Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Lafcadio Hearn (1850-1904) prowled the streets of New Orleans from 1877 to 1888 before moving on to a new life and global fame as a chronicler of Japan. Hearn's influence on our perceptions of New Orleans, however, has unjustly remained unknown.

In ten years of serving as a correspondent and selling his writing in such periodicals as the "New Orleans Daily Item," "Times-Democrat," "Harper's Weekly," and "Scribner's Magazine" he crystallized the way Americans view New Orleans and its south Louisiana environs. Hearn was prolific, producing colorful and vivid sketches, vignettes, news articles, essays, translations of French and Spanish literature, book reviews, short stories, and woodblock prints.

He haunted the French Quarter to cover such events as the death of Marie Laveau. His descriptions of the seamy side of New Orleans, tainted with voodoo, debauchery, and mystery made a lasting impression on the nation. Denizens of the Crescent City and devotees who flock there for escapades and pleasures will recognize these original tales of corruption, of decay and benign frivolity, and of endless partying. With his writing, Hearn virtually invented the national image of New Orleans as a kind of alternative reality to the United States as a whole.

S. Frederick Starr, a leading authority on New Orleans and Louisiana culture, edits the volume, adding an introduction that places Hearn in a social, historical, and literary context.

Hearn was sensitive to the unique cultural milieu of New Orleans and Louisiana. During the decade that he spent in New Orleans, Hearn collected songs for the well-known New York music critic Henry Edward Krehbiel and extensively studied Creole French, making valuable and lasting contributions to ethnomusicology and linguistics.

Hearn's writings on Japan are famous and have long been available. But "Inventing New Orleans: Writings of Lafcadio Hearn" brings together a selection of Hearn's nonfiction on New Orleans and Louisiana, creating a previously unavailable sampling. In these pieces Hearn, an Anglo-Greek immigrant who came to America by way of Ireland, is alternately playful, lyrical, and morbid. This gathering also features ten newly discovered sketches. Using his broad stylistic palette, Hearn conjures up a lost New Orleans which later writers such as William Faulkner and Tennessee Williams used to evoke the city as both reality and symbol.

Lafcadio Hearn (1850-1904) was a prolific writer, critic, amateur engraver, and journalist. His many books-on a diverse range of subjects-include "La Cuisine Creole: A Collection of Culinary Recipes" (1885), "Gombo Zhebes" (1885), "Chita" (1889), and "Glimpses of Unfamiliar Japan" (1894).

A vibrant portrait of an age when Arabic enlightenment anticipated and inspired the European Renaissance, illuminated by its guiding figures and rivals, Ibn Sina and Biruni. In The Genius of their Age, S. Frederick Starr follows up his acclaimed Lost Enlightenment: Central Asia's Golden Age with a portrait of the Arab enlightenment and its key figures—Abu-Ali al-Husayn ibn-'Abdallah Ibn-Sina and Abu al-Rayhan Muhammad ibn Ahmad al-Biruni. A thousand years ago, these two intellectual giants—known as Ibn Sina and Biruni for short—achieved stunning breakthroughs in fields as diverse as medicine, astronomy, mathematics, philosophy, geography, and physics. Biruni measured the earth more precisely than anyone else down to the sixteenth century, pondered a heliocentric universe, and hypothesized the existence of North and South America as inhabited continents. Ibn Sina's writing on philosophy and metaphysics enriched the writings of countless European thinkers, including St. Thomas Aquinas, while Sina's grand synthesis of medical knowledge became the standard for the next six hundred years in Europe, the Middle East, and India. They both also commented extensively on the works of ancient Greeks and earlier Muslim thinkers, whose works they aspired to synthesize—and to transcend. Contemporaries, Ibn Sina and Biruni were born within the borders of what is now Uzbekistan and spent their lives in Central Asia. They also became rivals, launching a correspondence and commentary that galvanized them despite sometimes bitter disagreement. Centuries before the West caught up with them, Ibn Sina and Biruni reflected their age's feats and its intellectual high point, persisting with their inquiries and their independence amid turmoil and rapid change. Though scholars have long dissected the works of Ibn Sina and Biruni, S. Frederick Starr focuses also on their lives and the times in which they lived. By contextualizing their work and by making the age palpable to the reader, S. Frederick Starr gives the achievements of Ibn Sina and Biruni a holistic and unforgettably human dimension.

The collapse of the Soviet Union had the simultaneous effect of demolishing the international political order of the past half-century, with consequences for all sides. Western policy makers, no less than the leaders of the region, had to reorient themselves to a new world -- knowing that their actions might impact developments in unexpected ways.

This concluding volume of the International Politics of Eurasia series takes on the challenge of specifying the forces at work in the International environment of Russia and the New Independent States and gauging the impact of external actors on developments in this region. Among the topics covered are foreign and security policies; relationships with East Asian, Near Eastern, and Western States; and the impact of international economic and financial institutions, development assistance and advisory programs of various kinds, and aid organizations.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an Informa company.