If you’ve ever stood with your nose pressed to the window of a French patisserie, you’ll love this hefty collection of 350 recipes.’ – BBC Good Food.

The classic collection of more than 350 authentic French dessert recipes from the ultimate authority on French home cooking.

From éclairs to soufflés and macarons to madeleines, when it comes to desserts, no one does it better than the French. With Ginette Mathiot as your guide, beautiful, elegant, and delicious French desserts are easy to create at home. The Art of French Baking is the definitive collection of authentic French pastry and dessert recipes.

This gorgeous cookbook contains more than 350 accessible recipes for the home baker, from Tarte Tatin and Hazelnut Petit Fours to Cherry Tartlets and Choux Buns, as well as more than 100 recipes for jams, preserves, compotes, and pickles.

Novice bakers will appreciate step-by-step guides to classic pastry techniques and expert advice for troubleshooting common pastry problems, while home cooks of all skill levels will discover sweet treats to suit every palate. An introduction by the Parisian food writer Clothilde Dusoulier completes this elegant companion.

Pirro Ligorio's Worlds brings renowned Ligorio specialists into conversation with emerging young scholars, on various aspects of the artistic, antiquarian and intellectual production of one of the most fascinating and learned antiquaries in the prestigious entourage of Cardinal Alessandro Farnese. The book takes a more nuanced approach to the complex topic of Ligorio's 'forgeries', investigating them in relation to previously neglected aspects of his life and work.

Empathy and Intuition in Distance Learning Professor of cognitive sciences and education at the Harvard Graduate School of Education, Howard Gardner is among the most influential education theorists in the world. Over the past twenty years, his theory of multiple intelligences, according to which every individual possesses various intelligences in different areas, has been broadly established in education. This theory is a revolution in attitudes on learning, especially concerning the greater customization of curricula, instruction, and evaluation, as well as the study of the nature of interdisciplinary efforts in education. This short work reflects on some intelligences that are not yet accepted by Gardner. Primarily empathy and intuition, which after many lectures, and through my personal experience, have led me to think that they should be an integral part of distance learning. Ginette Provost Flatow

Written to address the growing trend of hair loss in ethnic populations, The Fundamentals of Ethnic Hair: A Dermatologist's Perspective elucidates the science of curly hair, demystifies prevailing hair styling trends, and presents practical advice for minimizing the harmful effects of these hair styling practices. Written from a dermatologist's perspective, this textbook seamlessly blends science and practical management. Chapters include physical and chemical properties of the hair, thermal and chemical straightening, extensions, razor bumps and special cultural considerations.

This essay collection offers a new approach to the representation of Paris on screen. Bringing together a wide range of renowned French and Anglophone specialists in film, television, history, architecture and literature, Alastair Phillips and Ginette Vincendeau introduce, challenge and extend ideas about the city as the locus of screen modernity. Through a range of concrete and historically-specific case studies, this unique text demonstrates how the cinematic city of Paris now constitutes a major archive of French cultural history and memory. This is an ideal resource for undergraduate and postgraduate students of Film, Media and Cultural Studies, French Studies, European or Transnational Studies, Visual Studies, and Urban Studies. Fresh and engaging, this fascinating text will also appeal to lovers of French cinema and the capital city that comprises its major home.

The widespread adoption of smartphones has led to an explosion of mobile social media data, more than a billion messages per day that continuously track location, content, and time. Social Media in the Contemporary City focuses on the effects of social media on local communities and urban space in a variety of political and economic settings related to social activism, informal economic activity, public art, and global extremism. The book covers events ranging from Banksy art installations, mobile food trucks, and underground restaurants, to a Black Lives Matter protest, the Christchurch mosque shootings, and the Pulse nightclub shooting. The interplay between urban space, local community, and social media in each case study requires diverse methodologies that are both computational (i.e. machine learning, social network analysis, and natural language processing) and ethnographic (i.e. semi-structured interviews, thematic analysis, and site analysis). The book views social media not as a replacement for the local community or urban space but rather as a translation of the uses and meanings of all three realms. The book will be of interest to students, researchers, and instructors in a number of disciplines including urban design/planning, media studies, geography, and communications.

The widespread adoption of smartphones has led to an explosion of mobile social media data, more than a billion messages per day that continuously track location, content, and time. Social Media in the Contemporary City focuses on the effects of social media on local communities and urban space in a variety of political and economic settings related to social activism, informal economic activity, public art, and global extremism. The book covers events ranging from Banksy art installations, mobile food trucks, and underground restaurants, to a Black Lives Matter protest, the Christchurch mosque shootings, and the Pulse nightclub shooting. The interplay between urban space, local community, and social media in each case study requires diverse methodologies that are both computational (i.e. machine learning, social network analysis, and natural language processing) and ethnographic (i.e. semi-structured interviews, thematic analysis, and site analysis). The book views social media not as a replacement for the local community or urban space but rather as a translation of the uses and meanings of all three realms. The book will be of interest to students, researchers, and instructors in a number of disciplines including urban design/planning, media studies, geography, and communications.

