When Maigret's prized gun goes missing, he must travel to London on the trail of a troubled young man on the run. Maigret's Revolver is a wonderful picture of both London and Paris and one of Simenon's most ingenious and satisfying stories. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The new crime and espionage series from Penguin Classics makes for a mouth-watering prospect' Daily Telegraph A baffling case. A mysterious inheritance. It starts when a man's arm is fished out of Paris's Canal Saint-Martin. Then the rest of the body is retrieved - apart from the head. Inspector Maigret is determined to unearth the truth behind this disturbing murder. When he meets the strangely taciturn owner of a shabby local bistro, Madame Calas, who says her husband is away, the pieces start to fall into place. But, as the dogged, laconic detective discovers, nothing in this tangled case is as it seems.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Georges Simenon's brilliant pipe-smoking detective, Jules Maigret, is one of the most beloved literary creations of the twentieth century. In this adventure, an officer from Scotland Yard is studying Maigret's methods when a call from an island off the Cote d'Azure sends the two men off to an isolated community to investigate its eccentric inhabitants.

The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape. He had a way of imposing himself just by standing there. His assertive presence had often irked many of his own colleagues. In Simenon's first novel featuring Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces the true identity of Pietr the Latvian. This novel has been published in previous translations as The Case of Peter the Lett and Maigret and the Enigmatic Lett. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century' Guardian

'A brilliant portrait of betrayal, hypocrisy, love and loss' Chicago Tribune 'She tried to laugh, but was sobbing at the same time. She attempted to stand up and fell over, but she didn't shatter like the glass' Alone and adrift after losing everything in a divorce, Betty finds her life sliding dangerously out of control. When an older woman, Laure, discovers her drunk in a Paris restaurant and nurses her back to health, she is given another chance. But Betty is damaged, consumed by darkness. As the truth about her past, and her nature, emerges, it threatens to consume Laure too. Originally published in 1961, this gripping psychological thriller caused a sensation and inspired a film adaptation by Claude Chabrol. 'Dark, disturbing ... Simenon discovered something fundamental about the soul' Guardian

The first annual omnibus edition in the new Penguin Inspector Maigret series, comprising four titles from the series so far: Pietr the Latvian, The Hanged Man of Saint-Pholien, The Carter of La Providence and The Grand Banks Cafe. Additional material includes the original French first edition covers, art directed by Georges Simenon himself. Penguin is publishing the entire series of Maigret novels. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century ...Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer ...unforgettable vividness' Independent

'As you are well aware, we never loved each other in your lifetime. Both of us pretended.' Simenon explores the complexity of parent child relationships and the bitterness of things left unsaid in this stark, confessional piece. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

'Quite simply a masterpiece' John Banville 'I've just found a stranger in my house. In a bed on the second floor. He was dying when I got there. You're going to have to deal with it' Hector Loursat has been a drunken recluse since his wife left him eighteen years ago. Shut away in his dilapidated mansion in the small town of Moulins, he barely speaks to his daughter. But when the sound of a gunshot penetrates the padded walls of his study one night, and he discovers a body, Loursat is forced to act. No longer able to ignore the world, he determines to get to the truth of what happened, and save an innocent life.

'Compelling, remorseless, brilliant' John Gray When a tramp is recovered from the Seine, after being badly beaten, Maigret must delve into the man's personal circumstances to figure out just who wanted to kill him. This novel has been published in previous translations as Maigret and the Dosser and Maigret and the Bum. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves 'Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward ... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.' When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman's enemies before he can get to the sad truth of the affair. 'One of the greatest writers of the twentieth century' Guardian

'There were some weeks that were painful, nerve-racking. At the office or at home, in the middle of a meal, he would suddenly find his forehead bathed in sweat, a tightness in his chest, and at those times, feeling everyone's eyes on him was unbearable.' During a chance meeting on the train from Venice to Paris, a stranger asks Justin Calmar to deliver a briefcase for him to an address in Switzerland. Soon this ordinary family man will become hopelessly, fatally, ensnared in a world of guilt, lies and paranoia. Originally published in 1965, shortly after Simenon moved into the new home he had built in Epalinges, Switzerland, this chilling novel is a powerful exploration of the fragility of the human psyche.

'Compelling, remorseless, brilliant' John Gray 'At what point in the day could the note have been slipped into his pocket, his left breast pocket? It was an ordinary sheet of glazed squared paper, probably torn out of an exercise book. The words were written in pencil, in a regular handwriting that looked to him like a woman's. For pity's sake, ask to see the patient in room 15.' When Inspector Maigret's wife falls ill on their seaside holiday, a visit to the hospital leads him on an unexpected quest to find justice for a young girl. This novel has been published in previous translations as No Vacation for Maigret and A Summer Holiday. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves 'What else did they have to do with their days? They ambled around casually. From time to time, they paused, not because they were out of breath but to admire a tree, a house, the play of light and shadow, or a face.' While taking a much-needed rest cure in Vichy with his wife, Maigret feels compelled to help with a local investigation, unravelling the secrets of the spa town's elegant inhabitants. This novel has been published in a previous translation as Maigret Takes the Waters. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century' Guardian

Connecticut, 1969. On their way back from a party, two couples struggle home through the snow. Not everyone arrives safely. The great detective writer Georges Simenon escaped France at the end of World War Two, and arrived in the USA to start again. With his American wife, he settled at Shadow Rock Farm in Lakeville. Years later, he wrote La Main, a psychological thriller set in a New England farmhouse. David Hare has taken this novel, and forged from it a startling new play. The Red Barn premiered at the National Theatre, London, in October 2016.

