The first translation, produced by a team of eight scholars, of the Declamations and Preliminary Talks of the sixth-century sophist Choricius of Gaza. Declamations, deliberative or judicial orations on fictitious themes, were the fundamental advanced exercises of the rhetorical schools of the Roman Empire, of interest also to audiences outside the schools. Some of Choricius' declamations are on generic themes (e.g. a tyrannicide, a war-hero), while others are based on specific motifs from Homeric times or from classical Greek history. The Preliminary Talks were typical prefaces to orations of all kinds. This volume also contains a detailed study of Choricius' reception in Byzantium and Renaissance Italy. It will be of interest to students of late antiquity, ancient rhetoric, and ancient education.

The first translation, produced by a team of eight scholars, of the Declamations and Preliminary Talks of the sixth-century sophist Choricius of Gaza. Declamations, deliberative or judicial orations on fictitious themes, were the fundamental advanced exercises of the rhetorical schools of the Roman Empire, of interest also to audiences outside the schools. Some of Choricius' declamations are on generic themes (e.g. a tyrannicide, a war-hero), while others are based on specific motifs from Homeric times or from classical Greek history. The Preliminary Talks were typical prefaces to orations of all kinds. This volume also contains a detailed study of Choricius' reception in Byzantium and Renaissance Italy. It will be of interest to students of late antiquity, ancient rhetoric, and ancient education.

George Kennedy's three volumes on classical rhetoric have long been regarded as authoritative treatments of the subject. This new volume, an extensive revision and abridgment of "The Art of Persuasion in Greece," "The Art of Rhetoric in the Roman World, " and "Greek Rhetoric under Christian Emperors, " provides a comprehensive history of classical rhetoric, one that is sure to become a standard for its time.

Kennedy begins by identifying the rhetorical features of early Greek literature that anticipated the formulation of "metarhetoric," or a theory of rhetoric, in the fifth and fourth centuries b.c.e. and then traces the development of that theory through the Greco-Roman period. He gives an account of the teaching of literary and oral composition in schools, and of Greek and Latin oratory as the primary rhetorical genre. He also discusses the overlapping disciplines of ancient philosophy and religion and their interaction with rhetoric. The result is a broad and engaging history of classical rhetoric that will prove especially useful for students and for others who want an overview of classical rhetoric in condensed form.

A concern for the art of persuasion, as rhetoric was anciently defined, was a principal feature of Greek intellectual life. In this study of the complex of subjects labeled "rhetoric," the author explores rhetorical theory and practice from the fifth to the first centuries B.C. Beginning with the creative rhetoric of the pre-Socratic era, the study progresses through the time of Aristotle and the Attic orators and concludes with the ossification of rhetoric into a pedantic discipline during the Hellenistic period. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A concern for the art of persuasion, as rhetoric was anciently defined, was a principal feature of Greek intellectual life. In this study of the complex of subjects labeled "rhetoric," the author explores rhetorical theory and practice from the fifth to the first centuries B.C. Beginning with the creative rhetoric of the pre-Socratic era, the study progresses through the time of Aristotle and the Attic orators and concludes with the ossification of rhetoric into a pedantic discipline during the Hellenistic period. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Contributing Authors Include W. F. Albright, Ernest Bender, Frank R. Blake And Others.

Includes The Supplement Of The Journal Of The American Oriental Society, No. 3, April To June, 1944.

Contributing Authors Include Paul K. Benedict, Nicholas C. Bodman, Oscar Broneer, And Others.

Includes The Supplement Of The Journal Of The American Oriental Society, No. 3, April To June, 1944.

Includes The Supplement Of The Journal Of The American Oriental Society, No. 3, April To June, 1944.

Contributing Authors Include W. F. Albright, Edwin Brown Allen, V. Altman And Others.

This volume contains the Greek text, textual apparatus, and first published English translation of two treatises on rhetoric, with introductory material and notes. Once attributed to Hermogenes of Tarsus, these treatises are now believed to be by unknown authors writing in the second or third century C.E. or later. The first treatise, entitled On Invention, is a handbook for students providing formulas to aid them in the composition of declamations on assigned themes. The second treatise, On the Method of Forcefulness, discusses prose style with special attention to figures of speech. Extensive notes interpret the often-difficult content and relate it to other writing on rhetoric. The Greek text is that of Hugo Rabe (1913).

Several of these works have never before been translated into English and are made accessible to the general reader for the first time. George A. Kennedy, one of the world's leading scholars of ancient rhetoric, provides an English translation of four Greek treatises written during the time of the Roman empire but studied throughout the Roman and Byzantine periods--works attributed to Theon, Hermogenes, Aphthonius, and Nicolaus. Also included are translations of the fragments of Sopatros' treatise as well as John of Sardis' commentary on these exercises. The progymnasmata were fundamental to the teaching of prose composition and elementary rhetoric in European schools from the Hellenistic period to early modern times. The habits of thinking and writing learned in schools molded not only the secular literature of the Greeks and Romans, but also the writings of the early Christians through the patristic period.