Originally published in 1980. Song is perhaps the strongest form of traditional culture. Its vigour and energy represent the power of the community from which it springs. This book focuses on traditional singing in two small English villages. It studies in detail an activity which goes to the core of the communal life in any village and demonstrates how song becomes the lifeblood of the traditions of rural life. In many ways traditional singing is highly subversive because its practice is an affirmation of community and a denial of the fragmentation of modern society. The songs sung, those remembered, the singers now dead whose lives are recalled each time an old favourite is performed, all connect the present with the past. The primary aesthetic concern within these singing traditions is that a man should sing, whatever the objective quality of his performance; and a song should tell a good story. The individual singer assumes a special role in performance since he becomes spokesman for a group and gives voice not only to personal but also to social concerns, dynamics and emotions.

The first edition of Wisdom of the Psyche engaged with one of the main dilemmas of contemporary psychology and psychotherapy: how to integrate findings and insights from neuroscience and medicine into an approach to healing founded upon activation of the imagination. In this revised edition, Ginette Paris re-focuses her attention on the modern lack of desire to become adult and updates the book with brand new neuroscientific research. Paris uses cogent and passionate argument, as well as stories from patients, to demonstrate that the human psyche seeks to destroy relationships and lives as well as to sustain them. She makes clear that the way out of those destructive states does not start with an upward, positive, wilful effort of the ego, but with an opening of the imagination, and aims to foster the dialogue between psychotherapists and neuroscientists. In clear and accessible language, Paris describes how depth psychology can be seen as a subject of the humanities rather than the sciences, and explains how gaining an understanding of neuroscience will not necessarily make us psychologically wiser. A unique and powerful book, Wisdom of the Psyche will be fascinating reading for Jungian and depth psychologists, psychotherapists, analysts and others in the helping professions, as well as students and those in training, and readers with an interest in psychology and neuroscience who want to create an inner life worth living.

The first edition of Wisdom of the Psyche engaged with one of the main dilemmas of contemporary psychology and psychotherapy: how to integrate findings and insights from neuroscience and medicine into an approach to healing founded upon activation of the imagination. In this revised edition, Ginette Paris re-focuses her attention on the modern lack of desire to become adult and updates the book with brand new neuroscientific research. Paris uses cogent and passionate argument, as well as stories from patients, to demonstrate that the human psyche seeks to destroy relationships and lives as well as to sustain them. She makes clear that the way out of those destructive states does not start with an upward, positive, wilful effort of the ego, but with an opening of the imagination, and aims to foster the dialogue between psychotherapists and neuroscientists. In clear and accessible language, Paris describes how depth psychology can be seen as a subject of the humanities rather than the sciences, and explains how gaining an understanding of neuroscience will not necessarily make us psychologically wiser. A unique and powerful book, Wisdom of the Psyche will be fascinating reading for Jungian and depth psychologists, psychotherapists, analysts and others in the helping professions, as well as students and those in training, and readers with an interest in psychology and neuroscience who want to create an inner life worth living.

While popular European cinema is strongly linked with the dominant American version of popular film, it cannot be read simply as Hollywood in foreign dress. The styles, stars and genres of popular European cinema - Swedish melodramas, Italian horror movies, French musicals - all have their own conventions, superfically similar to Hollywood and yet certainly distinct from it. The popular cinema of Europe has been surprisingly little studied as both art and social document. "Popular European Cinema" seeks to fill this gap and to illuminate two compelling contemporary issues: the nature of the "popular" and the "new Europe". The book examines the reasons why films that are most popular with audiences in any one European country are seldom successful elsewhere. Audiences themselves represent diverse class, gender and ethnic identities that complicate the question of national cinema, not least with recent developments in formerly communist Eastern Europe and post-colonialist Western Europe. This book should be of interest to undergraduates in film and cultural studies courses.

Popular European Cinema examines the reasons why films that are most popular with audiences in any one European countha are seldom successful eslewhere. Audiences themselves represent diverse class, gender and ethnic identities that complicate th equestoin of national cinema, not least with recent developments in formerly communist Eastern Europe and post-colonialist Western Europe. THrough their individual studies, the contribuitots ehr oven up a new area of study, using the medium of film to fucus a wider discussion of popular European culture.

