Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Twenty-eight years after its first publication, the best-selling Watchmaking continues to inspire and encourage the art of watchmaking, especially among new generations of enthusiasts. As a supreme master of his art, George Daniels' advice is constantly sought by both students and watch repairers, his understanding of the problems that can beset the would-be watchmaker, especially in an age of mass production, and his expert knowledge of the history of watchmaking being second to none. Here, the making of the precision timekeeper is described step-by-step and illustrated at each stage with line drawings and brief explanatory captions. The text is easy to follow and care has been taken to avoid complicated technical descriptions. As Daniels is particularly interested in the development of the escapement - many are described in this book, several of his own design - the reader is encouraged to explore this aspect of watchmaking in even greater detail. This classic handbook still remains indispensable to generations of watchmakers and repairers, and also provides a fascinating insight to the enthusiast and watch-collector who, until its publication, had rarely been able to admire the superb craftsmanship of a fine watch without understanding how it works.

When it comes to teaching about race, journalism and mass communication faculty from various backgrounds must deliver instruction that acknowledges the challenges surrounding the topic while facilitating the learning of undergraduate and graduate students. Race should be a topic infused across the curriculum at the undergraduate and graduate level in institutions large and small, public and private. This takes a holistic approach with authors from a range of racial and ethnic backgrounds at small, mid-size, and large research institutions offering their insights. More than teaching tips, the chapters here offer wisdom grounded in the research of the scholarship of teaching and learning, which allows scholars to both inform their teaching with empirical research and share successful pedagogy with others.

This book discusses the role of television drama series on a global scale, analyzing these dramas across the Americas, Europe, Asia, Australia, and Africa. Contributors consider the role of television dramas as economically valuable cultural products and with their depictions of gender roles, sexualities, race, cultural values, political systems, and religious beliefs as they analyze how these programs allow us to indulge our innate desire to share human narratives in a way that binds us together and encourages audiences to persevere as a community on a global scale. Contributors also go on to explore the role of television dramas as a medium that indulges fantasies and escapism and reckons with reality as it allows audiences to experience emotions of happiness, sorrow, fear, and outrage in both realistic and fantastical scenarios.

One of George Daniels's central contributions to horology is his co-axial escapement. Having observed that the dominant lever escapement begins to change its rate after a year or two -- a disturbance caused by the sliding action of the impulse elements of the escapement -- Daniels set about developing a mechanism that avoided this problem. The result of his efforts was the co-axial escapement, a mechanism in which he sought to combine the strengths and eliminate the deficiencies of existing watch escapements, the lever escapement foremost among them. First devised in 1977, today it remains largely the same as fitted in watches of Daniels's own manufacture, as well as those of several wrist-watch manufacturers. This book explains the action of the escapement in terms accessible to both expert and layman, and is accompanied by a series of detailed line drawings.

A long-awaited reprint of an important illustrated reference work on the general history of the watch from 1500 to 1980. When Watches was first published in 1965 it quickly gained for itself a reputation as the foremost general history of the subject and, following the expanded edition in 1979 which covered recent years past 1830, this has remained unchallenged in horological history. In this long-awaited reprinted edition, collectors and horological students can again make use of the reference illustrations and history in this work as approached by the leading horology historians and clockmakers of the twentieth century. Clutton and Daniels write expertly on the vast history of watches, through the changing tastes and styles of collectors and makers, as well as imparting their own knowledge on various technical aspects within the watches. The expansive historical section encompasses both decorative and mechanical aspects of mid-sixteenth to late twentieth century watches, including those by George Daniels himself, detailing the rich history behind more modern designs and fascinations. These later years include a variety of semi-experimental escapements, as well as covering the development of the precision watch and work leading to it by Ferdinand Berthoud and Pierre Le Roy, discussed alongside John Arnold in England, to satisfy the technical-minded collector. Horology and collecting have grown with the changing technologies, and watches continue to be produced to an exceptional technological standard. Precision watches from the 1730-1930 period are covered in detail, as well as high standard Swiss and American watches of the last hundred years; these highly complicated watches benefit greatly from having both colour and mono illustrations to clarify the details. For a truly comprehensive understanding of escapements, photographs of these have been included alongside a critical approach to this essential mechanism. Since its first publication, Watches has provided an essential work of reference and history behind some of the most renowned minds and creations. Now reprinted for a new generation of collectors and students, and featuring over 600 illustrations, the technical and decorative elements of historical watches can be studied and enjoyed once more.

