Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

For more than thirty years, Jerome John Garcia played guitar and sang in the traveling menagerie and living social experiment called the Grateful Dead. What started as a jug band in Palo Alto evolved into a rock and roll institution, playing to audiences composed of both gray-bearded boomers and tie-dyed baby Deadheads. At the center of this phenomenon was Jerry, whose musical gifts and affable manner made him the symbol of all things magical. In Dark Star, we see Garcia through the eyes of those closest to him, who speak for the first time since his death: the ex-wives and lovers who did their best to make him happy but in the end always seemed to lose him to the road; the close friends who watched in helpless frustration as he battled a long-running heroin habit he tried again and again to kick; the children of fellow members of the Grateful Dead for whom he was the father he could never be to his own daughters; the musicians who looked up to him as a guru and an older brother.

These five short stories are about people and organisations struggling with change. In each tale our hero or heroine experiences one of the major pitfalls that beset people going through change at work and discovers how to turn the situation on its head. In short, they learn to work with the grain of human nature and thereby achieve successful change. Although the stories are easy and enjoyable to read, each one packs a punch, illustrating a key technique for dealing with change; the book makes an excellent training aid, and an inspiring read for anyone grappling with the challenges of change. 5 Tales of Change is a companion volume to the author's first book, The 5 Forces of Change, described by Professional Manager Magazine as " - a masterclass on the competencies required to achieve effective organisational change - This work provides an outstanding guide to managers charged with securing organisational change in today's volatile business environment."

Few institutions have as profound an impact on the American theatrical landscape as the Tony Award-winning Williamstown Theatre Festival, located in Williamstown, Massachusetts. New Plays from Williamstown Theatre Festival 2015-2021 provides a sample of the dozens of plays that have been created and/or premiered at the Festival during the Artistic Directorship of Mandy Greenfield. In addition to stories that shine a light into new or underexplored corners of the human condition, these plays frequently feature complex and boundary-pushing central roles for women actors. These six plays are manifestations of living, American playwrights grappling with and breathing dramatic life into the conflicts and questions at the heart of who we were, who we are, and who we will become. These plays imagine and interrogate pieces of the human experience we are still in the midst of unpacking and understanding. Complete with introductions by each of the authors reflecting on their work, these historic, award-winning, and groundbreaking plays now live in conversation with one another in this unique collection.

A focused, multi-dimensional approach to help people searching for motivation and direction so they can connect where they have been and where they are to where they want to go in life.

Aw, a new puppy How sweet How precious and adorable How wrong Little Ozzy turns out to be the monster that destroys a family's peace and harmony. Or does he? The whole situation is so complex, and the run-up to the Dog War so fraught with complications, that it is completely unreasonable to conclude that it began with any one event - not even the arrival of Ozzy on that fateful day in April. It makes no sense to see the Dog War as an isolated episode, and once it really exploded, it stirred up a lot of old feelings and memories, recollections and resentments that perhaps would have been better forgotten. The Dog War was just a scrimmage in a much larger and longer running series of conflicts. And while the history of the Dog Wars is a story of conflict, it is also a story of victory. Although it is a story of struggle, it is a story of triumph too.