Originally published in 1980. Song is perhaps the strongest form of traditional culture. Its vigour and energy represent the power of the community from which it springs. This book focuses on traditional singing in two small English villages. It studies in detail an activity which goes to the core of the communal life in any village and demonstrates how song becomes the lifeblood of the traditions of rural life. In many ways traditional singing is highly subversive because its practice is an affirmation of community and a denial of the fragmentation of modern society. The songs sung, those remembered, the singers now dead whose lives are recalled each time an old favourite is performed, all connect the present with the past. The primary aesthetic concern within these singing traditions is that a man should sing, whatever the objective quality of his performance; and a song should tell a good story. The individual singer assumes a special role in performance since he becomes spokesman for a group and gives voice not only to personal but also to social concerns, dynamics and emotions.

This work looks at classic French films, from the 1930s to the 1990s, providing detailed analyses of 22 major landmarks in French cinema. Embracing classic thrillers such as Renoir's "Le Crime de Monsieur Lange", popular comedies like "Les Vacances de Monsieur Hulot" , or New Wave masterpieces like Godard's "A Bout de Souffle", contributors employ a variety of methods of textual analysis to investigate the different ways in which these and other films textually inscribe and rework a variety of other cultural and historical texts. Approaching from a variety of disciplines - history, literary studies, semiotics, psychoanalysis - contributors examine films within the context of French film and literature, Hollywood, and the profound changes in French society taking place through the twentieth century. This revised second edition includes: new studies of controversial classics such as Jean-Pierre Melville's "Le Samourai" and Betrand Blier's "Les Valseuses"; articles on acclaimed 90s films "Nikita", "Cyrano de Bergerac", and "La Haine"; and a fully revised introduction and bibliography.

The first British writer to win the Booker Prize on two separate occasions - for Wolf Hall in 2009 and its sequel Bring Up the Bodies in 2012 - Hilary Mantel is one of the most popular and lauded novelists working today. Hilary Mantel: Contemporary Critical Perspectives is a critical guide to Mantel's work, from her earliest novels through to her recent Thomas Cromwell fictions, including analysis of her short story collections and memoir. Chapters cover such topics as Mantel's engagement with history to her deployment of the spectral and her extensive intertextuality. The book also includes a comprehensive interview with Mantel herself that explores her work and career.

The theme of this volume is challenging both in its scale and in its scope. Its purpose is to take account of the state of research and writing on the symbiotic relationship between banking, trade and industry and the state during the rise and expansion of capitalism, and to compare and assess the results in order to widen current perspectives. Topics covered range from the origins of banking in the Middle Ages, through the influence of banks in leading industrial economies and the influence of banks on "latecomer" economies, to the expansion of banking in the American and Asian economies.

The theme of this volume is challenging both in its scale and in its scope. Its purpose is to take account of the state of research and writing on the symbiotic relationship between banking, trade and industry and the state during the rise and expansion of capitalism, and to compare and assess the results in order to widen current perspectives. Topics covered range from the origins of banking in the Middle Ages, through the influence of banks in leading industrial economies and the influence of banks on "latecomer" economies, to the expansion of banking in the American and Asian economies.

The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include:
* masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis
* popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud
* landmarks of the New Wave such as Les 400 Coups and A bout de souffle
* important films of the 1990s such as Nikita and La Haine
The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

The French New Wave is an essential anthology of writings by and about the critics and filmmakers of this revolutionary cinematic movement, which has had a radical impact on film practice and the way we think and write about film. The volume includes foundational writings such as Francois Truffaut's A Certain Tendency in French Cinema and Andre Bazin's La Politique des auteurs, as well writings by Jean-Luc Godard, Claude Chabrol and Alexandre Astruc. This new edition now represents writings by and about women critics and film-makers, including important articles by the critics Evelyne Sullerot, Michele Firk and Francoise Aude, addressing issues of gender and representation, as well as considering New Wave films in the context of contemporary political events, notably France's colonialist war on the Algerian independence movement. To accompany the case study of Godard's A bout de souffle, the new edition includes a case study of the critical reception of two films by Agnes Varda: La Pointe Courte and Cleo de 5 a 7 . The articles have been specially translated for the volume by Peter Graham, and some are published for the first time in English. These classic writings are accompanied by contextualising introductions by Ginette Vincendeau, updated for this new edition, to form a unique resource on this key cinematic movement and its practitioners.

Written to address the growing trend of hair loss in ethnic populations, The Fundamentals of Ethnic Hair: A Dermatologist's Perspective elucidates the science of curly hair, demystifies prevailing hair styling trends, and presents practical advice for minimizing the harmful effects of these hair styling practices. Written from a dermatologist's perspective, this textbook seamlessly blends science and practical management. Chapters include physical and chemical properties of the hair, thermal and chemical straightening, extensions, razor bumps and special cultural considerations.