During the five hundred years that horology has been accepted as a separate art only a dozen or so men have made a positive contribution to its progress. Included in this little group of masters is the illustrious name of Abraham Louis Breguet (1747-1823), the arch-mecanicien in an age of mechanics. His contribution was as brilliant as it was original and, during a period when horological fashion was the slave of science, he lifted the watchmaker's art to a new dimension of visual and technical excellence. In doing so he radically changed the whole concept of horology and transformed it into an art form that won him the adulation of Europe. The unceasing search for perfection in the performance of his products led Breguet to the invention of mechanical principles that even today, are used in the design of the watch. His influence on the appearance and style of the watch was dramatic and his most complicated examples maintained the slim, elegant appearance that was to revolutionise watchmaking. Breguet's extraordinary ability in all branches of horology achieved for him the reputation of a genius, the patronage of kings and - rarest of all - the respect of the horological world. His products have never lost favour and many, in constant use, have been handed down through generations to their present owners. The passing of the years, with their many changes of fashion, have not diminished the beauty of the proportions and appearance of Breguet's work. The Art of Breguet is the complete, illustrated history of the work of Abraham Louis Breguet by the late George Daniels who has provided a detailed study of Breguet's horological philosophy that explains so many of the misunderstood aspects of his work. He describes in detail the complexity of Breguet's art and, by so doing, supplants the mystique that has surrounded it with a clearer understanding of its function. Over one hundred line drawings illustrate the progress of technical development and each is accompanied by an analysis of the mechanism and its intended purpose. The history of the development of the internal and external appearance of the vast range of Breguet's products is illustrated in a separate section, arranged in the order of manufacture to reveal the pattern of change in appearance. Each item is accompanied by a description of its external characteristics, mechanism, period of manufacture and, where possible, the date of sale. This reprinted edition, with a foreword by Emmanuel Breguet, has been long awaited and is addressed equally to the student and to the collector of Breguet's work.

All in Good Time is the remarkable story of George Daniels (1926-2011), the master craftsman, who was born into poverty but raised himself to become the greatest watchmaker of the twentieth century. Daniels stands alone in modern times as the inventor of the revolutionary co-axial escapement, the first substantial advance in portable mechanical timekeeping over the lever escapement, which has dominated ever since its invention in 1759. Daniels's love of mechanics embraced not only the minute, however - he was also a passionate collector and driver of historic motorcars. This revised and expanded edition of his autobiography also contains a new section that illustrates and discusses over thirty of the pocket and wrist-watches Daniels himself made over the years. Witness here the triumph of intelligence, ingenuity, matchless skill and singularity of purpose over the most unpromising of beginnings.

George Daniel discusses cutting-edge strategies for nymphing, dry-fly, and streamer fishing gleaned from his own on-the-water experience and insights from other top anglers around the country. He covers everything from basic equipment and favorite fly patterns to proven rigs, casting approach, and common troubleshooting scenarios, and includes his best tips for taking your fly-fishing game to the next level.

Some anglers think that stripping a Woolly Bugger across-stream is the only way to fish streamers, but streamer fishing can include a wide range of patterns and techniques, from swinging baitfish imitations and dead-drifting leeches to waking mice patterns across the surface. Like dry-fly anglers matching the hatch, streamer anglers need to understand the behaviour and characteristics of the large forage items they're imitating if they want to be successful. Strip-Set is a comprehensive book on tactics for streamers, including new approaches for trout, steelhead, muskie, and bass. World-champion fly fisher George Daniel shares his knowledge of the exciting world of streamer fishing and helps readers develop a set of skills that will be effective anywhere in the world. Patterns from several of the most prominent contemporary streamer tiers, including Blane Chocklett, Kelly Galloup, Rich Strolis, Ben Furimsky, Mike Schmidt, Russ Maddin, and more. Step-by-step photos to help you master casting and presentation. Sections on reading the water, trout behaviour, equipment, casting, and night fishing. Features over 450 detailed photos and illustrations.