The whole town got involved with the hunger-artist; from day to day of his starving, people’s participation grew; everyone wanted to see the hunger-artist at least once a day; on the later days there were season-ticket holders who sat for days on end in front of his little cage

Reading these stories by the master of the absurd is like entering a dreamworld in which nothing, and yet somehow everything, makes sense.

Like George Orwell, Franz Kafka has given his name to a world of nightmare, but in Kafka's world, it is never completely clear just what the nightmare is. The Trial, where the rules are hidden from even the highest officials, and if there is any help to be had, it will come from unexpected sources, is a chilling, blackly amusing tale that maintains, to the very end, a relentless atmosphere of disorientation. Superficially about bureaucracy, it is in the last resort a description of the absurdity of 'normal' human nature. Still more enigmatic is The Castle. Is it an allegory of a quasi-feudal system giving way to a new freedom for the subject? The search by a central European Jew for acceptance into a dominant culture? A spiritual quest for grace or salvation? An individual's struggle between his sense of independence and his need for approval? Is it all of these things? And K? Is he opportunist, victim, or an outsider battling against elusive authority? Finally, in his fables, Kafka deals in dark and quirkily humorous terms with the insoluble dilemmas of a world which offers no reassurance, and no reliable guidance to resolving our existential and emotional uncertainties and anxieties.

Only yesterday, Gregor Samsa was a meek salesman, browbeaten by his unappreciative employer and depended on fiercely by his ungrateful family. This morning, Gregor awakens to discover that, overnight, he has been transformed into a monstrous insect. As Gregor frantically tries to conceal his predicament, neither his family nor his unsympathetic employer accept that a terrible metamorphosis has upended his existence. Is Gregor’s condition only temporary? Will he eventually revert back to the person he was and resume his normal life? Or might he have to accept that his transformation is only an outward expression of how he—and those in his life—actually see him? First published in 1915, Kafka’s best-known tale has inspired numerous interpretations for more than a century and helped to establish the term “Kafkaesque� as a reference to a bizarre and nightmarish experience. This collection of his short fiction, in a new translation, includes more than 30 of his short stories and sketches, including “In the Penal Colony,� “The Stoker,� “The Judgment,� “A Country Doctor,� “A Hunger Artist,� and more.  

A collection of Kafka's greatest short fiction, translated by Michael Hofmann Kafka's masterpiece of unease and black humour, Metamorphosis, the story of an ordinary man transformed into an insect, is brought together in this collection with the rest of his works that he thought worthy of publication. It includes Contemplation, a collection of his earlier short studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America; and an eyewitness account of an air display. Together, these stories, fragments and miniature gems reveal the breadth of his vision, his sense of the absurd, and above all his acute, uncanny wit. Translated with an introduction by Michael Hofmann

Franz Kafka s 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers. In her new translation of Kafka s masterpiece, Susan Bernofsky strives to capture both the humor and the humanity in this macabre tale, underscoring the ways in which Gregor Samsa s grotesque metamorphosis is just the physical manifestation of his longstanding spiritual impoverishment."

Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience. Milena, for her part, was passionate and intrepid, cool and intelligent in her decisions but reckless when her emotions were involved. Kafka once described her as living her life 'so intensely down to such depths'. If she did suffer through him, it was part of her great appetite for life. However while at times Milena's 'genius for living' gave Kafka new life, it ultimately exhausted him, and their relationship was to last little over two years. In 1924 Kafka died in a sanatorium near Vienna, and Milena died in 1944 at the hands of the Nazis, leaving these letters as a moving record of their relationship.