie Burlesche Del Mauro, Del Molza ...; Issue 8 Of Biblioteca Classica Economica 4 Francesco Berni, Pietro Paolo Vergerio Eugenio Camerini E. Sonzogno, 1887 Music; Genres & Styles; Opera; Italian poetry; Music / Genres & Styles / Opera; Poetry / Continental European

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Look also for the Theophania Publishing edition of Orlando Furioso. The beautiful Angelica, daughter of the king of Cataio (Cathay), comes to Charlemagne's court for a tournament in which both Christians and pagans can participate. She offers herself as a prize to whoever will defeat her brother, Argalia, who in so doing imprisons lots of Christians. But then Ferraguto (aka Ferrau) kills Argalia and Angelica flees, chased by many paladins, especially Orlando and Rinaldo. Stopping in the Ardenne forest, she drinks at the Stream of Love (making her fall in love with Rinaldo), while Rinaldo drinks at the fount of hate (making him conceive a passionate hatred of Angelica): first reversal. She asks the magician Malagigi to kidnap Rinaldo, and the magician brings him to an enchanted island, while she returns to Cataio where she is besieged by king Agricane, another of her admirers, in the fortress of Albracca. Orlando comes to kill Agricane and to free her, and he succeeds. Afterwards, Rinaldo tries to convince him to return to France to fight alongside Charlemagne: consequently, Orlando and Rinaldo duel furiously. In fact, in the meantime the Saracen king Agramante has invaded France with a massive army (along with Rodomonte, Ferrau, Gradasso, and many others), to avenge his father Troiano, previously killed by Orlando. Rinaldo rushes back to France, chased by Angelica in love with him, in turn chased by Orlando. Back in the Ardenne forest, this time Rinaldo and Angelica drink at the opposite founts: second reversal. Orlando and Rinaldo duel again for Angelica, and Charlemagne decides to entrust her to the old and wise duke Namo, offering her to the one who will fight most valorously against the infidels. In the meantime, the Saracen paladin Ruggiero and Rinaldo's sister, Bradamante, fall in love. The poem stops there abruptly, with Boiardo's narrator explaining that he can write no more because Italy has been invaded by French troops headed by king Charles VIII (Ariosto's "Orlando Furioso" will reprise from that point).

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Orlando Innamorato Di Matteo-Maria Bojardo Rifatto; Orlando Innamorato Di Matteo-Maria Bojardo Rifatto; Francesco Berni Francesco Berni, conte di Scandiano Bojardo (Matteo-Maria)

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text, possible missing pages, missing text and other issues beyond our control.

Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text, possible missing pages, missing text and other issues beyond our control.