George Sand's "The Seven Strings of the Lyre" is a philosophical play written in poetic prose and never intended for perfomance on stage. Completed in 1838 during the early stages of Sand's romantic involvement with Frederic Chopin, it is one of the very few treatments of the Faust legend by a woman. George Kennedy offers the first English translation of this work, along with an introduction that places the play in its philosophical and literary context.
"The Seven Strings of the Lyre" is Sand's response to Goethe's "Faust" and a reflection of her views of music as developed in conversations with Chopin and Franz Liszt. Sand, unlike so many of her contemporaries, saw Goethe as a less-than-ideal poet. She criticized him for lacking "enthusiasm, belief, and passion," and she faulted him for being a proponent of the art-for-art's-sake movement, which Sand deplored for its lack of social conscience.
Sand's play describes the efforts of Mephistopheles to win the soul of Albertus, a teacher of philosophy and descendant of Faust. Regarding Goethe's Mephistopheles as insufficiently wicked, Sand conjures up a devil truly worthy of the epithet. For Faust, whom she considered too cold, Sand substitues the more emotional Albertus, whose despair that life and love have passed him by in his devotion to philosophy makes him vulnerable to the machinations of the devil. And in place of Goethe's village girl, Marguerite, or the dangerous Helen of the earlier Faust legend, Sand creates the angelic Helen, who awakens Albertus's love and teaches him the emotional and spiritual truths he had never learned from books.
Richly philosophical and deeply romantic, the play is a reaction against eighteenth-century rationalism. It asserts the existence of some higher truth to be foud in music, poetry, and a sympathetic response to nature, but it also, contrary to the doctrine of art for art's sake, demands social responsibility from the artist. Sand believed that the arts should lead society to an awareness of truth, freedom, and the meaning of life, and "The Seven Strings of the Lyre" is an attempt to dramatize this belief.
Originally published in 1989.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The Tz'u hai is the great encyclopedic dictionary which has become a major reference tool for both the beginning and seasoned Sinologist. This useful volume by a pioneering linguist at Yale is a practical, step-by-step guide to the contents and use of the Tz'u hai. Primarily meant for the beginning student of classical or historical texts, this book was originally published under the title, ZH GUIDE.

"New Testament Interpretation through Rhetorical Criticism" provides readers of the Bible with an important tool for understanding the Scriptures. Based on the theory and practice of Greek rhetoric in the New Testament, George Kennedy's approach acknowledges that New Testament writers wrote to persuade an audience of the truth of their messages. These writers employed rhetorical conventions that were widely known and imitated in the society of the times. Sometimes confirming but often challenging common interpretations of texts, this is the first systematic study of the rhetorical composition of the New Testament.
As a complement to form criticism, historical criticism, and other methods of biblical analysis, rhetorical criticism focuses on the text as we have it and seeks to discover the basis of its powerful appeal and the intent of its authors. Kennedy shows that biblical writers employed both "external" modes of persuasion, such as scriptural authority, the evidence of miracles, and the testimony of witnesses, and "internal" methods, such as "ethos" (authority and character of the speaker), "pathos" (emotional appeal to the audience), and "logos" (deductive and inductive argument in the text).
In the opening chapter Kennedy presents a survey of how rhetoric was taught in the New Testament period and outlines a rigorous method of rhetorical criticism that involves a series of steps. He provides in succeeding chapters examples of rhetorical analysis, looking closely at the Sermon on the Mount, the Sermon on the Plain, Jesus' farewell to the disciples in John's Gospel, the distinctive rhetoric of Jesus, the speeches in Acts, and the approach of Saint Paul in Second Corinthians, Thessalonians, Galatians, and Romans.

Since its original publication by UNC Press in 1980, this book has provided thousands of students with a concise introduction and guide to the history of the classical tradition in rhetoric, the ancient but ever vital art of persuasion. Now, George Kennedy offers a thoroughly revised and updated edition of Classical Rhetoric and Its Christian and Secular Tradition . From its development in ancient Greece and Rome, through its continuation and adaptation in Europe and America through the Middle Ages and Renaissance, to its enduring significance in the twentieth century, he traces the theory and practice of classical rhetoric through history. At each stage of the way, he demonstrates how new societies modified classical rhetoric to fit their needs. For this edition, Kennedy has updated the text and the bibliography to incorporate new scholarship; added sections relating to women orators and rhetoricians throughout history; and enlarged the discussion of rhetoric in America, Germany, and Spain. He has also included more information about historical and intellectual contexts to assist the reader in understanding the tradition of classical rhetoric. |A revised and updated edition of the popular and widely used guide to the classical tradition of rhetoric from its development in ancient Greece and Rome to the 20th-century.