for SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer five-voice version has been chosen for the Sacred Choruses volume, which this orchestration accompanies, and merits performance as an alternative to the familiar four-voice version, which may or may not have been Durante's own work.

for SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer five-voice version has been chosen for the Sacred Choruses volume, which this orchestration accompanies, and merits performance as an alternative to the familiar four-voice version, which may or may not have been Durante's own work. This complete set contains 4 x vln I, 4 x vln II, 2 x vc, 2 x db, 1 x continuo, and 1 x lute.

The story of Celso Cesare Moreno, one of the most famous of the emigrant Italian elites or "prominenti." Moreno traveled the world lying, scheming, and building an extensive patron/client network to to establish his reputation as a middleman and person of significance. Through his machinations, Moreno became a critical player in the expansion of western trade and imperialism in Asia, the trafficking of migrant workers and children in the Atlantic, and the conflicts of Americans and natives over the fate of Hawaii, and imperial competitions of French, British, Italian and American governments during a critically important era of imperial expansion.

Performance which tells the story of Orpheus, the artist and prophet of Greek mythology. The piece blends hip hop and breakdance choreography by Dominique Hervieu and José Montalvo with modern and classical music from composers such as Tchaikovsky, Monteverdi, Gluck and Glass.

Performance which tells the story of Orpheus, the artist and prophet of Greek mythology. The piece blends hip hop and breakdance choreography by Dominique Hervieu and José Montalvo with modern and classical music from composers such as Tchaikovsky, Monteverdi, Gluck and Glass.

Long thought to be by Pergolesi, this splendid setting of the Magnificat text is actually by Pergolesi's contemporary Francesco Durante. This new vocal score is a digitally enhanced reissue of the one prepared by American musicologist Clayton Westermann in 1968. Now in a convenient size designed to fit into choral folders, measure numbers and an updated preface.