This second revised and enlarged edition addresses current techniques concerned with the implementation of the AO/ASIF System in small animal orthopaedic surgery. Surgeons who have used the system over the years have now considerable knowledge and experience which they have made available in this text. The same individuals have designed and modified special implants which are now available to the Small Animal Orthopaedic Surgeon. Sections have been added or modified concerned with severe trauma, implant removal and a system for recording fracture type and treatment. The book will serve to inform the experienced surgeon of the current situation, and at the same time it is still a basic text for the newcomer to veterinary small animal orthopaedics in general and the AO/ASIF system in particular.

Classic comedy directed by Ralph Smart. A close family bond allows Victor Hemsley (Ronald Squire) and his daughter, Clare (Peggy Cummins), to pose as husband and wife. Using this to their advantage, the pair perform an elaborate scam to yield money from other guests living in hotels throughout the Riviera. But when Clare meets British Treasury worker Terence Winch (Terence Morgan) her outlook changes. Seeking a life away from the scamming and scheming, Clare sees Terence as a way out, but before leaving for good she agrees to stage one more scam with her father. However, when their latest plan goes wrong and the pair then flee to Italy, Terence begins pursuing Clare for different reasons altogether.

British comedy from the late 1940s starring David Tomlinson and Carol Marsh. The film follows wealthy socialite Susan Graham (Marsh) as she enlists the help of various zany characters in her eternal quest to cure herself of a never-ending bout of the hiccups.

George (Donald Pleasence) and Teresa (Francoise Dorleac) are an eccentric couple who have retreated to an island off the northeast coast of Britain, where they live in a large, dank castle. Their isolated existence is disrupted when the island is visited by two gangsters. Roman Polanski's film is bleak but comic - the overall sense of menace occasionally giving way to black humour.