Cultural Planning examines how and why the cultures have been planned and the extent to which cultural amenities have been considered in town planning. The book calls for the adoption of consultative planning policy, distributive models and a more integrated approach to both culture and urban design.

This is the first book on the planning of the arts and culture and the interaction between the state arts policy, the cultural economy and town and city planning. It uses case-studies and examples from Europe, North America and Asia.

Using an historic and contemporary analysis, Cultural Planning examines how and why the cultures have been planned and the extent to which cultural amenities have been considered in town planning. From its ancient roots in the cities of classical Athenian, Roman and Byzantium empires, to the European Renaissance, public culture shows both an historic continuity and contemporary response to economic and social change. Whilst the arts are considered an extension of welfare provision and human rights, the creative industries and cultural tourism are also vital for economic growth and employment in the post-industrial age. However, the new 'Grand Projects', which look to the arts as an element of urban regeneration, tend to be at the cost of both local cultural amenities and a culturally diverse society.
Cultural Planning is the first book on the planning of the arts and culture and the interaction between the state arts policy, the cultural economy and town and city planning. It uses case studies and examples from Europe, North America and Asia.
The book calls for the adoption of consultative planning policy, distributive models and a more integrated approach to both culture and urban design, to prevent the reinforcement of existing geographical and cultural divides.

This book brings together different perspectives of mega-event bidding, hosting and legacies. Their impact is considered through an international range of mega-events in terms of land use, political and socio-economic change, and the placemaking processes that accompany these area-based regeneration projects. From city-regions that have not been successful or withdrawn from mega-event selection, to contemporary Olympic, Football World Cup and Expo host cities whose legacy is still unfolding, to event sites whose legacy is now established, the global appeal of the mega-event is apparent from this collection. The book interrogates the mega-event phenomenon in ten countries, from North and South America, and Australia, to Western and Eastern Europe. Drawing on their historical evolution and antecedents, and following recurrent themes of urban regeneration and resistance, the book highlights the importance of major events and festivals to the creation and marketing of place through branding and regional growth In considering a range of mega-events critically and in different national and geopolitical contexts, the book will be of interest to policy and decision-makers at local, regional, national and international levels, and will be of particular interest to professionals, scholars and students working in planning, urban studies, sport and leisure studies, and in event and festival management.

This book brings together different perspectives of mega-event bidding, hosting and legacies. Their impact is considered through an international range of mega-events in terms of land use, political and socio-economic change, and the placemaking processes that accompany these area-based regeneration projects. From city-regions that have not been successful or withdrawn from mega-event selection, to contemporary Olympic, Football World Cup and Expo host cities whose legacy is still unfolding, to event sites whose legacy is now established, the global appeal of the mega-event is apparent from this collection. The book interrogates the mega-event phenomenon in ten countries, from North and South America, and Australia, to Western and Eastern Europe. Drawing on their historical evolution and antecedents, and following recurrent themes of urban regeneration and resistance, the book highlights the importance of major events and festivals to the creation and marketing of place through branding and regional growth In considering a range of mega-events critically and in different national and geopolitical contexts, the book will be of interest to policy and decision-makers at local, regional, national and international levels, and will be of particular interest to professionals, scholars and students working in planning, urban studies, sport and leisure studies, and in event and festival management.

Bringing together academics, artists, practitioners and 'community activists', this book explores the possibilities for, and tensions of, social justice work under the contemporary drive for community-orientated 'impact' in the academy. Threading a line between celebratory accounts of institutionalised community engagement, self-professed 'radical' scholarship for social change and critical accounts of the governmentalisation of community, the book makes an original contribution to all three fields of scholarship. Showcasing experimental research and co-production practices taking place in the UK, Australia, Sweden and Canada and within universities, independent research organisations and internationally prestigious museums and galleries, the book considers what research impact could look like for a wide range of audiences and how universities could engage with different publics in ways that would be relevant and useful, but may not necessarily be easily measurable. Asking hard questions of the current impact agenda, the book offers an insight into emerging routes towards co-production for social justice.

Bringing together academics, artists, practitioners and 'community activists', this book explores the possibilities for, and tensions of, social justice work under the contemporary drive for community-orientated 'impact' in the academy. Threading a line between celebratory accounts of institutionalised community engagement, self-professed 'radical' scholarship for social change and critical accounts of the governmentalisation of community, the book makes an original contribution to all three fields of scholarship. Showcasing experimental research and co-production practices taking place in the UK, Australia, Sweden and Canada and within universities, independent research organisations and internationally prestigious museums and galleries, the book considers what research impact could look like for a wide range of audiences and how universities could engage with different publics in ways that would be relevant and useful, but may not necessarily be easily measurable. Asking hard questions of the current impact agenda, the book offers an insight into emerging routes towards co-production for social justice.

The thrilling climax to the trilogy that began with "The Innocent" and "The Exiled" brings Posie Graeme-Evans's bittersweet story of two lovers divided by the throne of England to its dramatic conclusion.

As England tears itself apart in the War of the Roses, Anne de Bohun lives far from the intrigues of cities and courts. Once King Edward IV's mistress, Anne has found safety with their son in Brugge. But now Edward himself is a hunted fugitive, and Anne's real father, King Henry VI, rules again from Westminster. Summoned by an enigmatic message from her lover, Anne is drawn once more to the passion, the excitement, and the deadly danger that Edward brings into her life. But now, the girl who was once a penniless servant has a child to protect and an inheritance to defend. Can she let her love for Edward threaten everything she has? Or will she need his help to protect her from the powerful enemy who means to destroy her?

Boasting an extraordinary heroine and intense, intersecting plots, "The Uncrowned Queen" is a dazzling and satisfying finale to Anne de Bohun's incredible story.

In this windswept story set in the lusty fifteenth century, the enchanting Anne faces the challenge of raising her child in exile. Always resourceful, she flourishes as a merchant and is able to support her household. But the local businessmen aren't pleased about competing with a woman and her foes are multiplying around her, desperate to put her back in what they believe is her rightful place.

Anne has a secret that her enemies could use to destroy her. Her beloved son is the product of a passionate affair with the king, Edward IV, who knows nothing of his existence. If this information were to fall into the wrong hands, it could prove lethal for Anne and her child. She struggles to find peace in a world of duplicity and suspicion, where adversaries masquerade as allies, and someone very powerful wants her dead. Yet, despite the pressure of her enemies, what pains Anne the most is that she is unsure when or if she will see her darling Edward again.