Postcolonial discourse is fast becoming an area of rich academic debate. At the heart of coloniality and postcoloniality is the contested authority of empire and its impact upon previously colonized peoples and their indigenous cultures. This book examines various theories of colonization and decolonization, and how the ideas of a British empire create networks of discourses in contemporary postcolonial cultures. The various essays in this book address the question of empire by exploring such constructs as nation and modernity, third-world feminisms, identity politics, the status and roles of exiles, exilic subjectivities, border intellectuals, and the presence of a postcolonial body in today's classrooms. Topics discussed include African-American literature, the nature of postcolonial texts in first-world contexts, jazz, films, and TV as examples of postcolonial discourse, and the debates surrounding biculturalism and multiculturalism in New Zealand and Australia.

As the British empire expanded throughout the world, the English language played an important role in power relations between Britain and its colonies. English was used as a colonizing agent to suppress the indigenous cultures of various peoples and to make them subject to British rule. With the end of World War II, many countries became gradually decolonized, and their indigenous cultures experienced a renaissance. Colonial mores and power systems clashed and combined with indigenous traditions to create postcolonial texts.

This volume treats postcoloniality as a process of cultural and linguistic interplay, in which British culture initially suppressed indigenous cultures and later combined with them after the decline of the British empire. The first section of this book provides an introductory overview of English postcoloniality. This section is followed by chapters discussing postcoloniality and literature from an historical perspective in particular countries around the world. The third section gives special attention to the literature and culture of indigenous peoples. A selected bibliography concludes the work.

Transnational feminism has been critical to feminist theorizing in the global North over the last few decades. Perhaps due to its broad terminology, transnational feminism can become vague and dislocated, losing its ability to name specific critiques of and responses to empire, race, and globalization that are emboldened by its transnational remit. This volume encompasses an expansive engagement and exploration of transnational South Asian feminist movements, networks, and critiques within the context of the popular and the diaspora in South Asia. The contributing authors address key issues in a global context, especially as they operate both in a situated and the diasporic imaginary of South Asia.

While the idea of the popular in South Asia has often been circumscribed by the spaces and cultural politics of Bollywood, this interdisciplinary volume takes an innovative turn to examine how academics, advocates, activists, and artists envision the inroads and consequences of nationalism, globalization and/or empire, which continually remake communities and alter needs and allegiances. Through ethnography, literature, dance, cinema, activism, poetry, and storytelling, the authorsd analyse popular and social justice using a focused, multidisciplinary gendered lens.

This book was originally published as a special issue of South Asian Popular Culture.

Transnational feminism has been critical to feminist theorizing in the global North over the last few decades. Perhaps due to its broad terminology, transnational feminism can become vague and dislocated, losing its ability to name specific critiques of and responses to empire, race, and globalization that are emboldened by its transnational remit. This volume encompasses an expansive engagement and exploration of transnational South Asian feminist movements, networks, and critiques within the context of the popular and the diaspora in South Asia. The contributing authors address key issues in a global context, especially as they operate both in a situated and the diasporic imaginary of South Asia. While the idea of the popular in South Asia has often been circumscribed by the spaces and cultural politics of Bollywood, this interdisciplinary volume takes an innovative turn to examine how academics, advocates, activists, and artists envision the inroads and consequences of nationalism, globalization and/or empire, which continually remake communities and alter needs and allegiances. Through ethnography, literature, dance, cinema, activism, poetry, and storytelling, the authorsd analyse popular and social justice using a focused, multidisciplinary gendered lens. This book was originally published as a special issue of South Asian Popular Culture.

This book offers an in-depth look at the ways in which technology, travel, and globalization have altered traditional patterns of immigration for South Asians who live and work in the United States, and explains how their popular cultural practices and aesthetic desires are fulfilled. They are presented as the twenty-first century's "new cosmopolitans": flexible enough to adjust to globalization's economic, political, and cultural imperatives. They are thus uniquely adaptable to the mainstream cultures of the United States, but also vulnerable in a period when nationalism and security have become tools to maintain traditional power relations in a changing world.

Bringing together the most important theoretical work defining the role and practices of culture, this volume provides a historical overview of the field. It includes a wide range of texts from nineteenth-century thinkers and contemporary theorists such as Raymond Williams and Antonio Gramsci, enabling the reader to construct their own maps of cultural studies, criticism and debate. The book focuses on the central issues of cultural criticism in America and Britain. Writers from Britain, America, as well as Europe, Asia and Africa are represented, bringing the reader up to date with current issues such as post-colonialism and identity politics. Each section is introduced with a general description of the field, its contents and practitioners and contains a bibliographical summary of the writer's work. A discussion of the future development of cultural studies concludes the book and this contains original interviews with leading commentators Stuart Hall and J Hillis Miller.

Bringing together the most important theoretical work defining the role and practices of culture, this volume provides a historical overview of the field. It includes a wide range of texts from nineteenth-century thinkers and contemporary theorists such as Raymond Williams and Antonio Gramsci, enabling the reader to construct their own maps of cultural studies, criticism and debate. The book focuses on the central issues of cultural criticism in America and Britain. Writers from Britain, America, as well as Europe, Asia and Africa are represented, bringing the reader up to date with current issues such as post-colonialism and identity politics. Each section is introduced with a general description of the field, its contents and practitioners and contains a bibliographical summary of the writer's work. A discussion of the future development of cultural studies concludes the book and this contains original interviews with leading commentators Stuart Hall and J Hillis Miller.