'The father of contemporary European detective fiction' Ann Cleeves 'He hadn't seen her arrive. She had stopped on the pavement a few steps away from him and was peering into the courtyard of the Police Judiciaire, where the small staff cars were parked. She ventured as far as the entrance, looked the officer up and down, then turned round and walked away towards the Pont-Neuf' When an old lady tells Maigret someone has been moving things in her apartment, she is dismissed as a fantasist - until a schocking event proves otherwise. 'One of the greatest writers of the twentieth century' Guardian

'The father of contemporary European detective fiction' Ann Cleeves 'You see, I mainly work at night. I've ended up getting to know everybody. They're used to me in Pigalle, I exchange a few words with this person or that person. I go into the bars and cabarets where they give me a quarter bottle of Vichy without waiting for me to order anything.' An anonymous tip-off regarding the death of a restaurant owner sends Maigret into the world of Parisian nightlife, a notorious criminal gang and a man known as 'the Flea'. This novel has been pubished in a previous translation as Maigret and the Flea. 'One of the greatest writers of the twentieth century' Guardian

'Compelling, remorseless, brilliant' John Gray Maigret is called to the home of professional gambler, Felix Nahour, who has been found shot dead by his chambermaid. Maigret is shocked to recognise a photo of the man's wife who becomes the main suspect. All signs point to her guilt but Maigret suspects there might be more to this complicated affair. This novel has been published in a previous translation as Maigret on the Defensive. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

A new translation of this gripping domestic tragedy, set in Simenon's very own neighbourhood. One by one the lighted windows went dark. The silhouette of the dead man could still be seen through the frosted glass like a Chinese shadow puppet. A taxi pulled up. It wasn't the public prosecutor yet. A young woman crossed the courtyard with hurried steps, leaving a whiff of perfume in her wake. Summoned to the dimly-lit Place des Vosges one night, where he sees shadowy figures at apartment windows, Maigret uncovers a tragic story of desperate lives, unhappy families, addiction and a terrible, fatal greed. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret Mystified and The Shadow in the Courtyard. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'The father of contemporary European detective fiction' Ann Cleeves A man picked up for wandering in obvious distress among the cars and buses on the Grands Boulevards. Questioned in French, he remains mute . . . A madman? In Maigret's office, he is searched. His suit is new, his underwear is new, his shoes are new. All identifying labels have been removed. No identification papers. No wallet. Five crisp thousand-franc bills have been slipped into one of his pockets. A distressed man is found wandering the streets of Paris, with no memory of who he is or how he got there. The answers lead Maigret to a small harbour town, whose quiet citizens conceal a poisonous malice. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Death of a Harbour Master. 'Compelling, remorseless, brilliant' John Gray 'A supreme writer . . . unforgettable vividness' Independent

'The most addictive of writers' Observer 'High up in Montmartre, there was a festive atmosphere, people were crowding round the little tables where rose wine was being served ... Yet a hundred metres further on, the little alleyways were deserted, and the killer might find it easy to pounce' Detective Chief Inspector Maigret is known for his infallible instinct, for getting at the truth no matter how complex the case, but when someone starts killing women on the streets of Montmartre, he finds himself confounded. In the sweltering Paris summer heat, with the city in a state of siege, Maigret hatches a plan to lure the murderer out ... 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves Maigret shrugged his shoulders, buried his hands in his pockets and went off without answering. He had just spent one of the most wretched days in his life. For hours, in his corner he had felt old and feeble, without idea or incentive. But now a tiny flame flickered. 'You bet we'll see' he growled. Maigret's peaceful retirement in the countryside is disrupted when a relative unwittingly embroils himself in a crime he did not commit and the inspector returns to Police Headquarters in Paris once again. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret Returns. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'One of his most erotic and emotionally charged stories' The Times Two people who didn't know each other and who had come together by a miracle in the great city, and who now clung desperately to each other, as if already they felt a chilly solitude settling in. A divorced actor and a lonely woman, both adrift in New York, meet by chance in an all-night diner. It is the start of something, though neither is sure what. As they move through neon-lit streets, bars, rented rooms and cheap motels, these two lost souls struggle to understand what it is that has brought them, in spite of themselves, inexorably together. 'Simenon casts his characteristic spell from the opening lines. There is an evanescent, hallucinatory, almost dreamlike quality throughout' Daily Telegraph 'Three Bedrooms in Manhattan is about how we resist love, how we get dragged into it, spat out, dragged back in against our will' Los Angeles Times