En las canciones de Garcilaso prevalecen como temas principales la muerte, la guerra y el amor;y se hace referencia a mitos como el de Tantalo, Venus y Marte.

Garcilaso de la Vega, the first native of the New World to attain importance as a writer in the Old, was born in Cuzco in 1539, the illegitimate son of a Spanish cavalier and an Inca princess. Although he was educated as a gentleman of Spain and won an important place in Spanish letters, Garcilaso was fiercely proud of his Indian ancestry and wrote under the name El Inca. Royal Commentaries of the Incas is the account of the origin, growth, and destruction of the Inca empire, from its legendary birth until the death in 1572 of its last independent ruler. For the material in Part One of Royal Commentaries-the history of the Inca civilization prior to the arrival of the Spaniards-Garcilaso drew upon "what I often heard as a child from the lips of my mother and her brothers and uncles and other elders . . . [of] the origin of the Inca kings, their greatness, the grandeur of their empire, their deeds and conquests, their government in peace and war, and the laws they ordained so greatly to the advantage of their vassals." The conventionalized and formal history of an oral tradition, Royal Commentaries describes the gradual imposition of order and civilization upon a primitive and barbaric world. To this Garcilaso adds facts about the geography and the flora and fauna of the land; the folk practices, religion, and superstitions; the agricultural and the architectural and engineering achievements of the people; and a variety of other information drawn from his rich store of traditional knowledge, personal observation, or speculative philosophy. Important though it is as history, Garcilaso's classic is much more: it is also a work of art. Its gracious and graceful style, skillfully translated by Harold V. Livermore, succeeds in bringing to life for the reader a genuine work of literature. Part Two covers the Spanish conquest of the Incas.

Aparte de un caracter marcadamente autobiografico, encontramos en los Comentarios reales un firme proposito de poner de manifiesto el importante legado cultural de un antiguo imperio. Relata ademas la colonizacion y guerras civiles del incipiente virreinato peruano.

The Latin American Eco-Cultural Reader is a comprehensive anthology of literary and cultural texts about the natural world. The selections, drawn from throughout the Spanish-speaking countries and Brazil, span from the early colonial period to the present. Editors Jennifer French and Gisela Heffes present work by canonical figures, including JosE MartI, BartolomE de las Casas, RubEn DarIo, and Alfonsina Storni, in the context of our current state of environmental crisis, prompting new interpretations of their celebrated writings. They also present contemporary work that illuminates the marginalized environmental cultures of women, indigenous, and Afro-Latin American populations. Each selection is introduced with a short essay on the author and the salience of their work; the selections are arranged into eight parts, each of which begins with an introductory essay that speaks to the political, economic and environmental history of the time and provides interpretative cues for the selections that follow.The editors also include a general introduction with a concise overview of the field of ecocriticism as it has developed since the 1990s. They argue that various strands of environmental thought - recognizable today as extractivism, eco-feminism, Amerindian ontologies, and so forth - can be traced back through the centuries to the earliest colonial period, when Europeans first described the Americas as an edenic 'New World' and appropriated the bodies of enslaved Indians and Africans to exploit its natural bounty.