Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Moment of Truth

When Rosa Parks was growing up in Montgomery, Alabama, she hated the unfair rules that black people had to live by -- like drinking out of special water fountains and riding in the back of the bus. Years later, Rosa Parks changed the lives of African American in Montgomery -- and all across America -- with one courageous act.
On a December evening in 1955, Rosa Parks refused to give up her bus seat to a white passenger. She was arrested and put in jail. But Rosa Parks fought back, along with many other African Americans. After a long struggle, their heroic efforts launched the modern Civil Rights Movement. How could one quiet, gentle woman have started it all? This is her story.

For more than thirty years, Jerome John Garcia played guitar and sang in the traveling menagerie and living social experiment called the Grateful Dead. What started as a jug band in Palo Alto evolved into a rock and roll institution, playing to audiences composed of both gray-bearded boomers and tie-dyed baby Deadheads. At the center of this phenomenon was Jerry, whose musical gifts and affable manner made him the symbol of all things magical. In Dark Star, we see Garcia through the eyes of those closest to him, who speak for the first time since his death: the ex-wives and lovers who did their best to make him happy but in the end always seemed to lose him to the road; the close friends who watched in helpless frustration as he battled a long-running heroin habit he tried again and again to kick; the children of fellow members of the Grateful Dead for whom he was the father he could never be to his own daughters; the musicians who looked up to him as a guru and an older brother.

These five short stories are about people and organisations struggling with change. In each tale our hero or heroine experiences one of the major pitfalls that beset people going through change at work and discovers how to turn the situation on its head. In short, they learn to work with the grain of human nature and thereby achieve successful change. Although the stories are easy and enjoyable to read, each one packs a punch, illustrating a key technique for dealing with change; the book makes an excellent training aid, and an inspiring read for anyone grappling with the challenges of change. 5 Tales of Change is a companion volume to the author's first book, The 5 Forces of Change, described by Professional Manager Magazine as " - a masterclass on the competencies required to achieve effective organisational change - This work provides an outstanding guide to managers charged with securing organisational change in today's volatile business environment."

Few institutions have as profound an impact on the American theatrical landscape as the Tony Award-winning Williamstown Theatre Festival, located in Williamstown, Massachusetts. New Plays from Williamstown Theatre Festival 2015-2021 provides a sample of the dozens of plays that have been created and/or premiered at the Festival during the Artistic Directorship of Mandy Greenfield. In addition to stories that shine a light into new or underexplored corners of the human condition, these plays frequently feature complex and boundary-pushing central roles for women actors. These six plays are manifestations of living, American playwrights grappling with and breathing dramatic life into the conflicts and questions at the heart of who we were, who we are, and who we will become. These plays imagine and interrogate pieces of the human experience we are still in the midst of unpacking and understanding. Complete with introductions by each of the authors reflecting on their work, these historic, award-winning, and groundbreaking plays now live in conversation with one another in this unique collection.

A focused, multi-dimensional approach to help people searching for motivation and direction so they can connect where they have been and where they are to where they want to go in life.