The figure of the grateful slave, devoted to his or her master in
thanks for kind treatment, is ubiquitous in eighteenth-century
writing from Daniel Defoe's Colonel Jack (1722) to Maria
Edgeworth's 'The Grateful Negro' (1804). Yet this important trope,
linked with discourses that tried to justify racial oppression,
slavery and colonialism, has been overlooked in eighteenth-century
literary research. Challenging previous accounts of the
relationship between sentiment and slavery, in this book George
Boulukos shows how the image of the grateful slave contributed to
colonial practices of white supremacy in the later eighteenth
century. Seemingly sympathetic to slaves, the trope actually
undermines their cause and denies their humanity by showing African
slaves as willingly accepting their condition. Taking in literary
sources as well as texts on colonialism and slavery, Boulukos
offers a fresh account of the development of racial difference, and
of its transatlantic dissemination, in the eighteenth-century
English-speaking world.
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