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"The term 'feudal society' is a caricature. It was invented by nineteenth-century historians to capture a particular period in French history, that of the retreat of monarchy (and thus of state authority) and the supposed tyranny of fiefdoms. It had its uses. As caricatures go, it was no worse than many others. But it was both reductionist and unbalanced. Among other things, it reduced society to bonds of dependency that were ritualized and personalized, and it imagined a scenario of quasi-independent castles, each with its own knights, existing in a state of continuous warfare with one another. It largely ignored other links and networks, and it overlooked the fact that warfare between neighbors was intermittent and limited. Meanwhile, in the real world, apart from such conflict-though sometimes through it-social construction was going on." Dominique Barthelemy In a collection of combative essays, updated for this new translation, Dominique Barthelemy presents a sharply revisionist account of the history of France around the year 1000. He challenges the view, developed in the enormously influential writings of Georges Duby and others, that France underwent a kind of revolution at the millennium that transformed it into the classic feudal, or seigneurial, society we know from a host of college textbooks. Barthelemy advances his own original views, positing a much more complex and incremental evolution, and maintaining that the post-Carolingian world was more dynamic and creative than Duby and his successors have held. Barthelemy's view requires historians to radically rethink their notions of the history of serfs and nobles, of the so-called Peace of God movements, of the influence (indeed, even the existence) of millenarian fears, and of the nature of the legal system in early medieval Europe. Moreover, it challenges the utility of the term "feudalism" itself, and of our notion that Europe of the High Middle Ages was a "feudal society." Originally published in French under the title La mutation de l'an mil a-t-elle eu lieu?, this book has generated loud debate on both sides of the Atlantic. In addition to having been revised throughout, the Cornell edition contains a new preface, concluding chapter, and bibliography."
Order and Exclusion is a rare and magnificent book of medieval history with clear relevance to today's headlines. Through the lens of the polemics of Peter the Venerable, abbot of Cluny, Dominique Iogna-Prat examines the process by which christianity transformed itself into Christendom, a powerful spiritual, social, and political system with pretensions to universality. Iogna-Prat's close examination of a set of writings central to the history of Catholicism resolves into a deeply troubling study of the origins of attitudes that continue to shape world events. Iogna-Prat writes that "versions of fundamentalism nourished by the soil of an often terrible common history" show that Christianity, Judaism, and Islam have all been capable of intolerance.Peter the Venerable's writings had a far-reaching impact: the powerful network of Clunaic houses expanded from the founding of the original monastery of Cluny to dominate Christendom by the twelfth century. This Christendom, Iogna-Prat demonstrates, defined itself in part through its increasingly bitter struggles against its perceived enemies both within and without. Peter the Venerable's all-pervasive logic pitted the "order" of the monastery and its hierarchical society against all those—heretics, Jews, Muslims, lepers—outside its bounds. In his proclamations against Jews and Muslims, Peter devised a Christian anthropology: in his view, to be non-Christian was to be non-human. The power of the Church came at a great and lasting price.
"The term 'feudal society' is a caricature. It was invented by nineteenth-century historians to capture a particular period in French history, that of the retreat of monarchy (and thus of state authority) and the supposed tyranny of fiefdoms. It had its uses. As caricatures go, it was no worse than many others. But it was both reductionist and unbalanced. Among other things, it reduced society to bonds of dependency that were ritualized and personalized, and it imagined a scenario of quasi-independent castles, each with its own knights, existing in a state of continuous warfare with one another. It largely ignored other links and networks, and it overlooked the fact that warfare between neighbors was intermittent and limited. Meanwhile, in the real world, apart from such conflict-though sometimes through it-social construction was going on." Dominique Barthelemy In a collection of combative essays, updated for this new translation, Dominique Barthelemy presents a sharply revisionist account of the history of France around the year 1000. He challenges the view, developed in the enormously influential writings of Georges Duby and others, that France underwent a kind of revolution at the millennium that transformed it into the classic feudal, or seigneurial, society we know from a host of college textbooks. Barthelemy advances his own original views, positing a much more complex and incremental evolution, and maintaining that the post-Carolingian world was more dynamic and creative than Duby and his successors have held. Barthelemy's view requires historians to radically rethink their notions of the history of serfs and nobles, of the so-called Peace of God movements, of the influence (indeed, even the existence) of millenarian fears, and of the nature of the legal system in early medieval Europe. Moreover, it challenges the utility of the term "feudalism" itself, and of our notion that Europe of the High Middle Ages was a "feudal society." Originally published in French under the title La mutation de l'an mil a-t-elle eu lieu?, this book has generated loud debate on both sides of the Atlantic. In addition to having been revised throughout, the Cornell edition contains a new preface, concluding chapter, and bibliography."
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