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While historical and political aspects of the Russo-German
relationship over the past three to four centuries have received
due attention from scholars, the range of the far more diverse,
important, and peculiar cultural relations still awaits full
assessment. This volume shows how enriching these cultural
influences were for both countries, affecting many spheres of
intellectual and daily life such as philosophy and religion,
education and ideology, sciences and their application, arts and
letters, custom and language. The German-Russian relationship has
always been particularly intense. Oscillating as it has between
infatuation and contempt, it has always been marked by a singular
paradox: a German cultural presence in Russia resulting either in a
more or less complete fusion, as in the case of Russifield German,
or in a pronounced mutual repulsion, accompanied by the denigration
of each other's culture as inferior. It is this curious paradox
that determines the perspectives of the articles that were
specially written for this volume, providing it with a unifying
focus.
Nabokov's dream diary, published for the first time--and placed in
biographical and literary context On October 14th, 1964, Vladimir
Nabokov, a lifelong insomniac, began a curious experiment. Over the
next eighty days, immediately upon waking, he wrote down his
dreams, following the instructions he found in An Experiment with
Time by the British philosopher John Dunne. The purpose was to test
the theory that time may go in reverse, so that, paradoxically, a
later event may generate an earlier dream. The result--published
here for the first time--is a fascinating diary in which Nabokov
recorded sixty-four dreams (and subsequent daytime episodes) on 118
index cards, which afford a rare glimpse of the artist at his most
private. More than an odd biographical footnote, the experiment
grew out of Nabokov's passionate interest in the mystery of time,
which influenced many of his novels, including the late masterpiece
Ada. Insomniac Dreams, edited by leading Nabokov authority Gennady
Barabtarlo, presents the text of Nabokov's dream experiment,
illustrated with a selection of his original index cards, and
provides rich annotations and analysis that put them in the context
of his life and writings. The book also includes previously
unpublished records of Nabokov's dreams from his letters and
notebooks and shows important connections between his fiction and
private writings on dreams and time.
Nabokov's dream diary-published for the first time On October 14,
1964, Vladimir Nabokov, a lifelong insomniac, began a curious
experiment. Over the next eighty days, immediately upon waking, he
wrote down his dreams, following the instructions in An Experiment
with Time by British philosopher John Dunne. The purpose was to
test the theory that time may go in reverse, so that a later event
may generate an earlier dream. The result-published here for the
first time-is a fascinating diary in which Nabokov recorded
sixty-four dreams (and subsequent daytime episodes) on 118 index
cards, providing a rare glimpse of the artist at his most private.
Insomniac Dreams presents the text of Nabokov's dream experiment,
illustrated with a selection of his original index cards, and
provides rich annotations and analysis that put them in the context
of his life and writings.
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What a Pity (Russian, Paperback)
Aleksandr Solzhenitsyn; Volume editing by Gennady Barabtarlo
bundle available
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R973
Discovery Miles 9 730
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Ships in 10 - 15 working days
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This collection of stories by Solzhenitsyn is part of the Bristol
Classical Press Russian Texts series. The series is designed to
meet the needs of the fast-growing A Level and undergraduate market
for texts in the Russian language. Each text comes with English
notes and vocabulary, and with an introduction by an editor with an
expert knowledge both of the work and of its literary and cultural
context.
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