Slavery as depicted in literature and culture is examined in this wide-ranging collection. On 25 March 1807, the bill for the abolition of the Slave Trade within the British colonies was passed by an overwhelming majority in the House of Commons, becoming law from 1 May. This new collection of essays marks this crucialbut conflicted historical moment and its troublesome legacies. They discuss the literary and cultural manifestations of slavery, abolition and emancipation from the eighteenth century to the present day, addressing such subjects and issues as: the relationship between Christian and Islamic forms of slavery and the polemical and scholarly debates these have occasioned; the visual representations of the moment of emancipation; the representation of slave rebellion; discourses of race and slavery; memory and slavery; and captivity and slavery. Among the writers and thinkers discussed are: Frantz Fanon, William Earle Jr, Olaudah Equiano, Charlotte Smith, Caryl Phillips, Bryan Edwards,Elizabeth Marsh, as well as a wide range of other thinkers, writers and artists. The volume also contains the hitherto unpublished text of an essay by the naturalist Henry Smeathman, Oeconomy of the Slave Ship. Contributors: GEORGE BOULUKOS, DEIRDRE COLEMAN, MARAROULA JOANNOU, GERALD MACLEAN, FELICITY NUSSBAUM, DIANA PATON, SARA SALIH, LINCOLN SHLENSKY, MARCUS WOOD

The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research. Challenging previous accounts of the relationship between sentiment and slavery, in this 2008 book George Boulukos shows how the image of the grateful slave contributed to colonial practices of white supremacy in the later eighteenth century. Seemingly sympathetic to slaves, the trope actually undermines their cause and denies their humanity by showing African slaves as willingly accepting their condition. Taking in literary sources as well as texts on colonialism and slavery, Boulukos offers a fresh account of the development of racial difference, and of its transatlantic dissemination, in the eighteenth-century English-speaking world.

The figure of the grateful slave, devoted to his or her master in thanks for kind treatment, is ubiquitous in eighteenth-century writing from Daniel Defoe's Colonel Jack (1722) to Maria Edgeworth's 'The Grateful Negro' (1804). Yet this important trope, linked with discourses that tried to justify racial oppression, slavery and colonialism, has been overlooked in eighteenth-century literary research. Challenging previous accounts of the relationship between sentiment and slavery, in this book George Boulukos shows how the image of the grateful slave contributed to colonial practices of white supremacy in the later eighteenth century. Seemingly sympathetic to slaves, the trope actually undermines their cause and denies their humanity by showing African slaves as willingly accepting their condition. Taking in literary sources as well as texts on colonialism and slavery, Boulukos offers a fresh account of the development of racial difference, and of its transatlantic dissemination, in the eighteenth-century English-speaking world.