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Movies are often examined for subtext and dramatizations of social
and psychological issues as well as current movements. Studies of
well-known Catholic directors, such as Alfred Hitchcock and John
Ford, have made the search for Catholic themes a reputable field of
examination. Through a Catholic Lens continues the search for these
themes and examines the Catholic undercurrents by studying nineteen
film directors from around the world. Although these directors may
or may not be practicing Catholics, their Catholic background can
be found in their writing and directing. Each chapter, written by a
different contributor, analyzes one film of each director for its
Catholic motifs. With the recent increase of cinema studies, this
collection will be of interest to students and academics as well as
cinema buffs.
Movies are often examined for subtext and dramatizations of social
and psychological issues as well as current movements. Studies of
well-known Catholic directors, such as Alfred Hitchcock and John
Ford, have made the search for Catholic themes a reputable field of
examination. Through a Catholic Lens continues the search for these
themes and examines the Catholic undercurrents by studying nineteen
film directors from around the world. Although these directors may
or may not be practicing Catholics, their Catholic background can
be found in their writing and directing. Each chapter, written by a
different contributor, analyzes one film of each director for its
Catholic motifs. With the recent increase of cinema studies, this
collection will be of interest to students and academics as well as
cinema buffs.
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