Radical Visions discusses an important period in American film history: Films such as Bonnie and Clyde, The Graduate, McCabe and Mrs. Miller, Midnight Cowboy, Nashville, and Taxi Driver challenged the narrative structure and style of the classical Hollywood paradigm, transformed its conventional genres, exploded traditional American myths, and foregrounded a consciousness of the cinematic process. Film students, scholars, and aficionados will gain insight into generic conventions and narrative style presented within the cultural attitudes of the time. The book features a chronological movement through the period, not by auteur but by film, from Bonnie and Clyde to Taxi Driver. It includes in-depth analyses of 16 films, but discusses other films when relevant. It traces the thematic development of the films as the period progresses from an optimistic radicalism at the beginning, to doubt and shattered dreams, to paranoia and pessimism at the end. It summarizes contemporary reviews and reactions to the films as they came out and gauges the films' interactions with audiences and the society of the time. It also discusses European filmmakers' influences on the films of the period. The book supports and solidifies the view of a Hollywood renaissance during this period, and it more sharply defines and delineates the parameters and characteristics of the period than previous studies.

A smug glance at the seventies-the so-called "Me Decade"-unveils a kaleidoscope of big hair, blaring music, and broken politics-all easy targets for satire, cynicism, and ultimately even nostalgia. American Cinema of the 1970s, however, looks beyond the strobe lights to reveal how profoundly the seventies have influenced American life and how the films of that decade represent a peak moment in cinema history. Far from a placid era, the seventies was a decade of social upheavals. Events such as the killing of students at Kent State and Jackson State universities, the Watergate investigations, the legalization of abortion, and the end of the American involvement in Vietnam are only a few among the many landmark occurrences that challenged the foundations of American culture. The director-driven movies of this era reflect this turmoil, experimenting with narrative structures, offering a gallery of scruffy antiheroes, and revising traditional genre conventions. Bringing together ten original essays, American Cinema of the 1970s examines the range of films that marked the decade, including Jaws, Rocky, Love Story, Shaft, Dirty Harry, The Godfather, Deliverance, The Exorcist, Shampoo, Taxi Driver, Star Wars, Saturday Night Fever, Kramer vs. Kramer, and Apocalypse Now. Lester D. Friedman is the Senior Scholar-in-Residence in the Media and Society Program at Hobart and William Smith Colleges and the author of numerous books on film.