for SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer five-voice version has been chosen for the Sacred Choruses volume, which this orchestration accompanies, and merits performance as an alternative to the familiar four-voice version, which may or may not have been Durante's own work.

for SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer five-voice version has been chosen for the Sacred Choruses volume, which this orchestration accompanies, and merits performance as an alternative to the familiar four-voice version, which may or may not have been Durante's own work. This complete set contains 4 x vln I, 4 x vln II, 2 x vc, 2 x db, 1 x continuo, and 1 x lute.

The story of Celso Cesare Moreno, one of the most famous of the emigrant Italian elites or "prominenti." Moreno traveled the world lying, scheming, and building an extensive patron/client network to to establish his reputation as a middleman and person of significance. Through his machinations, Moreno became a critical player in the expansion of western trade and imperialism in Asia, the trafficking of migrant workers and children in the Atlantic, and the conflicts of Americans and natives over the fate of Hawaii, and imperial competitions of French, British, Italian and American governments during a critically important era of imperial expansion.

Performance which tells the story of Orpheus, the artist and prophet of Greek mythology. The piece blends hip hop and breakdance choreography by Dominique Hervieu and José Montalvo with modern and classical music from composers such as Tchaikovsky, Monteverdi, Gluck and Glass.

The story of Celso Cesare Moreno, one of the most famous of the emigrant Italian elites or "prominenti." Moreno traveled the world lying, scheming, and building an extensive patron/client network to to establish his reputation as a middleman and person of significance. Through his machinations, Moreno became a critical player in the expansion of western trade and imperialism in Asia, the trafficking of migrant workers and children in the Atlantic, and the conflicts of Americans and natives over the fate of Hawaii, and imperial competitions of French, British, Italian and American governments during a critically important era of imperial expansion.

To appreciate the life of the Italian immigrant enclave from the great heart of the Italian migration to its settlement in America requires that one come to know how these immigrants saw their communities as colonies of the mother country. Edited with extraordinary skill, Italoamericana: The Literature of the Great Migration, 1880-1943 brings to an English-speaking audience a definitive collection of classic writings on, about, and from the formative years of the Italian-American experience. Originally published in Italian, this landmark collection of translated writings establishes a rich, diverse, and mature sense of Italian-American life by allowing readers to see American society through the eyes of Italian-speaking immigrants. Filled with the voices from the first generation of Italian-American life, the book presents a unique treasury of long-inaccessible writing that embodies a literary canon for Italian-American culture—poetry, drama, journalism, political advocacy, history, memoir, biography, and story—the greater part of which has never before been translated. Italoamericana introduces a new generation of readers to the “Black Hand� and the organized crime of the 1920s, the incredible “pulp� novels by Bernardino Ciambelli, Paolo Pallavicini, Italo Stanco, Corrado Altavilla, the exhilarating “macchiette� by Eduardo Migliaccio (Farfariello) and Tony Ferrazzano, the comedies by Giovanni De Rosalia, Riccardo Cordiferro’s dramas and poems, the poetry of Fanny Vanzi-Mussini and Eduardo Migliaccio. Edited by a leading journalist and scholar, Italoamericana introduces an important but little-known, largely inaccessible Italian-language literary heritage that defined the Italian-American experience. Organized into five sections—“Annals of the Great Exodus,� “Colonial Chronicles,� “On Stage (and Off-Stage),� “Anarchists, Socialist, Fascists, Anti-Fascists,� and “Apocalyptic Integrated / Integrated Apocalyptic Intellectuals�—the volume distinguishes a literary, cultural, and intellectual history that engages the reader in all sorts of archaeological and genealogical work. The original volume in Italian: Italoamericana Vol II: Storia e Letteratura degli Italiani negli Stati Uniti 1880-1943

Performance which tells the story of Orpheus, the artist and prophet of Greek mythology. The piece blends hip hop and breakdance choreography by Dominique Hervieu and José Montalvo with modern and classical music from composers such as Tchaikovsky, Monteverdi, Gluck and Glass.

Long thought to be by Pergolesi, this splendid setting of the Magnificat text is actually by Pergolesi's contemporary Francesco Durante. This new vocal score is a digitally enhanced reissue of the one prepared by American musicologist Clayton Westermann in 1968. Now in a convenient size designed to fit into choral folders, measure numbers and an updated preface.